VERNON
JUDO
CLUB
Established 1944
Sanctioned By
JUDO BC
JUDO CANADA
KODOKAN
JUDO THE SPORT
Like
fencing in the Western World, Judo is a sport which evolved from a martial
art. Like the Knights of Medieval Europe, the warriors of Feudal Japan
were a military class, and jujitsu - along with swordsmanship, archery,
horsemanship, etc.
was a skill
designed for battle. As its ends were military, no holds were barred and
along with the throws and locks that remain in present-day Judo were included
techniques of kicking, slashing, and anything else that might disable an
enemy efficiently. Japan at this time was broken up into several hundred
little states and at the castletown of each there were schools of jujitsu,
each with its own tradition and style. When a modern unified state arose
in 1868, the Feudal Regime and most of its works disappeared. Jujitsu however,
was preserved as Judo through the efforts of Dr. Kano, who selected from
the old schools those techniques suitable to the modern age. With the elimination
of its deadly aspects, a refinement of the throws and locks took place
and what had been an adjutant art of mayhem became a sport that anyone
could practice safely.
Jujitsu means ggentle arth while Judo means ggentle wayh. In both cases ggentleh refers to the philosophical premise that one can conquer by yielding. The actual does not always come up to the ideal, but even in most awkward throws one must take advantage of some lack in the opponentfs balance of position.
DOJO PLEDGE
1
OBSERVE THE RULES AND REGULATIONS OF
THE CLUB AND BE COURTEOUS AND KIND TO OTHERS.
2
ALWAYS RESPECT OUR ELDERS, ASSIST OTHERS
AND BE POSITIVE.
3
VALUE CLEANLINESS, BE DISCIPLINED,
TEMPER OUR PHYSICAL BEINGS AND STRIVE TO BE DESERVING MEMBERS OF SOCIETY.
AN INTRODUCTION TO JUDO
WHAT
IS JUDO?
The
name Kodokan Judo implies a system of physical and mental training, based
upon the principle of JU (yawara - gentleness). It was first introduced
in its present form by Dr. Jigoro Kano, who in 1882 founded the Kodokan
Judo Institute in Tokyo. The system he taught soon proved to be far superior
to that of the old schools of JUJITSU, and has gained in popularity to
such an extent that it can now claim over fifty million students, young
and old, male and female.
WHY
IS IT STUDIED?
If asked this question most students will say they first joined a Judo Club for quite easily understood reasons. The most common being exercise and self-defense, which, combined with a certain element of mystery and the often undeserved reputation of being a Judo expert, can be reason enough to start with. However, we are only willing to spend so much time and trouble for aims of this nature, and if after a while we have failed to find a better reason for practising than these, we are almost certain to become bored and give up; Many do give up, having failed to grasp the real reason and meaning of Kodokan Judo.
Of
this much you can be sure, there is a better reason for studying Judo than
those just given. There is in fact, something in the art of Judo that makes
many men and women spend a lifetime in its study. No amount of reading
will enable us to comprehend the real meaning of this sport. It can only
be discovered in the course of actual participation through which we can
grow to love the hours spent in the Dojo. It is, however, our object in
this introduction to try and give some thought to its real significance.
The
ultimate objective of Judo is the perfection of onefs self by the systematic
training of mind and body through exercise, so that each works in harmony
with the other. With this in mind we can better understand the stated objective
of Kodokan Judo which are: Physical development, mental and moral development,
and contest ability.
PHYSICAL
DEVELOPMENT
Physical
training today all too often favours appearances rather than usefulness.
Such is not the case with Judo. Here the stress is on the development of
a useful body which implies good health and physical fitness. In Judo we
do not consider physical training as an end in itself, but as a means of
making the body better able to serve the mind.
MORAL
AND MENTAL DEVELOPMENT
Certain sports (while they remain sports) can have a definitely beneficial effect on the adult or child that practises them. These good effects, however, last only as long as the sport is practised for its own sake.
Financial and commercial interests, if they are allowed to enter into the activity in any way, will surely kill all that is truly beneficial in them, leaving only that which can qualify as crowd pleasing or money making. This danger was foreseen in Judo from the start, when Dr. Kano caused a rule to be laid down prohibiting any use or display of Judo for personal gain or profit.
The result is that Kodokan Judo today occupies an almost unique position in modern sport, allowing no form of commercial exploitation and seeking in these the betterment of society through its effect on the individual.
Judo is the gentle way: gMaximum efficiency for minimum efforth, and should be practiced in a manner beneficial to all, injuring no one.
MUTUAL WELFARE AND BENEFIT
These
two statements continually remind us of the right way to approach our studies,
but the right way is not always the easiest way. People may get much quicker
results using strength only; this can result in injury to others, but what
is there to stop people from doing this? Nothing, except their own thoughts
and feelings on the matter. The victory they gained will not satisfy them;
they cannot truthfully be proud of it, and this may cause them to be critical
of their own actions and intentions in the future, remembering that half
the battle is knowing when you are wrong.
Consider
the following: the most you can hope to do is double your physical size
and strength, but there is no limit to the number of times you can multiply
your skill. As you increase in skill however, another and more difficult
test awaits. Training in humility, you must be ever more prepared to stand
by, saying and doing nothing, while events occur that make you long to
try out new found strength. It would seem that you are being called upon
for no good reason, to renounce the recognition you think is due. Yet this
is not the case, for at such times, we begin to understand the meaning
of words like these:
gIf one man conquer in battle a thousand men, And another man
conquer himself, He is the greatest of conquerorsh.
In
this and in numerable other ways, Judo runs as it were parallel to life,
based as it is on natural laws of action and reaction it cannot become
false, and the lessons learnt are of true value.
CONTEST
ABILITY
If
you practise Judo as a means of personal development, then the Judo contest
provides you with a guage whereby to measure progress. Without such a test
we could credit ourselves with all manner of wonderful abilities, but with
it we are forced to face ourselves as we really are. There is no such thing
as luck in a Judo contest. If we lose, it must be considered that in some
way we have been found lacking, and we must work to overcome our deficiencies.
If we win by fair and skillful technique, then we stand ready to aim at
greater things. But if we win by unfair means or by unnecessary use of
strength, then we have need of much soul searching, for it is better to
lose than win in such a manner.
RANDORI
(Free Practise)
In
Randori your object must he to develop technique in conjunction with a
relaxed body and an alert mind. It does not matter whether you win or lose
in Randori, but it is important that you use every moment to the full,
move freely, attack often and if your attack is countered get up and try
again. You will benefit from your studies in direct proportion to the amount
of effort you put into them. At times you may get discouraged, in which
case it may help you to compare your progress with the growth of a tree
- you cannot see it growing, yet you know that it is.
SHIAI
(Contest)
When
entering into Shiai, never underestimate your opponent. Respect - yet be
determined to beat - your opponent. Nervous strain and tension will detract
considerably from your performance, it is your true ability that shows
in a contest, and in time you may come to regard the Shiai as a far reaching
contest with yourself.
UKEMI
(Breakfalls)
Many
people have a deep-seated fear of falling. Its removal may not seem too
significant, yet it is nonetheless a big step forward in the process of
removing fear through knowledge, which, if continued correctly can enable
the individual to rightly make use of the environment, instead of being
controlled by it.
PERSONAL
HYGIENE
All
judoka are requested to wash their feet before practising and if necessary
shower. Finger and toenails should be kept short, and all rings, watches
and the like should be removed. Judo suits, or judogi, should be
kept clean and in good repair.
RANKS
IN JUDO
As
in Japanese martial arts, judo ranks are based on the kyu and dan
system. The kyu numbers for judo start at 6 - for a beginner - and work
down to 1 for a brown belt. Kyu ranks (or the coloured belts) are often
referred to as mudansha, literally those who do not have a dan ranking.
The dan numbers, for degrees of black belt standing, start at one and go
up to ten. Yudansha is the term for people that have black-belt
ranking. Traditionally 10th dan has been reserved for the founder
of judo, Jigoro Kano and a small number of his students.
|
Rokkyu
|
6th
kyu - white
|
or
white belt
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Gokyu
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5th
Kyu - yellow
|
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Shikyu
or (Yonkyu)
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4th
kyu - orange
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Sankyu
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3rd
Kyu - green
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or
brown (violet in some junior divisions)
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Nikyu
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2nd
Kyu - blue
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lkkyu
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1st
kyu - brown
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Shodan
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1st
dan
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Black
belt
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Nidan
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2nd
dan
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Sandan
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3rd
dan
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Yodan
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4th
dan
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Godan
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5th
dan
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Rokudan
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6th
dan
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Black
belt or red with white sections
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Shichidan
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7th
dan
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Hachidan
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8th
dan
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Kudan
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9th
dan
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Black
or red belt
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Judan
|
10th
dan
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To recognise achievement between these levels, the Vernon Judo Club has often awarded stripes toward the next rank. The VJC is sanctioned to grade up to the rank of brown belt, ikkyu. In Canada, black belt testing, or danza, is done by regional, provincial and national grading boards.
DOJO RULES
1. Keep finger and toenails short and clean.
2. Feet should be washed.
3. Keep your judogi clean.
4. Be on time for classes.
5. Do not use another personfs judogi.
6. All judogi should have initials.
7. No one should chew gum during classes.
8. Remove rings and other metal ornaments, including metallic berets or hairbands, before going onto the tatami.
9. Everyone should remove footwear before walking onto the tatami.
10. All members should bow, to pay their respect to Dr. Kano before going onto the tatami and leaving it.
11. Members shall not use profanity in the Dojo.
12. No horseplay on the tatami.
13. No smoking in the tatami areas.
14. The Instructor is to be referred to as eSen-Seih.
15. Excessive laughter or loud talking on the tatami will not be allowed.
16. At the beginning and at the end of each practice, Judoka should bow to each other.
17. Do not practice while intoxicated or under the influence of any drugs or medication.
18. Both judoka should kneel on one knee, while one fixes a judogi.
19. No conversation except pertaining to Judo will be permitted on the tatami.
20 Never misuse your knowledge of Judo. Aside from sanctioned tournaments and demonstrations, only extreme circumstances justify the use of judo in public.
21. Promotions to higher belt classes are judged by onefs general attitude, character, attendance, tournament results and techniques.
22. Obey the Instructors at all times.
23. Know your Judo Pledge.
24. Practice Judo with Confidence and Willingness.
JUDOTERMINOLOGY
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Judo
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Way
or Principle of Gentleness
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Jujitsu
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Art
or Practise of Gentleness
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|
Professor
Jigoro Kano
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Founder
of the Kodokan Judo (Feb. 1882)
|
|
Ukimitsu
Kano
|
Present
of the Kodokan. Grandson of Professor Kano
|
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Kodokan
Judo Institute
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Center
of World Judo, Tokyo, Japan
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Judoka
|
Judoist
or Student
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Judo-gi
|
Judo
Suit
|
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Dojo
|
Exercise
or Practise Hall
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Tatami
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Judo
Mats (Size 3f x 6f or 1m x 2m)
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Sensei
|
Instructor
or Teacher
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Kyu
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Grade
for Class below Black Belt
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Dan
|
Grade
for Black Belt Holder
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Kiyotsuke
|
Attention
|
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Rei
|
Bow
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Tori
|
Attacker
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Uke
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Receiver
or Defender
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Shiai
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Tournament
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Hajime
|
Start
or Begin
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Osaekomi
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Holding
or Hold-down
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Sono-mama
|
Do
Not Move or No Movement
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Yoshi
|
Go
or All Right
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Soremade
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That
is All
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Matte
|
Wait
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Toketa
|
Broken
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Jikan
|
Time
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Hansoku
|
Prohibited
Act
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Hansoku-make
|
Disqualification
or Loss by Violation
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Keikoku
|
Warning
or Over Half Penalty
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Chui
|
Caution
or Near Half Penalty
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Fusen
|
Default
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Kiken
|
Withdrawal
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Shido
|
Note
or Minor Penalty
|
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lppon
|
Full
Point
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Waza-ari
|
Almost
lppon
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Waza-ari-awasete-ippon
|
Two
Waza-ari Make an lppon
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Yuko
|
Almost
Waza-ari
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Koka
|
Minor
Technical Result
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Yusei-gachi
|
Superiority
Win
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Hiki-wake
|
Draw
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Hantei
|
Decision
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Kachi
|
Win
|
|
Make
|
Loss
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Sutemi-waza
|
Sacrifice
Throw
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Ne-waza
|
Groundwork
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Nage-waza
|
Throwing
Techniques
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Katame-waza
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Grappling
Techniques
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Shime-waza
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Strangling
Techniques
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Kansetsu-waza
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Armlock
Techniques
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Ashi-garami
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Entangled
Legs
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Obi
|
Belt
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Ichi
|
1
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Roku
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6
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Ni
|
2
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Shichi
(or nana)
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7
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San
|
3
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Hachi
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8
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Shi
(or yon)
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4
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Ku
(or kyu)
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9
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Go
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5
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Ju
|
10
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THE KODOKAN GOKYO
THROWING TECHNIQUES
DAI-IKKYO
|
1.
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De-Ashi-Harai
|
Advanced
Foot Sweep
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2.
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Hiza-Guruma
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Knee
Wheel
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3.
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Sasae-Tsurikomi-Ashi
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Propping
Drawing Ankle Throw
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4.
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Uki-Goshi
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Floating
Hip
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5.
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O-Soto-Gari
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Major
Outer Reap
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6.
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O-Goshi
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Major
Loin
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7.
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O-Uchi-Gari
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Major
Inner Reaping
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8.
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Seoi-Nage
|
Shoulder
Throw
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DAI-NIKKYO
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9.
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Ko-Soto-Gari
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Minor
Outer Reaping
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10.
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Ko-Uchi-Gari
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Minor
Inner Reaping
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11.
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Koshi-Guruma
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Loin
Wheel
|
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12.
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Tsurikomi-Goshi
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Lift
Pull Loin
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13.
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Okuri-Ashi-Harai
|
Sweeping
Ankle Throw
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14.
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Tai-Otoshi
|
Body
Drop
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15.
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Harai-Goshi
|
Sweeping
Loin
|
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16.
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Uchi-Mata
|
Inner
Thigh
|
DAI-SANKYO
|
17.
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Ko-Soto-Gake
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Minor
Outer Hooking Ankle
|
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18.
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Tsuri-Goshi
|
Lifting
Hip Throw
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19.
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Yoko-Otoshi
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Side
Drop
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20.
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Ashi-Guruma
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Leg
Wheel
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21.
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Hane-Goshi
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Spring
Hip Throw
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22.
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Harai-Tsurikomi-Ashi
|
Sweeping
Drawing Ankle Throw
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23.
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Tomoe-Nage
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Stomach
Throw
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24.
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Kata-Guruma
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Shoulder
Wheel
|
DAI-YONKYO
|
25.
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Sumigaeshi
|
Corner
Throw
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26.
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Tani-Otoshi
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Valley
Drop
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27.
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Hane-Makikomi
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Outer
Winding Spring Hip
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28.
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Sukui-Nage
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Scooping
Throw
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29.
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Utsuri-Goshi
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Changing
Hip
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30.
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O-Guruma
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Major
Wheel
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31.
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Soto-Makikomi
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Outer
Winding Throw
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32.
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Uki-Otoshi
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Floating
Drop
|
DAI-GOKYO
|
33.
|
O-Soto-Guruma
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Major
Outer Wheel
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34.
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Uki-Waza
|
Floating
Throw
|
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35.
|
Yoko-Wakare
|
Side
Separation
|
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36.
|
Yoko-Guruma
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Side
Wheel
|
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37.
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Ushiro-Goshi
|
Rear
Loin
|
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38.
|
Ura-Nage
|
Rear
Throw
|
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39.
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Sumi-Otoshi
|
Corner
Drop
|
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40.
|
Yoko-Gake
|
Side
Body Drop
|
ADDITIONAL
THROWS
|
Obi
Otoshi
|
Belt
Drop
|
|
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Yama
Arashi
|
Mountain
Storm
|
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Daki
Wakare
|
Body
Seizure Separation
|
|
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Hikki-Komi-Gaeshi
|
Big
Exterior Dropping
|
|
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Osoto-Otoshi
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Major
Outer Drop
|
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Tawara
Gaeshi
|
Rice
Bale Reversal
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Uchi-Makikomi
|
Inner
Winding Throw
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Seoi-Otoshi
|
Shoulder
Drop
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Kuchiki-Taoshi
|
Dead
Tree Drop
|
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Morote-Gari
|
Two
Hand Reaping
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Ouchi-Gake
|
Major
Inner Hook
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Kouchi-Gake
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Minor
Inner Hook
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Tsubame-Gaeshi
|
Swallow
Counter
|
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Kani-Basami
|
Scissor
Throw
|
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Seoi-Makikomi
|
Shoulder
Winding Throw
|
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Ude-Gaeshi
|
Arm
Reversal
|
|
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Kibisu-Gaeshi
|
Heel
Throw
|
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Gan-Seki-Otoshi
|
Both
Lapel Drop
|
OSAE-WAZA
Controlling (Hold-Down) Techniques
(Junior and Senior)
|
1.
|
Kesa-Gatame
Kuzure Kesa-Gatame Makura Kesa-Gatame Ushiro Kesa-Gatame |
Scarf
Hold
Modified Scarf Hold Pillow Scarf Hold Backward Scarf Hold |
|
2.
|
Kata-Gatame
|
Shoulder
Hold
|
|
3.
|
Kamishiho-Gatame
|
Locking
of Upper Four Quarters
|
|
4.
|
Kuzure
Kamishiho-Gatame
|
Broken
Locking of Upper Four Quarters
|
|
5.
|
Yoko-Shiho-Gatame
|
Side
Locking of Four Quarters
|
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6.
|
Kuzure
Yoko-Shiho-Gatame
|
Broken
Side Locking of Four Quarters
|
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7.
|
Tate-Shiho-Gatame
|
Longitudinal
Locking of Four Quarters
|
Shime-Waza
Choke and Strangulation Techniques
(Senior only)
|
1.
|
Kata-Juji-Jime
|
Half
Cross Lock
|
|
2.
|
Gyaku-Juji-Jime
|
Reverse
Cross Lock
|
|
3.
|
Nami-Juji-Jime
|
Normal
Cross Lock
|
|
4.
|
Hadaka-Jime
|
Naked
Choke Lock
|
|
5.
|
Okuri-Eri-Jime
|
Sliding
Cellar of Lapel Lock
|
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6.
|
Kata-Ha-Jime
|
Single
Wing Lock
|
KANSETSU-WAZA
Joint Lock Techniques
(Senior only)
|
1.
|
Ude-Garami
|
Entangled
Arm Lock
|
|
2.
|
Ude
Hishigi Ude Gatame
|
Straight-Arm
Arm Lock
|
|
3.
|
Ude
Hishigi Juji Gatame
|
Cross
Arm Over Body
|
|
4.
|
Ude
Hishigi Hiza Gatame
|
Knee
Arm Lock
|
|
5.
|
Ashi-Garami
|
Entangled
Leg Lock
|
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6.
|
Waki-Gatame
|
Armpit
Arm Lock
|
NAGE-NO-KATA
(Formal Throwing Techniques)
|
TE-WAZA
|
HAND
TECHNIQUES
|
|
Uki-Otoshi
|
Floating
Drop
|
|
Seoi-Nage
|
Shoulder
Throw
|
|
Kata-Guruma
|
Shoulder
Wheel
|
|
KOSHl-WAZA
|
LOIN
(HIP) TECHNIQUES
|
|
Uki-Goshi
|
Floating
Hip
|
|
Harai-Goshi
|
Sweeping
Loin
|
|
Tsuri-Komi-Goshi
|
Lift
& Pull Loin
|
|
ASHI-WAZA
|
FOOT
AND LEG TECHNIQUES
|
|
Okuri-Ashi-Harai
|
Sweeping
Ankle Throw
|
|
Sasae-Tsurikomi-Ashi |