Home Page
Introduction
Pricing for the Darkroom
Photo-Chemistry
Image Composition
The Room
Design & Construction
Design
Wall Materials
Wall Color
Electrical
lighting
Door
Temporarily light proofing a window or door
Counter Space
Sinks
Faucets
Ventilation
Floor Covering
Equipment
Enlargers
Condenser Enlarger
Diffusion Enlarger
Color Head Enlarger
Filters
Safe Lights
Film Processing tank
Thermometers
Print Trays
Timers
Print Washing Tray
Print Tongs
Contact Sheet Maker
Focusing Aid
Compressed Air
Easel
Radio
Gadgets
Safety & Cleanliness
Children
Toxicity
Darkroom Location
Cleanup
Ventilate
Wash Your Hands
Clothing
Food
Chemical Disposal
Light Tight
Location
Air Tight?
Installation Considerations
Air Filtration
Fan Capacity & Control
Formula
Chemicals - Film
Film Developer
Dilution Rate
Capacity
Stop Bath
Fixer
Hypo Clearing Agent
"Wetting Agent"
Chemical "Life Span"
Chemicals - Print
Print Developer
"Hypo Chek"
"PermaWash" or "Hypo Clearing Agent"
Silver Recovery
Film Development
Duration Of Development
Load Film
Measure Chemicals
Correct Temperature
Start Development
Agitation
End Development
Fixer - (also called Hypo)
Water Rinse - (If using the optional, Hypo Clearing Agent)
Perma Wash Or Hypo Clearing Agent
Water Wash
Wetting Agent
Dry The Film
Film Data Tables
Making The Print
Prepare Solutions
Compose Image And Focus
Lights
Set The Enlargers Lens Aperture
Set The Timer
Set The Filter Pack
Cut Test Strips
Place A Test Strip Onto The Easel
Make Test Exposures
Process The Test
Dry The Print
Evaluate The Print, and Correct the Exposure
Evaluate The Print Again, and Correct The Contrast
The Final Print
Paper Types
Resin Coated
Fiber Based
Grades
Finishes
Applications
Storage
Paper Data Tables
Processing steps and wash times with PermaWash or Hypo Clearing Agent
Resin Coated paper
Fiber Based paper
Wash time if NOT using PermaWash or Hypo Clearing Agent
Resin Coated Paper
Single Weight Fiber Based Paper
Double Weight Fiber Based Paper
"Push" & "Pull" Processing
What is push - pull processing?
Push Processing
Pull Processing
When would this be useful?
Case #1
Case #2
How do I do it?
What are the effects?
How many stops is it?
How do I process the film?
What about using this technique with color film?
"Burning" & "Dodging"
Example #1
Example #2
"Burning"
Steps for "Burning"
"Dodging"
Steps for "Dodging"
Filter factors: - Aperture Adjustment
Filter Factors: - Shutter Speed Adjustment
Miscellaneous Filters
UltraViolet (Skylight) Filter
Polarizing Filter
Cross Screen Filter
Retouching
What You Can Expect To Achieve
Materials
Artists Brush
Retouching Dyes
Mixing Pallet
Technique
Print Toning
Toning - (Optional)
Fiber Based Paper
Wash time (Before Toning) if NOT using PermaWash or Hypo Clearing Agent
Archival Processing
Hand Coloring - (Optional)
Alternative Techniques
Reticulation
Solarization
Double Exposure
Black and White Prints From Color Negatives
Printing Black & White Negatives Using a Color Head Enlarger
PDF Documents Of My Site
Individual Instructional Pages
Film Processing Chemicals
Paper Processing Chemicals
Print Making
Film Development Tables
Paper Development Tables
Filters For Black & White and Color Photography
Retouching Black & White Prints
Toning Black & White Prints
General Information Pages
Safety
Frequently Asked Questions
Pictures Of My Darkroom
Links
Question Or Comment?
Trouble Shooting
Film
Spots on negatives after they have dried
One or two specs of what appear to be dust
Streaks on negatives after development
Negatives are darker than normal or too contrasty (also more grainy)
Possible causes
Negatives are lighter than normal or too little contrast
Prints
Prints have pink streaks or mottling
Whites, never seem pure white
Your negatives may lack contrast
You may be fogging your paper
New
A Comment on Digital
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