ACTRA - Alliance of Canadian Cinema Television and Radio Artist.

A.D.- The Assistant Director.

AD LIB- Extemporaneous delivery without relying on a prepared script.

ADR- Automated Dialogue Replacement. Dialogue added to a scene in post production. Sometimes erroneously called "looping".

AEA - Actors' Equity Association often called simply "Equity". SAG's sister union which represents stage actors and stage managers.

AFI- The American Film Institute

AFTRA - American Federation of Television and Radio Artists.

ART DIRECTOR- Person who conceives and designs the sets.

AUDITION- A tryout for a film, TV or stage role.

AVAIL - A courtesy situation extended by performer or agent to a producer indicating availability to work a certain job. Avails have no legal or contractual status.

BACKGROUND- The Extra performers. 

BACK TO ONE!- The verbal cue for performers to return to the mark where they started the scene.

BEAUTY SHOT - On TV soaps, the shot over which the credits are rolled.

BEST BOY - The assistant to the Chief Electrician, or Head Gaffer.

BILLING - The order of the names in the title of opening credits of a film or TV show.

BIO - Short for "biography". A resume in narrative form, usually for a printed program or press release.

BLOCKING - The actual physical movements by performers in any scene.   Also can refer to the movements of the camera.

BOOKING - A firm commitment to a performer to do a specific job.

BOOM - An overhead microphone, usually on an extended pole. The Boom Operator is the member of the sound department responsible for holding the boom pole, with mic attached, over and sometimes under the actors. Also  responsible for placing radio mics on actors.

BLUE SCREEN - Shooting in a studio against a large blue or greenish backdrop, which allows a background to be superimposed later on the final image. 

BREAKAWAY - Specially designed prop or set piece which looks solid but shatters easily. 

BREAKDOWN - A detailed listing and description of roles available for casting in a production.

CALLBACK - Any follow-up interview or audition.

CALL SHEET - A sheet containing the cast and crew call times for a specific day's shooting.  Scene numbers, the expected day's total pages, locations, and production needs are also included.

CALL TIME - The actual time an actor is due on the set.

CAMERA CREW - With the D.P. (Director of Photography) as its chief, this team consists of the camera operator, the first assistant camera operator (focus puller), the second assistant camera operator (film loader and clap stick clapper) and the dolly grip.

CAMERA OPERATOR - The member of the camera crew who actually looks through the lens during a take. Responsible for panning and tilting and keeping the action within the frame.

CASTING DIRECTOR - The producer's representative responsible for choosing performers for consideration by the producer or director.

CATTLE CALL - A call for large groups of people.

CATERER - Responsible for breakfast, lunch and dinner on a set. 

CHEAT - The actor's adjustment of body position away from what might be absolutely "natural" in order to accommodate the camera; can also mean looking in a different place from where the other actor actually is.

CHECKING THE GATE! - A verbal command to check the lens on the camera; if the lens is - OK - the cast & crew will move on to the next scene or shot.

CHIEF ELECTRICIAN - Heads the electrician crew; also called the Gaffer.

CINEMATOGRAPHER - Director of Photography

CLOSE-UP (CU) - Camera term for tight shot of shoulders and face.

COLD READING - Unrehearsed reading of a scene, usually at an audition.

COMMISSION - Percentage of a performer's earnings paid to agents or managers for services rendered.

COMPOSITE - A series of photos on one sheet representing an actor's different looks.

CONFLICT - Status of being paid for services in a commercial for one advertiser, thereby contractually preventing performing services in a commercial for a competitor.

COPY - The script for a commercial or voice over.

COVERAGE - All camera shots other than the master shot; coverage might include two-shots and close-ups.

CRAFT SERVICES - On-set beverage and snack table.  

CRANE SHOT - A camera shot raised over or above the set or the action.

CRAWL - Usually the end credits in a film or TV shot which "crawl" up the screen.

CREDITS - Opening names in a film or TV show or refers to a one's performance experience listed on a resume or in a program

CUE - Signal, often an off-stage light or hand signal, by the assistant director to indicate an actor's entrance or action.

CUT! - The verbal cue for the action of the scene to stop.  

CUTAWAY - A short scene between two shots of the same person, showing something other than that person.

DAILIES - Screening of footage before it is edited.

DAY PLAYER  - A principal performer hired on a daily basis, rather than on a longer-term contract.

DAYTIME DRAMA - Soap opera.

DEMO TAPE - An audio or video tape that agents use for audition purposes.

DA - Directors Guild of America.

DIALECT - A distinctly regional or linguistic speech pattern.

DIALOGUE - The scripted words exchanged by performers.

DIRECTOR - The coordinator of all artistic and technical aspects of any production.

DIRECTOR OF PHOTOGRAPHY (D.P.) - Supervises all decisions regarding lighting, camera lenses, color and filters, camera angle set-ups, camera crew and film processing.

DOLLY - A piece of equipment that the camera sits on to allow mobility of the camera.

DOLLY GRIP - The crew member who moves the dolly.

DOUBLE - A performer who appears in place of another performer as in a stunt.

D.P. - Director of Photography or Cinematographer.

DRESS THE SET - Add such items to the set as curtains, furniture, props, etc.

DRIVE-ON PASS - In Los Angeles, a pass to drive onto and park on a studio lot.

DUPE - A duplicate copy of a film or tape; also, a "dub"

8x10 - Commonly used size of a performer's photos, usually in black and white.

18-TO-PLAY-YOUNGER - A performer legally 18 years old, who can convincingly be cast as a younger age.

ELECTRICIAN - In film, crew members who place lighting instruments, focus, gel and maneuver the lights.

EMPLOYER OF RECORD (EAR) - The company responsible for employment taxes, unemployment benefits and workers compensation coverage.

EQUITY - Actors Equity Association (AEA) Union representing stage actors.

EQUITY WAIVER - In Los Angeles, 99-seat (or less) theatres which were otherwise professional, over which Equity waived contract provisions under certain circumstances. Now officially called "Showcase code", the term "Equity waiver" is still used informally.

EXECUTIVE PRODUCER - Person responsible for funding the production.

EXT. (Exterior) - A scene shot outside.

EXTRA - Background talent, used only in non-principal roles.

FICA - Social Security taxes (Federal Insurance Corporation of America).

FIELD REP. - Union staff member who ensures contractual compliance on sets.

FIRST A.D. - First Assistant Director; person responsible for the running of the set. Gives instructions to crew and talent, including calling for "first team," "quiet," "rehearsal," and "take five."

FIRST ASSET. CAMERA OP. - First Assistant Camera Operator is responsible for focusing the camera lens during the shooting of a scene; also known as the Focus Puller.

FIRST TEAM - The production term for the principal actors in a scene.

4-A's - Associated Actors and Artistes of America; umbrella organization for SAG, AFTRA, Equity and other performers' Unions.

FORCED CALL - A call to work less than 12 hours after dismissal on the previous day. See TURNAROUND.

FOREGROUND CROSS - Action in a scene in which an Extra Performer passes between the camera and the principal actors; sometimes called a "wipe".

FX (Effects) - Special Effects.

GAFFER - The Chief Electrician.

GOLDEN TIME - Contractually called 16 Hour Rule Violation for Extra Performers, is overtime, after the 16th hour, paid in units of one full day per hour. (SAG rules)

GRIPS - Members of the film crew who are responsible for moving set pieces, lighting equipment, dolly track and other physical movement of equipment.

HAND MODEL - A performer whose hands are used to double for others.

HIATUS - Time during which a TV series is not in production

HOLDING - The designated area to which the Extra Performers report and stay while waiting to go on set.

HONEY WAGON - A towed vehicle containing one or more dressing rooms, as well as crew bathrooms.

YATES - International Alliance of Theatrical Stage Employees; the union which represents most off-camera crew members.

INDUSTRIAL - Non-broadcast film or video, usually of an educational nature

INSERTS - Shots, usually close-ups of hands or close business, inserted into previously shot footage.

INT. (Interior) - A scene shot indoors.

"IN" TIME - The actual call time or start time; also, return time from a break.

LINE PRODUCER - The producer responsible for keeping the director on time and budget; generally the most visible producer actually on the set.

LONG SHOT (LS) - A camera shot which captures the performer's full body.

LOOPING - An in-studio technique used to fix dialogue already performed during principal photography by matching voice to picture.

MARK - The exact position(s) given to an actor on a set to insure that he/she is in the proper light and camera angle; generally marked on the ground with tape or chalk.

MARKER! - A verbal cue that the take has been identified on camera both verbally and with the slate board.

MARTINI SHOT - The last shot of the day.

MASTER SHOT - A camera shot that includes the principal actors and relevant background activity; generally used as a reference shot to record the scene from beginning to end before shooting close-ups, over-the-shoulders, etc.

MATCHING ACTIONS - The requirement that the actor match the same physical movements in a scene from take to take in order to preserve the visual continuity.

MEAL PENALTY - A fee paid by the producer for the failure to provide meals or meal breaks as specified by the contract.

MIXER - Chief of the sound crew; responsible for the quality of the sound recording on a shoot.

MOS (Mit Out Sound/Motion Only Shot) - Any shot without dialogue or sound recording.

M.O.W. - Movie of the week

ND MEAL (NON DEDUCTIBLE MEAL) - A 15 minute meal break provided to actors by the production company to bring actors in sync with crew break time. It must be completed within 2 hours of performers call time.

NIGHT PREMIUM - A surcharge for certain work performed after 8 p.m.

OFF-CAMERA (OC or OS) - Dialogue delivered without being on screen.

OUT OF FRAME - An actor outside the camera range.

"OUT" TIME - The actual time when you are released after you have changed out of wardrobe and make-up.

OVER-THE-SHOULDER - A shot over the shoulder of one actor, focusing entirely on the face and upper torso of the other actor in a scene; generally shot in pairs so both actors expressions can later be edited together.

OVERDUBBING - In studio singing or voice work, the process of laying one soundtrack over another.

OVERTIME (OT) - Work extending beyond the contractual work day.

P.A. - Production Assistant.

PAN - A camera shot which sweeps from side-to-side.

PAYMASTER - An independent talent payment service acting as the employer of record.

PENSION & HEALTH PAYMENT - An additional amount of money paid by the employer to cover employee benefits under union contract

PER DIEM - Fee paid by producer on location shoots to compensate performer for expenditures for meals not provided by the producer.

PHOTO DOUBLE - An actor cast to perform on camera in place of another.

PICK UP - Starting a scene from a place other than the beginning.

PICTURE'S UP! - Warning that the sequence of cues to shoot a scene is about to begin.

POV SHOT - Point-of-View shot; camera angle from the perspective of one actor.

POST-PRODUCTION - The phase of filmmaking that begins after the film has been shot. Includes scoring, sound and picture editing, titling, dubbing, and releasing.

PRE-PRODUCTION - The phase of filmmaking before shooting begins; includes writing, scouting locations, budgeting, casting, hiring crews, ordering equipment and creating a shooting schedule.

PRINCIPAL - A performer with lines.

"PRINT!" - A call from the director at the end of a take that that particular take is good enough be printed.

PRODUCER - Often called the Line Producer; the person responsible for the day-to-day decision-making on a production.

PRODUCTION COMPANY - The company actually making the film or television show.

PROPS - Any objects used by actors in a scene.

PSA - Public Service Announcement.

RESIDUAL - The fee paid to a performers for rebroadcast of a commercial, film or TV program

RESUME - List of credits, usually attached to an 8x10 or composite.

REWRITE - Changes in the script, often using color-coded pages to indicate most current version.

RIGHT-TO-WORK-STATES - Those states which do not honor certain union provisions.

ROLLING! - The verbal cue for the camera film and audio tape to start rolling.

ROOM TONE - A sound recording (sometimes made upon completion of a scene) to record existing noise at the location. Also called "wild track".

SAG - Screen Actors Guild.

SCALE - Minimum payment for services under union contracts.

SCRIPT - The written form of a screenplay, teleplay, radio or stage play.

SCRIPT SUPERVISOR - The crew member assigned to record all changes or actions as the production proceeds.

SDI - State Disability Insurance.

SECOND ASSISTANT DIRECTOR - Often two or three on a set, they handle checking in the talent, insuring proper paperwork is filed, distribute script revisions. Actors check in with the 2nd A.D. upon arrival on the set.

SECOND TEAM! - The verbal cue for the stand-ins to come to the set and be ready to stand in.

SEGUE - In film or tape editing, a transition from one shot to another.

SET - The immediate location where the scene is being filmed.

SET-UP - Each time the camera changes position.

SFX - Sound effects.

SIDES - Pages or scenes from a script, used in auditions or scenes being shot on a film set that day.

SIGNATORY - An employer who has agreed to produce under the terms of a union contract.

SLATE - A small chalkboard and clapper device, often electronic, used to mark and identify shots on film for editing; also the process of verbal identification by a performer in a taped audition (e.g., "Slate your name!").

SPEED! - A verbal cue that the audio tape is up to speed for recording.

SPIKING THE LENS - Looking directing into the lens during a scene; since it destroys the illusion of realism, actors should never spike the lens unless specifically directed to do so for specific effect.

STAGE RIGHT - To the performer's right side, to the audience's left side. Likewise, STAGE LEFT is to the performer's left, the audience's right. Stage directions are for actors, not audiences, therefore they are always given from the actor's point of view to the audience.

STANDARD UNION CONTRACT - The standard format/contract approved by the Unions and offered to performers prior to the job.

STANDARDS & PRACTICES - The network TV censorship departments.

STAND-INS - Extra Performers used as substitutes for featured players, for the purpose of setting lights and rehearsing camera moves; also known as the second team.

"STICKS" - Slate or clapboard.

STUDIO - A building, recording room or sound stage which accommodates film or TV production.

STUNT COORDINATOR - The person in charge of designing and supervising the performance of stunts and hazardous activities.

STUNT DOUBLE - A stunt person who performs stunts for a principal.

STUNT PERSON - A specially trained performer who actually performs stunts.

SUBMISSION - An agent's suggestion to a casting director for a role in a certain production.

SW - A notation on a call sheet that an actor is starting on that day and working on that day.

SWF - A notation on a call sheet that an actor is starting, working, and finished on that day.

SWEETENING - In singing/recording, the process of adding additional voices to previously recorded work.

SYNDICATION - Selling TV programs to individual stations rather than to networks.

TAFT-HARTLEY (USA) - A federal statute which allows 30 days after first employment before being required to join a Union.

TAKE - The clapboard indication of a shot "taken" or printed.

"TAKE 5" - The announcement of periodic five minute breaks.

TELEPROMPTER - The brand name of a device which enables a broadcaster to read a script while looking into the camera lens.

THEATRICAL - TV shows or feature film work, as opposed to commercials.

THREE BELLS! - An audible warning for QUIET because a scene is about to be filmed.

TIGHT SHOT (Go in Tight) - Framing of a shot with little or no space around the central figure(s) of feature(s); usually a close-up.

TILT - The up and down movement of a camera.

TIME-AND-A-HALF - Overtime payment of 1 1/2 times the hourly rate.

TRACKING SHOT - A shot taken while the camera is moving, either on a dolly or a mounted on a moving vehicle.

TRADES - Short for "trade papers" - The newspapers and periodicals such as the Hollywood Reporter and Variety that specifically feature information on the entertainment industry.

TURNAROUND - (a) The number of hours between dismissal one day and call time the next day. (b) To shoot a scene from another direction.

TWO-SHOT - A camera framing two persons.