International Thomas More Bibliography (E):
Thomas More and the Creative Arts


 

Note: The International Thomas More Bibliography is a very extensively revised and augmented version of the Bibliographical Appendix to my Ph.D. Dissertation. Any comments, corrections, suggested additions or queries can be sent to the compiler and editor at lakowskir@gmail.com

Version 1.4a (); © Romuald I. Lakowski ,


Table of Contents

International Thomas More Bibliography

Abbreviations
Opera Omnia, Correspondence and Humanistic Works
Polemical and Devotional Works and Trial
Background Studies
Family and Friends, and Biographies
Thomas More and the Creative Arts
Utopia Part A: Editions and Translations
Utopia Part B: Studies
Calendars of the Letters and Papers of Thomas More, John Fisher, and John Colet (Under Development)

Contemporaries of Thomas More

Part I: Fisher, Colet and the Carthusians
Part II: Early English English Renaissance (A—H)
Part III: Early English English Renaissance (J—W)


Thomas More and the Creative Arts

Thomas More and Drama

More and Drama: General Studies
More and Tudor and Stuart Drama (excluding Shakespeare)
More and Shakespeare: General Essays

Plays about Thomas More

General Studies
Jesuit and other Scholastic Plays ()
Puget de la Serre Thomas Morus and Dutch Translations and Adaptations (/)
Italian Plays, Operas and Oratorios about More ()
Silvio Pellico ()
Late 18th and 19th Century Plays about More ()
Twentieth and Twenty-First Century Plays about More
Jean Anouilh
Robert Bolt: A Man For All Seasons: Play and Film

The Book of Sir Thomas Moore

Editions of the Complete Play
Editions of the Shakespearean Addition
Reference Works
Performance History
Performance Reviews and Theatricality
General Studies
Source Studies
Manuscript History, Date and Other Problems
Studies of Authorship, the Other Additions, and Stylometry
Shakespeare and Hand D

Iconography

Reference Works
General Studies
Holbein (Except the Family Portrait)
The Family Portraits
Quentin Metsys: Erasmus and Peter Gillis Portraits
Other More Iconography

Novels and Dialogues about Thomas More

Étienne Dolet
Dialogues, Colloquys, and Fictional Letters
Princesse de Craon
Anne Manning
Other Novels About Thomas More and His Family

Poetry about Thomas More

Iohannes (Janus) Secundus
Jacobus Balde
Poems and Epigrams from the 16th to the 19th Centuries
Twentieth Century Poems


Thomas More and the Creative Arts

  1.  

Thomas More and Drama

More and Drama: General Studies

  1. Marc'hadour, Germain. Le Masque et le Visage. Moreana 18 (): 111–18. [Technically a review but deals mainly with More.]
  2. Norland, Howard B. The Role of Drama in More's Literary Career. Sixteenth Century Journal 13:4 (): 59–75. Revised version as More in Drama in Early Tudor Britain, . Lincoln, NB: U of Nebraska P, . 111–127, 349–350. [Sum.: G.M. Moreana 33:126 (): 92; Geritz G068 and G069; Wentworth 267.]
    Review(s):
    1. Albert J. Geritz, Moreana 33:126 (): 89–92.
  3. Fredericks, Daniel David. Drama in the Life and Works of Thomas More. Diss. U of North Carolina at Greensboro, . [Geritz G028.]
  4. Marc'hadour, Germain. Masque et déguisement sans l'oeuvre de Thomas More. Moreana 28:108 (): 127–28.
  5. Rousseau, Marie-Claude. Drama in Moreana. Moreana 28:108 (): 58–62. Online at http://www.thomasmorestudies.org/moreana/Moreana108pages58-62.pdf
  6. Rousseau, Marie-Claude. Theatrum Mundi. Moreana 28:108 (): 51–57. Online at http://www.thomasmorestudies.org/moreana/Moreana108pages51-57.pdf [On passages in More's works that refer to stage plays.]

More and Tudor and Stuart Drama (excluding Shakespeare)

  1. Reed, Arthur William. The Canon of John Heywood's Plays. The Library 3rd ser. IX:33 (): 27–57. [Wentworth 86. On the similarities between More's Merry Jest and some of Heywood's plays.]
  2. Reed, Arthur William. Early Tudor Drama: Medwall, the Rastells, Heywood, and the More Circle. London: Methuen, .
    Review(s):
    1. T. S. Eliot, More and Tudor Drama, TLS : 880 + : 913. Rpt. in Moreana 17 (): 20.
  3. Butler, Mary Basil. Religious Satire in the Works of Medwall, Rastell, Heywood, and More: A Spirit of Devotion to the Ideal of the Church Rather than that of the Reformation. Diss. St. John's U, . [Geritz G011.]
  4. Hogrefe, Pearl. The Sir Thomas More Circle: A Program of Ideas and Their Impact on Secular Drama. [] See General Critical Studies of More.
  5. Levy, F. J. A Thomas More Reference. Moreana 7 (): 115–16. [On references to More in The True Chronicle Historie . . . of Thomas Lord Cromwell ().]
  6. Pacholski, Richard Allen. The Humanist Drama of the Sir Thomas More Circle. Diss. U of Wisconsin, . [Worldcat OCLC 221956446; Geritz V039.]
  7. Geritz, Albert J. The Dramas and Prose Works of John Rastell. Diss. U of Missouri-Columbia, . [Geritz V012.]
  8. Doyle, Charles Clay. John Webster's Echoes of More. Moreana 18:70 (): 49–52. [Geritz I031.]
  9. Fredricks, Daniel David. Drama in the life and works of Thomas More. Ph.D. Diss., University of North Carolina at Greensboro, . [Worldcat OCLC 219162570.]
  10. Walker, Greg. Plays of Persuasion: Drama and Politics at the Court of Henry VIII. Cambridge: Cambridge UP, . [Geritz V057.]
  11. Kohlbek, Beata. Der Reformgedanke in Thomas Mores Utopia und David Lindsays Ane Satyre of the Thrie Estaitis. Thomas More . . . and More: Freundesgabe für / Liber Amicorum for Hubertus Schulte Herbrüggen. Edited by Christoph M. Peters and Friedrich-K. Unterweg. Franfort am Main; New York: Peter Lang, . 107–136. [Sum.: (E) pp.424–26; Gerhard Helmstaedter, Moreana 156 (): 112.]
  12. Walker, Greg. To Speak before the King, it is no Child's Play: Godly Queen Hester in . Reading Literature Historically: Drama and Poetry From Chaucer to the Reformation. Edinburgh: Edinburgh UP, . 36–62, esp. 40–46. [On More, Wolsey, Simon Fish and the anonymous Tudor Interlude Godly Queen Hester.]
  13. Quinn, Paul. A Witty and Learned Persecutor? The staged after-life of Thomas More. Moreana 47/181–182 (2010): 129–152. Online at https://www.thomasmorestudies.org/moreana/Moreana181-182pages129-152.pdf [Sum.: pp.129–130.]
  14. Bars Closel, Régis Augustine. Fictional Remembrances of Sir Thomas More: Part I — The Sixteenth Century. Moreana 53:203–204 (2016): 171–204. [Sum.: pp.171–172. Deals with Ellis Heywood's 1557 Dialogue Il Moro (177–183), William Wager's 1569 play The Longer Thou Livest the More Fool Art Thou (183–92), and Thomas Nashe's 1594 Novel The Unfortunate Traveller (193–202).]

More and Shakespeare: General Essays

  1. Flatter, Richard. König Heinrich VIII und Sir Thomas More. [] See STM: Editions of the Complete Play.
  2. Macnalty, Arthur S. Shakespeare and Sir Thomas More. Essays and Studies ns 12 (): 36–57, esp. 37–46. [Geritz I065; Metz 122. Pp. 37–46 deal with The Book of Sir Thomas More.]
  3. Marc'hadour, Germain. Une dette de Shakespeare envers le père de Thomas More. Moreana 4 (): 76–87. [Geritz I069. On the account of Duke Humphrey and the beggar of Saint Albans (CW 6, 86–87) quoted by Grafton and John Foxe and used by Shakespeare in 2 Hen VI II. i. 60–129. See also Marc'hadour below.]
  4. Gabrieli, Vittorio. Shakespeare e Thomas More. La cultura 17 (): 397–405.
  5. Evans, John X. Utopia on Prospero's Island. Moreana 18:69 (): 81–83. Available online at http://www.thomasmorestudies.org/moreana/Moreana69pages81-84.pdf [Geritz I036.]
  6. Merriam, Thomas. Did Shakespeare Model Camillo in The Winter's Tale on Sir Thomas More? Moreana 19:75/76 (): 91–101. Online at http://www.thomasmorestudies.org/moreana/Moreana75-76pages91-101.pdf [Geritz I077.]
  7. Pineas, Rainer. Thomas More's Utopia and the Tragedy of Polonius. Moreana 20:78 (): 23–24. Online at http://www.thomasmorestudies.org/moreana/Moreana78pages23-24.pdf [Geritz I086.]
  8. Marc'hadour, Germain. Le miracle de Saint-Albans selon Thomas More et selon Shakespeare. L'Europe de la Renaissance: Cultures et Civilisations. Mélanges offerts à Marie-Thérèse Jones-Davies. Paris: Jean Touzot, . 493–509. [Sum.: G.M. Moreana 28:108 (): 66: Completes and refines Marc'hadour's article above.]
  9. Milward, Peter. The Morean Counsellor in Shakespeare's Last Plays. Moreana 27:103 (): 25–32. Online at http://www.thomasmorestudies.org/moreana/Moreana103pages25-32.pdf [Sum.: pp.31–32; Geritz I080.]
  10. Milward, Peter. Three Essays on Shakespeare and Religion: 1. Thomas More and William Shakespeare. Shakespeare Yearbook [Tokyo] 1 (): 117–24.
  11. Fleissner, Robert F. The Editing out of With Just Cause: Dispensing with an Ironic Resonance of Utopia in Julius Caesar. Neuphilologische Mitteilungen 95 (): 459–65. [Geritz I040.]
  12. Wegemer, Gerard. Henry VIII on Trial: Confronting Malice and Conscience in Shakespeare's All is True. Renascence: Essays on Values in Literature 52:2 (): 111–130.
  13. Monta, Susannah Brietz. The polemics of conscience in the history play. Martyrdom and Literature in Early Modern England. Cambridge: Cambridge UP, ; Pbk. . 158–93. [On Henry VIII and The Book of Sir Thomas More.]
  14. Murphy, Clare. Thomas More in the Subtext of Shakespeare's and Fletcher's Henry VIII. Moreana 42:163 (): 105–118. [Sum.: p.105.]
  15. Alvis, John E. Thomas More and Shakespeare: A Proposal for Furthering an Inquiry. Moreana 48:183/84 (): 73–101. [Sum.: pp. 73–74.]
  16. Smith, Stephen E. The Politics of Imitation: Exploring connections between Thomas More and William Shakespeare. Moreana 48:183/84 (): 103–28. [Sum.: pp. 103–104.]
  17. Milward, Peter. Shakespeare's Indebtedness to More. Moreana 48:185/86 (): 35–45. [Sum.: pp.35–36.]
  18. Milward, Peter. Shakespeare's Portrayal of a Tyrant. Moreana 50:193/94 (): 41–53. [Sum.: pp.41–43.]

See also The Book of Sir Thomas Moore, and Richard III: More's History and Shakespeare, and Utopia: Milton and Shakespeare.

Plays about Thomas More

General Studies

  1. Brown, G.A. Thomas More. Notes and Queries 7 ser., 21 (1891): 67. [Sullivan 1:134. On J. Hurdis's Sir Thomas More (1792).]
  2. Foley, Brian. Thomas Morus, Tragoedia. The Venerabile 7 (): 94–106. [Sum.: F. G. Murray, Moreana 19/20 (): 100. On a Neo-Latin Play () about More in the English College at Rome. See also Gossett below.]
  3. McCabe, William H. The Play-List of the English College at St. Omers, . Revue de littérature comparée 17 (): 355–75.
  4. Babler, O. F. Sir Thomas More: Plays. Notes and Queries 194 (): 305, 415. [Note on a Neo-Latin play about More surviving at Olomouc.]
  5. McDermott, C. Logan. Sir Thomas More Plays. Notes and Queries 194 (): 305. [Geritz V028; Sullivan 2:308. Asks about James Hurdis' 1792 Sir Thomas More and other plays.]
  6. Thomas More Hunt, Sister. A comparative study of some plays about Saint Thomas More. Diss. Catholic U of America, .
  7. Moser, Fernando de Mello. Thomas More e o Teatro. Broteria [Lisbon] 68 (): 159–67. [Cit.: Moreana 25:97 (): 163, n.10.]
  8. Gossett, Suzanne. Drama in the English College, Rome, . English Literary Renaissance 3 (): 60–93. [Sum.: G.M. Moreana 11:43/44 (): 175. Includes discussion of Thomas Morus, see also Foley above.]
  9. Reynolds, E.E. From Letters of William Cowper, ed. by W. Benham (). Moreana 12:47/48 (): 12–13. [On William Cowper's role in revising Hurdis's Sir Thomas More.]
  10. Stewart, Patricia L. The Influence of Thomas More on the Early American Stage. Moreana 13:51 (): 132–38. [Geritz I105.]
  11. Corrigan, Beatrice. Sir Thomas More: Personage and Symbol on the Italian Stage. Studies in the Continental Background of Renaissance English Literature: Essays Presented to John L. Lievsay. Eds. Dale B. J. Randall and George Walton Williams. Durham, NC: Duke UP, . 91–108. [Geritz I024; Wentworth 105. On four Italian plays on More from the seventeenth to nineteenth centuries.]
  12. Moser, Fernando de Mello. Thomas More in Drama. Revista da Faculdade de Letras [Lisbon] 4th ser, 2 (): 53–66.
  13. Unterweg, Friedrich-K. Thomas Morus-Dramen vom Barock bis zur Gegenwart. Wesenszüge und Entwicklungstendenzen. Diss. Düsseldorf, . [Published in , see below.]
  14. Unterweg, Friedrich-K. Dramatische Bearbeitungen des Thomas Morus-Stoffes vom Ende des 16. Jahrhunderts bis zur Gegenwart. Thomas Morus Jahrbuch . 128–46.
  15. Unterweg, Friedrich-K. Thomas More in Dutch Drama. Moreana 25:97 (): 23–40. [Geritz I116; Wentworth 128. On several Dutch and Neo-Latin plays about More from the seventeenth to the twentieth centuries.]
  16. Unterweg, Friedrich-K. Thomas Morus, Tragoedia. Acta Conventus Neo-Latini Guelpherbytani: Proceedings of the Sixth International Congress of Neo-Latin Studies: Wolfenbüttel, to . Ed. Stella P. Revard, Fidel Rädle, Mario A. Di Cesare. Medieval & Renaissance Texts & Studies 53. Binghamton, NY: Medieval & Renaissance Texts & Studies, . 365–74. Online at http://www.archive.org/details/guelphactaconven00inteuoft [German. Geritz I117. On Counter-Reformation Jesuit plays about More. Includes a list of plays on pp.371–72.]
  17. Unterweg, Friedrich-K. Thomas Morus Dramen vom Barock bis zur Gegenwart. Wesenmerkmale und Entwicklungstendenzen. Paderborn: Ferdinand Schöningh, .
    Review(s):
    1. Hazel M. Allport, Moreana 29:111/112 (): 167–68.
  18. Unterweg, Friedrich-K. A Man for All Stages—Five Centuries of Thomas More Dramas. Moreana 28:108 (): 5–32. [Sum.: p.104; Geritz I115.]
  19. Unterweg, Friedrich-K. English, Scottish, and Irish History in Continental Jesuit Drama. Acta Conventus Neo-Latini Torontonensis: Proceedings of the Seventh International Congress of Neo-Latin Studies: Toronto, to . Ed. Alexander Dalzell, Charles Fantazzi, Richard J. Schoeck. Medieval & Renaissance Texts & Studies 86. Binghamton, NY: Medieval & Renaissance Texts & Studies, . 781–801. Online at http://www.archive.org/details/toronactaconvent00inteuoft [Includes discussion of the popularity of Jesuit plays about Thomas More.]
  20. Geritz, Albert J. Sir Thomas More: A Tragedy by James Hurdis. Moreana 30:113 (): 5–16. Online at http://www.thomasmorestudies.org/moreana/Moreana113pages5-16.pdf [Sum.: p. 119; Geritz I045.]

Seventeenth to Eighteenth Centuries

Jesuit and other Scholastic Plays ()

Unterweg has identified about 43 Jesuit dramas about Thomas More between and , mostly lost or surviving only in summary form (Periocha or Programmes), see Unterweg 1991: 11. Conroy pp.365–66 lists 13, most of which are also listed by Unterweg. Dates and Locations are mostly derived from Unterweg and Conroy. Most of the plays are Neo-Latin drama, although the surviving periochae are usually in Latin and German; the rest of the plays are in French.

Editions, MSS (including Periochae) and Performances
  1. Thomas Morus: Tragoedia. (). English College (Rome) Archives MS Lib. 321, fols. 2r–38r. Available online in a modern hypertext critical edition and translation as The Jesuit Tragedy Thomas Morus (). Edited by Dana F. Sutton. (The Philological Museum [Birmingham], ) http://www.philological.bham.ac.uk/more/ [Unterweg 1991:11; Worldcat OCLC 35175117. Manuscript play in English College Rome, see Foley in Studies below.]
  2. Henricus Illus. Imperator schismaticus. (Saint Omer, ). [Conroy p.365: Représentée le 16 septembre au collège wallon de jésuites.]
  3. Roffensis. () See Fisher: Plays about Fisher.
  4. Vernulaeus, Nicolaus. [Nicholas de Vernulz] Henricus Octavus, seu schisma anglicanum, tragoedia. Exhibita ludis encaenialibus, Lovanii in collegio Porcensi. Louvain: Phil. Dormalius, . Rpt. in Tragoediae decem nunc primum simul editae. Cologne: Joan. Oliverius and Cor. Coenestenius, . Rpt. in Tragoediae, in duos tomos distributae. Editio secunda. Louvain: Pet. Sassenius et Hieron. Nempaeus, . Rpt. as Modern edition and translation in Henry VII: A Neo-Latin Drama by Nicolaus Vernulaeus. Ed. and trans. Louis A. Schuster. Austin, TX: U of Texas P, . [Gibson 575; ARCR I: 1011; Unterweg 1991:22. A Counter-Reformation Latin play on the martyrdoms of More and Fisher. Based mainly on Nicholas Sander's Rise and Growth of the Anglican Schism.]
    Review(s):
    1. Henri van Crombruggen, English Studies 47 (): 221–24.
  5. La mort de Thomas Morus (Tournai, ). [Unterweg 1991:11; Conroy, p.365, gives dates of .]
  6. Thomas More (Courtrai, ). [Conroy, p.365, who also lists the performance of .]
  7. Tragoedia Thomas Morus (Roermund/Rüremonde, ). [Unterweg 1991:11; Conroy p.365. Periocha lost?, 8p.]
  8. Actio . . . de Henrico Octavo de Medcalf [Thomas Carleton] (English College, Douai, ). [Conroy, p.365, 366 and n.32.]
  9. Thomas Morus, Cancellier van Engelant (Courtrai, ). [Unterweg 1991:11; Conroy, p.365. Periocha lost, 8p. Conroy also lists a performance in .]
  10. Thomas Morus (Schlettstadt, ). [Unterweg 1991:11.]
  11. Thomas Morus (Rüremonde, ). [Conroy, p.365.]
  12. [Bissel, Johannes, S.J.] Thomas Morus, Das ist Tragoedia von Thoma Moro, dem vor Gott vnd der Welt berümpten Engeliändischen ReichsCantzler: Wellicher vor 96 Jahren, der Engelländischen König, vom den Gottlosen Wieterich Henrico, wegen Verfechtung wahren Glaubens, vnd H. Römischen Stuelss, Tyrannischer weiss hingerichtet worden. Gehalten in dem Churfürstlichen Academischen Gymnasio der Societet Iesv zu Ingolstatt. Den . Ingolstadt: Georg Hänlin, . 18p. Available online at http://epub.ub.uni-muenchen.de/12881/ [German Periocha. Ingolstadt SJ Perioche, . (Nr. 397). Worldcat 633315897; Unterweg 1991:11; Conroy p.365. See also Google Preview.]
  13. Thomas Morus, Tragoedia. (Bamberg, ). [Unterweg 1991:11.]
  14. Morus sive Morum integritas suo sanguine purpurata. Jesuit College of St. Omer, []. Only surviving MS in Archives of Stanyhurst College, England, B.VII.23, fols. 85v–99v. Rpt. online in a modern hypertext critical edition and translations as The Jesuit Tragedy Morus. Edited by Dana F. Sutton. (The Philological Museum [Birmingham], ) http://www.philological.bham.ac.uk/morus/ [Cf. Unterweg, Moreana 25:97 (): 38n14, who suggests a date of . See also Conroy, p.366,n30.]
  15. Morus sive Morum integritas . . . (St. Omer, ). See Morus sive Morum integritas above.
  16. Thomas Morus. Tragédie. (Luxemburg, ). [Unterweg 1991:11. Periocha lost? 8p.]
  17. Thomas Morus. Angliae Cancellarius. (Constance, ). [Unterweg 1991:11. Periocha extant, 8p.]
  18. Thomas Morus. (Steyr, ) [Unterweg 1991:11.]
  19. Thomas Morus Angliae cancellarius pro authoritate, immunitate, veritate apostolico-romanae sedis. . . (Lucerne, ). [Unterweg 1991:11. Periocha extant, 16p.]
  20. Thomas Morus. (Emmerich, ). [Unterweg 1991:11.]
  21. Thomas Morus, tragédie, qui sera representée au Collège d'Harcourt pour la distribution de prix, le jeudy, à midy. A Paris, de l'imprimerie de François Le Cointe, et se vendent chez Jean de l'Aulne . 8p. [French Argument. Conroy p.366n26, 463; Worldcat OCLC 405020270. Copy in Bibliothèque Municipale de Lyon 360461.]
  22. Thomas Morus, De vitae statu eligendo deliberans: Brevi Dramatiô propositus ornatissimis DD. Sodalibus Maioris Congreg. Acad. B.M.V. Anunntiatae, Ingolstadii . . . Ingolstadii [Ingolstadt], . 4p. Online at http://bavarica.digitale-sammlungen.de/resolve/display/bsb10382217.html [Periocha. Unterweg 1991:11; Worldcat OCLC 165898029.]
  23. Thomas Morus Kanzler von England. (Graz, ). [Unterweg 1991:11.]
  24. Thomas Morus, martyr. (Luxemburg, ). [Unterweg 1991:11.]
  25. Triumphus Fidei, Et Constantiae. Sive Thomas Morvs Angliae Cancellarius: . . . Socco & Cothurno Actus. a Studiosa Juventute Weingartensi Anno M. DC. XCVI. ad diem 15. Octobris. [Perioche, Weingarten, ]. Altdorffii ad Vineas: Herckner, []. 4p. [Periocha. Worldcat OCLC 635320590.]
  26. Henri VIII roy de l'Angleterre tragédie qui sera représentée au Collège des Pères Barnabites de Montargis, le jeudy . A une heure aprés midy. Montargis: Michel Prevost, . [Programme, Bibliothèque Mazarine, 1088 A 3: Conroy pp.396–97, 456. Based on Nicholas Sanders.]
  27. Thomas Morus. Ex Angliae cancellario regis regum purpuratus. (Innsbruck, ) [Periocha extant. Unterweg 1991:11.]
  28. Victrix Constantia in Thoma Moro Angliae Cancellario. etc. Siegreiche Beständigkeit in Thoma Moro Gross-Kanzler des Königreichs Engellandt. und . (Eichstätt, ). [Periocha extant. Unterweg 1991:11 and Google Preview.]
  29. Thomas Morus Angliae cancellarius. (Vienna, ). [Unterweg 1991:11.]
  30. Thomas Morus mori quam impias Henrici VIII. nuptias approbare praeoptans. (Hildesheim, ) [Unterweg 1991:11.]
  31. Thomas Morus. (Baden, ) [Unterweg 1991:11.]
  32. Thomas Morus Angliae cancellarius purpuratus verae religionis defensor = Thomas Morus, preysswürdiger Cantzler in Engelland und tapfferer Verfechter der wahren Religion: vorgestellt von dem . . . Gymnasio der Gesellschafft Jesu zu Ellwang den . und Anno . [Ellwangen], . 7p. [Periocha. Worldcat OCLC 311684921; Unterweg 1991:11.]
  33. Thomas Morus, Ein unbewegliche Tugend-Saul und Heldenmüthiger Verfechter der wahren Kirche in Engeland. [Periocha, Hall, ] Hall: . [Periocha extant. Unterweg 1991:12; Worldcat OCLC 165898031 incorrectly links to Munich Periocha below.]
  34. Henricus Octavus. Rex Britanniae. Tragoedia. (Jülich, ) [Unterweg 1991:12]
  35. Thomas Morus tragoedia. (Feldkirch, ) [Unterweg 1991:12]
  36. Thomas Morus. (Heiligenstadt, )[Unterweg 1991:12]
  37. Thomas Morus. Ein Opfer des katholischen Glaubens. (Salzburg, ) [Unterweg 1991:12. Periocha extant?]
  38. Sedlmayer, Joseph. Thomas Morus: Tragoedia. . . (Munich, ). [Unterweg 1991:12 and p.31n21; Conroy p.366n.27; Gibson 434. Latin and German. Manuscript of play text (35ff) survives in the Staatsbibliotek in Munich. In the Moreanum in Angers owned a microfilm copy. For Periocha see next item.]
  39. Sedlmayer, Joseph. Thomas Morus: Tragoedia. Vorgestellt von dem Churfürstlichen Gymnasio Soc. Jesu . und zu München. Periocha: Munich: Johann Lucas Straub, . 8p. Periocha Online at http://reader.digitale-sammlungen.de/resolve/display/bsb10338136.html [Unterweg 1991:12 and p.31n21; Conroy p.366n.27; Gibson 434. Latin and German. Periocha of previous item.]
  40. Thomas Morus Angliae Cancellarius. (Mannheim, ) [Unterweg 1991:12 and p.31n21. Unedited Manuscript play in the Bibliothek Desbillon (Mannheim).]
  41. Thomas Morus Tragoedia: Gut und Blut vor die Warheit Ritterlich aufgesetzet von einem engelländischen Cantzler Thoma Moro Bey dem Anfang der Spaltung Anno . Vorgestellt von dem Catholischen Gymnasio der Gesellschafft Jesu bey St. Salvator zu Augspurg, . Frauen, . Männer, und . Augsburg: Johann Michael Labhart, . 4p. Periocha Available online at http://epub.ub.uni-muenchen.de/20903/1/W4P.lat.rec.1247_38.pdf [Unterweg 1991:12. Periocha extant.]
  42. Heroica in adversis Constantia THOMAE MORI, Magni quondam Angliae Cancellarii, Ab Henrico furente ad tribunal Regium Dominica in Palmis tentata, à MARGARETA Filia blandiente in periculum vocata, Fortitudine as exemplum Filii DEI De cruce descendere renuentis comprobata. Ac demum Martyrii Palmis coronata; . . . / Cumprimis vero honori, et venerationi reverendissimi, ac illustrissimi domini domini Guilielmi Adalberti Liebsteinski S. R. I. Comitis a Kolowrat Domini in Biskupitz, Cathedralis Ecclesiae Olomucensis . . . Alma Congregatio Latina Major Beatissimae Marae Virginis Gloriose in Coelos Assumptae Melodrammatica scena exhibuit in Academico Collegio Societatis Jesu Olomucii . Olomucii [Olomouc / Olmütz]: Cum Facultate Ordinarii, typis Olomucensibus, . 32p. [Unterweg 1991:12; Conroy p.366n.28; Gibson 347; Worldcat OCLC 320744547 and 563956189; Sullivan 2:103. Unedited Play text. Poetry and prose. Partly inspired by Holbein's painting of the More family which ended up in Olomouc, now in Czech Republic, where it was destroyed by fire later in the 18th Century.]
  43. Thomas Morus. (Kremsmüster, ) [Unterweg 1991:12.]
  44. Thomas Morus. (Molsheim, ) [Unterweg 1991:12.]
  45. Thomas Morus. (Fulda, ) [Unterweg 1991:12.]
  46. Thomas Morus. (Ieperen, ) [Unterweg 1991:12.]
  47. Thomas Morus. (Koesfeld, ) [Unterweg 1991:12.]
  48. Thomae Mori constantia. (Linz, ) [Unterweg 1991:12.]
  49. Thomas Morus. Tragaedia. Das ist: die bis in tod unüberwindliche Beständigkeit Thomas Mori Engelländischen Kantzler: In einem Traurspiel auf offentlicher Schau-Bühne vorgestellt von dem Lyceo, und Gymnasio der Gesellschafft Jesu zu Luzern Den . . und . Periocha: Lucern: Getruckt bey Joseph Christoph Rüttümann, Statt-Buchtrucker, . [Jesuiten-Kollegium (Luzern); Rüttimann (Offizin, Luzern); Zentralbibliothek (Luzern)] See http://sb-vf20.swissbib.unibas.ch/vfrd/Record/027626946 [Unterweg 1991:12; Worldcat OCLC 886468648.]
  50. Thomas Morus. (Dunkirk, ) [Unterweg 1991:12. Periocha extant?]
  51. Thomas Morus. Gross Kantzler von Engelland, In einem Trauerspill Auf öffentlicher Schau-Bühne Vorgestellet Von der Studierenden. . . (Theaterprogramm. Sitten, ). [See Alan Cordonier, Bibliographie des imprimés valaisans des origines jusqu'à la fin de l'Ancien Régime (): suivie de Notices biographiques des imprimeurs (). in Vallesia: bulletin annuel de la Bibliothèque et des Archives cantonales du Valais, des Musées de Valère et de la Majorie = Jahrbuch der Walliser Kantonsbibliothek, des Staatsarchivs und der Museen von Valeria und Majoria : 9–96. Unterweg 1991:12.]
  52. Thomas Morus. (Solothurn, ) [Unterweg 1991:12.]
  53. Constantia Christiana Thomae Mori. Das ist: christliche Standhafftigkeit des Engelläindischen Gross Canzlers Thomas Morus. und . Ingolstadium [Ingolstadt], . Periocha available through EOD at http://search.books2ebooks.eu/Record/bsb_850863/Holdings [Unterweg 1991:12. Periocha extant]
  54. Thomas Morus. Canzler in Engelland: auf der Schaubühne vorgestellet vom Löbl. Lyceo, und Gymnasio der Gesellschaft Jesu zu Costantz, den und . Periocha available online at http://dl.ub.uni-freiburg.de/diglit/morus1764 Constance: Anton Labhart, . [Unterweg 1991:12. Periocha extant.]

Puget de la Serre () Thomas Morus and Dutch Translations and Adaptations (/).

Editions

  1. La Serre, M. de [Puget de la Serre, Jean] Thomas Morus ou Le Triomphe de la Foy, et de la Constance. . . A Paris, chez Augustin Courbé, . [BNF Rés. Yf 1534; Arsenal: R.ra 456; Conroy p.435(1). A state of edition see p.436; Gibson 474; Worldcat OCLC 494439628, 40416814, 764069256, etc. It is impossible to identify any of the various Worldcat entries reliably with any of the first five editions listed by Conroy on pp.435–37.]
  2. La Serre, M. de [Puget de la Serre, Jean] Thomas Morus ou Le Triomphe de la Foy, et de la Constance. Tragédie en prose. Dédiée à Madame la Duchesse d'Esgvillon, par Monsieur de la Serre. A Paris, chez Augustin Courbé, libraire & imprimeur de Monsieur frere du Roy, dans la petite salle du Palais, à la Palme. M. DC. XXXXI. Avec privilege du Roy. [], rpt. . (Yf 511) edition online at http://gallica.bnf.fr/ark:/12148/bpt6k5624589q This online edition from Lyon below is missing almost all of Scene VIII Google Books [BNF Rés. Yf 511; Arsenal: Rf 6721; Conroy p.435(2). B1 state of edition see p.436. Richelieu supposedly wept at the performance of this play (cf. Gibson 327, 494 and 461).]
  3. La Serre, M. de [Puget de la Serre, Jean] Thomas Morus ou Le Triomphe de la Foy, et de la Constance. . . A Paris, chez Augustin Courbé, . [BNF Rés. Yf 488; Arsenal: Rf 6722; Conroy p.435(3). First Complete (C state of) edition see p.436.]
  4. [La Serre, M. de [Puget de la Serre, Jean] Thomas Morus ou Le Triomphe de la Foy, et de la Constance. . .] [A Paris, chez Augustin Courbé,] [n.d.] [No date. Title page missing? Recueil 1666, BNF Yf 377; Conroy p.435(4). B2 state of edition see p.436.]
  5. La Serre, M. de [Puget de la Serre, Jean] Thomas Morus ou Le Triomphe de la Foy, et de la Constance. . . A Paris, chez Augustin Courbé, [n.d.] [BNF Yf 4839; Sorbonne R.Ra 762; Conroy p.435(5). B2 state of edition see p.436.]
  6. La Serre, M. de [Puget de la Serre, Jean] Thomas Morus . . . in Les oeuvres chrestiennes de monsieur de La Serre. . . Dediées a la Vierge. Les pensées de l'eternité. Les douces pensées de la mort. Le breviaire des courtisans. Le tombeau des plaisirs du monde. Les sainctes affections de Joseph & de Marie. La Vierge mourante sur le calvaire. Le reveille-matin des dames. Les delices de la mort. Les merveilles de l'amour divin. Le miroir qui ne flatte point. L'entretien des bons esprits. La charité dans son throne. Le tombeau des atheées. Cantiques sur les attributs de Dieu. La tragedie de Thomas Morus. Et la tragedie de saincte Catherine. A Paris, chez Antoine de La Perriere. [BNF 17 fol.; Worldcat OCLC 490974788; Conroy p.435(6). Rpt. of / edition.]
  7. La Serre, M. de [Puget de la Serre, Jean] Thomas Morus ou Le Triomphe de la Foy, et de la Constance. Tragédie en prose. . . Paris: Louis Chamhoudry, . [BNF Yf 9.762; Sorbonne R.ra 763; Worldcat OCLC 562172786; Conroy p.435(7); cf. Gibson 474.]
  8. Schipper, Jan Janszoon, Thomas Morus, Den grooten Kanselier van Engelant, Met'et verstooten der Koningin Katrijne: Treur-spel gespeelt op d'Amsterdamse Schouwburgh. Amsterdam: Lescaille, . 77p. Available online at Google Play. [Dutch. Worldcat OCLC 459049608; Gibson 508. According to Dudok, many dialogues in the Dutch play bear a striking resemblance to those in the French (216–17.) See Unterweg, Dutch Drama, Moreana 25:97 (): 29–31.]
  9. Sander, Willem van, and Hendrick Bruno. Thomas Morus ofte Verwinninge van Geloof en Stant-vastigheydt. Eerst in 't Frans buyten Rijm gemaeckt door den uytnemenden schijver de heer Puget de Serres, Naederhandt in 't Neder-landts over-geset door Heer W. V. S. ende nu in Rijm gebraght door Henrick Bruno, Conrector tot Hoorn. Hoorn: A. Isaacsz van der Beeck, . [Dutch. Dudok; Worldcat OCLC 69009694, 457597439, etc.; cf. Gibson 474. Dutch translation of Puget de la Serre ( above). See Unterweg, Dutch Drama, 27–29.]
  10. Glazemaker, Jan Hendrik. Thomas Morus Of de Zegepraal Des Geloofs En der Stant-vastigheit, Treurspel door de Heer de la Serre, Historiesschrijver van Frankrijk, in de Fransche Taal beschreven. Nieuwelijks van J. H. Glazemaker vertaalt. Amsterdam: Gerrit van Goedesberg, . [Dutch. Dudok; Worldcat OCLC 781630736; cf. Gibson 474. Dutch translation of Puget de la Serre ( above). See Unterweg, Dutch Drama, 27–29.]
  11. La Serre, M. de [Puget de la Serre, Jean] Thomas Morus ou Le Triomphe de la Foy, et de la Constance. Tragédie en prose. . . Paris: Louis Chamhoudry, . [Arsenal Rf 6723; Conroy p.435(8).]
  12. La Serre, M. de [Puget de la Serre, Jean] Thomas Morus ou Le Triomphe de la Foy, et de la Constance. . . A Paris, chez Augustin Courbé, . [Worldcat OCLC 469496552.]
  13. [La Serre, M. de = Puget de la Serre, Jean] Thomas Morus ou Le Triomphe de la Foy, et de la Constance: tragédie en prose. A Paris, quai des Augustins: chez Demaudouy, à Saint François: Charles Guillaume, à S. Charles, . [BNF Yth 17274; Worldcat OCLC 40906059; Conroy p.435(9); cf. Gibson 474. No Author listed. First published /42.]

Studies

  1. Dudok, Gerhard. Appendix III: Plays Dealing with Sir Thomas More. Sir Thomas More and His Utopia. Ph.D. Diss. U of Amsterdam, . Amsterdam: H. J. Paris, A. J. Kruyt, H. J. Pores, . 214–17. Online at http://www.archive.org/details/sirthomasmorehis00dudouoft [Wentworth 590.]
  2. Smith, C. N. The Thomas Morus () de Jean Puget de la Serre. Moreana 15:58 (): 17–31.
  3. Conroy, Jane. Puget de la Serre: Thomas Morus ou Le Triomphe de la foi et de la constance, et Puget de la Serre, Thomas Morus: éditions et états du texte. Terres tragiques: L'Angleterre et l'Ecosse dans la tragédie française du XVIIe siècle. Préface de Jacques Truchet. Biblio 17, 114. Tübingen: Gunter Narr Verlag Tübingen, . 359–397, 435–37. [Also discusses 17th C French plays on Mary Queen of Scots, Jane Grey, the Earl of Essex and Charles I of England.]
  4. Leroy, Christian. Lecture de Thomas Morus ou Le Triomphe de la foi et de la constance de Puget de La Serre (): la première tragédie en prose française. Etudes Epistémè no 2 (): 250–268. Online at http://revue.etudes-episteme.org/?thomas-morus-ou-le-triomphe-de-la Or http://www.etudes-episteme.org/2e/IMG/pdf/ee_2_art_leroy.pdf
  5. Ibbett, Katherine. Thomas Morus ou Le Triomphe de la foi. The Style of the State in French Theater, : Neoclassicism and Government. Farnham, UK: Ashgate, . 43–48.

Italian Plays, Operas and Oratorios about More ()

As far as I can ascertain, only the libretti, not the music, survive for these oratorios, though music for other works by some of these composers does survive.

  1. Scammacca, Ortensio. Il Thomaso Moro. in Vol. XII. of Delle Tragedie sacre e morali. 12 vols. Palermo: G.B. Maringo, . [Worldcat OCLC 224359875; Conroy p.368,n37. See Corrigan, 93–96 in General Studies.]
  2. Neri, Giovanni Battista [or Giambattista]. Composer: Giovanardi, Nicola Tomaso Moro: Oratorio per musica da recitarsi nel Pio Ospitale di S. Lazaro di Vinezia, consacrata al sig. Aluise Pisani. Venezia: Bosio, . Rpt. Bologna: per l'eredi di Vittorio Benacci, . [Worldcat OCLC 41114292.]
  3. Rossi, Giacomo. [or Jacopo] Il Tommaso Moro opera scenica dedicata all'eminentissimo signor. Francesco card. Buonvisi vescovo di Lucca, recitata nel suo seminario. Lucca: Paci Giacinto, . ?Rpt. as Il Tommaso moro opera scenica del sig. Jacopo Rossi, rappresentata nel Seminario di Lucca. Lucca: Per i Marescandoli, []. Rpt. in Scene heroiche: l'Ismeria, Il Tomaso Moro, l'Almiro, l'Isifile del Jacopo Rossi. Lucca: per i Marescandoli, Libreria musicale italiana, . [Worldcat OCLC 224378343, 79618283, 730152041; Corrigan 97–103 in General Studies. Probably performed after . Antonio Bonvisi (who was from Lucca) figures prominently in this play. Opera scenica = with a text in prose and no record of music.]
  4. Piantini, Giovanni Maria [or Giammaria]. Composer: Orlandi, Vincenzo Maria. Tomaso Moro, tragedia ad uso di oratorio a cinque voci recitata nell'Oratorio dei Confratelli della Carità in Bologna la sera della domenica delle Palme dell'anno , su arie di Vincenzo Maria Orlandi. Bologna: per gl'eredi di A. Pisarri, . [Worldcat OCLC 469068147; Gibson 445? See also Piantini 1704 below (with different composer).]
  5. Piantini, G. M. Composer: Orlandi, Vicenzo Maria. Tomaso Moro, tragedia ad uso di oratorio per musica, dedicata alla S. R. M. di Lodovico XIV il grande rèdi Francia e di Navarra. MS, Bologna, . [Gibson 445: Bibl. nationale, Paris, cat. dufonds de musique ancienne. vol. VII, p. 95. Same as previous item?]
  6. Grappelli, Giovanni Battista. Composer: Ciccioni, Agostino. Il Tommaso Moro gran cancelliere d'Inghilterra, oratorio posto in musica da Agostino Ciccioni; da cantarsi nell'oratorio di S. Girolamo della carità. Dedicato alli signori alunni dell'inclito Seminario Inglese di Roma. Rome: Ercole Domenico Antonio, .
  7. Piantini, Giovanni Maria [or Giammaria]. Composer: Milanta, Eville Merodach [Millanta, Evil Mérodach]. Tomaso Moro. Tragedia ad uso oratorio. [Performance: G.M. Piantini; Bologna, Palazzo Ranuzzi, .] In Bologna, per li Peri, . Online at Google Books. [Worldcat OCLC 457683221; CMBM, Lo.3135. See http://www.bibliotecamusica.it/cmbm/scripts/gaspari/scheda.asp?id=18376. See also Piantini 1696 above (different composer).]
  8. Bacci, Pietro Jacobo. Il Tomaso Moro, gran cancelliere dell'Inghilterra. Melodrama da cantarsi nell'oratorio de'PP. di S. Filippo Neri di Perugia. Musica dell'P. Pietro Jacobo Bacci, della medesima congregazione; consagrato all' illustrissmo. sigre. sigre. padrone colmo. il sig. Domenico Lazzarini di Morro vditore di ruota della medesima citta' nobile Maceratese. In Perugia: pel Costantini, . Online at http://daten.digitale-sammlungen.de/~db/0004/bsb00049784/images/ [Worldcat OCLC 801118249, 824219727. Reprinted in .]
  9. Canavese, Domenico. Composer: Casini, Guiseppe Maria. Tragica istoria di Tommaso Moro già Gran Cancelliere d'Inghilterra: ovvero, Oratorio a quattro voci da rappresentarsi nel Teatro de' SS. Accademici Illuminati di Città di Castello sotto il Principato dell'illustriss. sig. conte Federigo Ubaldini, dedicata all'illustrissimo sig. marchese Francesco Borbon Del Monte. Firenze: Tipografia Martini, , Rpt. In Firenze: Per Michele Nestenus, e Anton Maria Borghigiani, [approximately ]. Rpt.? Tommaso Moro. Pistoia: Bracali, . [Worldcat OCLC 74457436, 809204671. Libretto only. For 1738, see Jean Grundy Fanelli, A Chronology of Operas, p.45. .]
  10. Manfredini, Francesco Maria. Tommaso Moro, oratorio per musica. Bologna: . Rpt.? Tommaso Moro. Oratorio a cinque voci posto in Musica dal Francesco Manfredini. Pistoia: .
  11. Bianchi, Giovanni Antonio [pseud. Farnabio Gioachino Annutini]. Il Tommaso Moro, tragedia di Farnabio Gioachino Annutini. Rome: il Bernabò, . Rpt. Tragedie sacre e morali . . . la Matilde, il Giefte, la Elisabetta, il Tommaso Moro . . . Rome: il Bernabò, . ?Rpt. Bologna, Stamperia di Lelio dalla Volpe, [] [Gibson 195; Worldcat OCLC 54243053, 180778199; Sullivan 1:79; Corrigan 103–106 in General Studies.]
  12. Bacci, Pietro Jacobo. Tommaso Moro gran cancelliere d'Inghilterra, oratorio per musica. Florence: all'insegna di Pallade e d'Ercole, . [Reprint of ?]
  13. Marc'hadour, Germain. Tommaso Moro: Un 0ratorio de . Moreana 28:108 (): 85–88. [On an oratorio by Giambattista Neri (), performed in Venice.]

Thomas More: Modern Operas and Choral Suites

  1. Bantock, Granville. A Pageant of Human Life. Choral Suite For Male, Female, And Children's Voices. The words by Sir Thomas More. [] See More: English Poems.
  2. Fisher, Garrett. The Passion of Saint Thomas More. Greenville, Maine: Opus One, . Rpt. Seattle, WA: 16 Visions, . Rpt. Åkersberga, Sweden: BIS; New York: Qualiton Imports, . Rpt. Naxos Music Library, . [Opera in Two Acts. Sung in English, Norwegian, Latin, and Provençal.]

Silvio Pellico ()

Editions

  1. Pellico, Silvio. Tommaso Moro, tragedia di Pellico Silvio da Saluzzo. Turino: Presso Guiseppe Bocca, . 110p. Online at http://books.google.com/books?id=ZvIIAAAAQAAJ and http://babel.hathitrust.org/cgi/pt?id=wu.89103226486;view=1up;seq=12 [Worldcat OCLC 679949091. See Corrigan, 106–108 and Pellheimer in General Studies. Based on James Mackintosh and the Princesse de Craon.]
  2. Pellico, Silvio. Tommaso Moro, tragedia . . . Livorno: Bertani, Antonelli e C, . 106p. [Worldcat OCLC 76954270.]
  3. Pellico, Silvio. Tommaso Moro, tragedia di Pellico Silvio da Saluzzo. Parigi: Baudry, Libreria Europeo, . 84p. Online at http://www.mdz-nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:bvb:12-bsb10757361-4 and Google Books. HTML and epub versions of and editions available online at http://it.wikisource.org/wiki/Tommaso_Moro_(Pellico) [Worldcat OCLC 471650744 and 885007011.]
  4. Pellico, Silvio. Tommaso Moro: tragedia . . . Lugano: Presso Francesco Veladini e Comp, . 93p. [Worldcat OCLC 635599987.]
  5. Pellico, Silvio. VIII. Tommaso Moro. Opera compiute. Volume Primo Lipsia [Leipzig]: Ernesto Fleischer, . I: 193–206. Online at Google Books [Worldcat OCLC 864067999.]
  6. Pellico, Silvio. Opere Complete. Tomo IV, (Tomaso Moro — Tragedia. Tancreda, Rosilde, Eligi e Valafrido, Adello — Cantiche). Capolago: Tipografia e libreria Elvetica, . [Worldcat OCLC 80543012.]
  7. Pellico, Silvio. Tommaso Moro, tragedia. Opere Complete di Silvio Pellico da Saluzzo. Tomo secondo. Parigi: Baudry, Libreria Europeo, . II: 511–588. Online at http://babel.hathitrust.org/cgi/pt?id=hvd.32044019908136;view=1up;seq=533 [Worldcat OCLC 794348271.]
  8. Pellico, Silvio. Opere Complete. 8 vols. Capolago: Tipografia e libreria Elvetica, . Online at Google Books [Worldcat OCLC 83953003 and 635599934. Tomaso Moro must be in Vol. 7; cf. edition.]
  9. Pellico, Silvio. Opere Complete di Silvio Pellico da Saluzzo. 3 vols. Parigi: Baudry, Libreria Europeo, [Worldcat OCLC 11738224 and 434331973.]
  10. Pellico, Silvio. Tommaso Moro, tragedia. Opere Complete di Silvio Pellico da Saluzzo. 2 vols. Bruselle: Società belgica di libreria, . II: 269–362. Vol.2 online at Google Books [Worldcat OCLC 878634309 and 674421082 (1857?). Worldcat lists an 1857 edition but this may be a ghost.]
  11. Pellico, Silvio. Opere Complete di Silvio Pellico. Parigi, dai torchi di Amedeo Gratiot, presso Thiériot libraio, . [Worldcat OCLC 63590655.]
  12. Pellico, Silvio. Opere Complete di Silvio Pellico. Volume unico. Napoli: Per Francesco Rossi, , , . [Worldcat OCLC 13944781, etc.]
  13. Pellico, Silvio. Opere Complete di Silvio Pellico. Volume unico. Milano: Presso La Libreria di Dante, , . online at HathiTrust. [Worldcat OCLC 8229096, 682023232 etc.]
  14. Pellico, Silvio. Tragedie di Silvio Pellico. Poesie di Silvio Pellico, v. 1 Firenze: Felice Le Monnier, . 377–433. Online at Google Books [Worldcat OCLC 4915307 and 613102102.]
  15. Pellico, Silvio. Tommaso Moro. Tragedie di Silvio Pellico. Poesie di Silvio Pellico, v. 1 Milano: M. Guigoni, . 365–421. Online at Google Books [Worldcat OCLC 875863412.]
  16. Severjev, Jernej Križaj, trans. Tomaž Mor: žalostna igra v petih djanjih. Cvetje iz domačih in tujih logov 18. V Celovcu [Klagenfurt, Austria?]: vredništvo slovenskaga Glasnika, . [Worldcat OCLC 444761934. Slovenian translation.]
  17. Pellico, Silvio. Opere Complete. Milano: Francesco Pagnoni, . [Worldcat OCLC 13677524.]
  18. Pellico, Silvio. Tragedie. Torino: Tip. Dell'Oratorio di S. Franc. di Sales, . 420–482. Online at Google Books [Worldcat OCLC 709528911.]
  19. Pellico, Silvio. Le mie prigioni e poesie scelte di Silvio Pellico. Biblioteca d'autori italiani, t. 9. Leipzig: F.A. Brockhaus, . [Worldcat OCLC 11426486.]
  20. Pellico, Silvio. Tommaso Moro. Tragedie di Silvio Pellico Poesie di Silvio Pellico., vol. I Firenze: Successori Le Monnier, . 377–435. Online at Google Books. HTML and epub versions of and editions available online at http://it.wikisource.org/wiki/Tommaso_Moro_(Pellico) [Worldcat OCLC 555358916.]
  21. Pellico, Silvio. Tommaso Moro: tragedia in cinque atti. Piccolo teatro delle case di educazione, 43. Modena: Tipografia dell'Immacolata Concezione, . [Worldcat OCLC 799463794.]
  22. Pellico, Silvio. Tommaso Moro. Tragedia in cinque atti. Le mie prigione, e, Poesie scelte. Leipzig: F. A. Brockhaus, . 309–55. Online at http://www.archive.org/details/lemieprigioniepo00pelluoft [Worldcat OCLC 697959207.]
  23. Pellico, Silvio. Tommaso Moro. Opere complete di Silvio Pellico. Milano: Angelo Bietti, Editore, . 231–248. Rpt. Milano; Buenos Aires: Bietti, . Online at http://ebooks.library.ualberta.ca/local/operecomplet1886pelluoft [Worldcat OCLC 667621724; 799523791.]
  24. Pellico, Silvio. Tragedie. Prose e poesie di Silvio Pellico 2. Firenze: Salani, . [Worldcat OCLC 255034287.]

Studies

  1. Fellheimer, J. Silvio Pellico's Thomas More. Modern Language Review 43 (): 483–91. [Geritz I039; Sullivan 1:347. On Silvio Pellico's Tommaso Moro ().]
  2. Corrigan, Beatrice. Sir Thomas More: Personage and Symbol on the Italian Stage. [.] See General Studies.

Late 18th Century and 19th Century Plays about More ()

  1. Knüppeln, Julius Friedrich. Thomas Morus: ein Trauerspiel in fünf Afzügen. Berlin: F. Maurer, . Rpt. as Thomas Morus: ein Trauerspiel in fünf Afzügen samt seinem Leben. Munich: Aufgeführt auf dem churfürstl. Theater zu München, . [Worldcat OCLC 831200779 and 78634677.]
  2. Dyk (Dyck), Johann Gottfried. Thomas More: ein Trauerspiel in fünf Aufzügen. Leipzig: in Verlage der Dykischen Buchhandlung, . Rpt. in Vol. 4 of Nebentheater. 6 vols. Leipzig: in Verlage der Dykischen Buchhandlung, . Deutsche Schaubühne 5. Augsburg: . 4:[237]–364 and 201[plate]. online at Google Books and Göttingen [Sullivan 1:305; Worldcat OCLC 891572245, 838979209, and 705432933.]
  3. Hurdis, James. Sir Thomas More, A tragedy. By the author of the village curate, and other poems. London: J. Johnson, , rpt. . 132p. Rpt. as Sir Thomas More a Tragedy. in The favourite village with an additional poem, (now first published) and a tragedy. London: C. Whittingham, . 179–350. Online at http://www.archive.org/details/favouritevillage00hurdiala and http://www.archive.org/details/favouritevillag00hurdgoog [ESTC T48368 and T126420; Worldcat OCLC 560471071; Sullivan 2:144–145. See E.E. Reynolds , and Geritz in General Studies.]
  4. Martirio di Tommaso Moro: opera tragica . . . sacra dell'autore incognito pio. Manuscript: Brindisi, Biblioteca Provinciale MS, . 104p. [Gangale's Note: Nicodemo Guadagno padrone di quest'opera.— Restaurato e rilegato nel dalla Biblioteca Provinciale di Brindisi.]
  5. G M R–D, pseud. George Moreland. The divorce, or The British Socrates: being a dramatic history of Sir Thomas More. London: G. Hayden, . 104p. [Worldcat OCLC 228687015.]
  6. Arrigo ottavo, ossia La caduta di Tommaso Moro, con Pulcinella creduto dama inglese. Tragicommedia [in three acts and in prose]. In Napoli: Presso Domenico Sangiacomo, . 12p. Available online at Google Books [A farce. Worldcat OCLC 559614839; Gangale: Nella Napoli murattiana la popolarità del personaggio aveva consentito che si giungesse a mescolarlo ai lazzi della farsa. Joachim Murat = King of Naples .]
  7. Drap-Arnaud, Prudent-Marc-Xavier-Victor. Thomas Morus, ou, Le divorce d'Henri VIII: tragédie en cinq actes. Représentée pour la première fois, sur le Théâtre royal de l'Odéon, . Paris: chez Martinet: et chez l'auteur, . 84p. Available online at http://contentdm.warwick.ac.uk/cdm/ref/collection/Restoration/id/23870 [Unterweg; Worldcat OCLC 666765051.]
  8. Fiorio, Girolamo. Tommaso Moro Gran cancelliere d'Inghilterra: tragedia. Mantova [Mantua]: L. Caranenti, . [Worldcat OCLC 878308518; Gangale.]
  9. Boker, George Henry. Anne Boleyn: A Tragedy. Philadelphia: A. Hart, late Carey and Hart, . Rpt. Plays and poems. 2 vols. Boston, Ticknor and Fields, . Vol.I: 113–234. Available online at http://quod.lib.umich.edu/m/moa/aan3575.0001.001/123?page=root;rgn=full+text;size=100;view=image [Worldcat OCLC 11882866 and 62100573, etc.; Sullivan S2:19. For Boker's mention of More, see Patricia Stewart in Studies.]
  10. Langenschwarz, Maximilian Leopold. Thomas Morus: historisches Schauspiel in 4 Akten. Berlin: . [Worldcat OCLC 758789459; Unterweg.]
  11. Ebeling, Friedrich Wilhelm. Thomas Morus. Historische Tragödie in fünk Akten von Friedrich W. Ebeling. Mit einer Vorrede: Zur Kritik der deutchen Kritik. Berlin: Albert Sacco, . Online at Google Books. [Worldcat OCLC 559228153; Unterweg.]
  12. Maggio, Giuseppe. Tommaso Moro: Tragedia. Florence: Tipografia di Federigo Bencini, . Rpt. as Tommaso Moro: episodio del secolo XVI . . . Fano: Tipografia Sonciniana, . [Worldcat OCLC 41785375 and 849021450, which lists the 1887 edition as a novel; Gangale.]
  13. Redwitz, Oscar Freiherr von. Thomas Morus: historische Tragödie in fünf Aufzügen. Mainz: Franz Kirchheim, , , . edition available online at Google Books [Worldcat OCLC 42916591 and 717446814.]
  14. Maunoury, Auguste-François. Thomas Morus. Tragédie en trois actes. Paris: Vve Poussielgue-Rusand, . [Petit Séminaire de Séez, .] [Worldcat OCLC 457487666; Sullivan 2:301; Unterweg 1991:22–23. Maunoury also publshed a Daniel play in (Worldcat OCLC 421950315), cf. next item.]
  15. Br. P., trans. [Author: Manoury, Auguste-François?] Sir Thomas More, a tragedy in five acts. London: Thomas Hailes Lacy, . 27p. Also published as part of Three plays, scriptural and historical: for male characters only. St Thomas More a tragedy in five acts; Joseph and his brethern: a drama in three acts; Daniel in the lions' den: a sacred drama in five acts. Translated from the French for the use of St. Mungo's Academy, Glasgow, by Br. P. London, New York: S. French, [Worldcat OCLC 59109931, 236082817 and 9092661; Unterweg. Translated from Maunoury () above? (who also wrote a Daniel play).]
  16. Schunck, Theresa. Margaretha Morus: Drama in 4 Akten; Nach d. Französ.. Theater, Kleines, 71. Paderborn: Schöningh?, . [Worldcat OCLC 504290026; Unterweg. Translated from the French? Perhaps J. de la Magdelaine.]
  17. Magdelaine, J. de La. Marguerite Morus, drame en 4 actes, avec chants et musique, pour servir aux récréations littéraires des pensionnats de jeunes filles, par J. de La Magdelaine. 2nd ed. Paris: Sarlit, . 60p. 3rd ed. Paris: J. Bricon, . edition online at https://archive.org/details/margueritemorusd00rohluoft [Worldcat OCLC 457367418, 457367423.]
  18. Salvioli, Guiseppe. Tommaso Moro (tragedia sacra). in Giornale degli eruditi e curiosi [Padua] 3 (): 209–210. [Gangale; Worldcat OCLC 39939430. Theatrical Notice.]
  19. Ney, Christian. Thomas Morus, Historisches Trauerspiel in fier Aufzügen. Sammlung leicht ausführbarer Theaterstücke, 24. Paderborn: Schöningh, , , , , . 72p. [Worldcat OCLC 249850406, etc.; Unterweg.]
  20. d'Ars, Jacques [pseud. of Alphonse Rohlfs de Sussex.] Marguerite Morus: drame en trois actes avec musique par Jacques d'Ars. Paris: André Lesot, 3rd ed. , , , 6th ed. [], 81p. edition available online at http://www.archive.org/details/margueritemorusd00rohluoft [Sullivan 1:242; Worldcat OCLC 665145656, etc.; Unterweg, who wrongly gives date as .]
  21. Coleridge, Stephen. Sir Thomas More: a play in four acts. London: [s.n.], . [Worldcat OCLC 26487406; Unterweg.]
  22. Beltrami, Andrea. Tommaso Moro: Dramma in cinque atti; Joseph Thomas: Episodio della rivoluzione francese in Alsazia; Saggio drammatico in tre atti di J. Buhr. Traduzione dal tedesco riveduto dall'autore. Chi la fa l'aspetta. Farsa in un atto del can. G. B. Castagnola Ve n'ho fatto due: farsa in un atto. Collana di letture drammatiche, anno 13, fasc. 5 Turin: Libreria Salesiana Editrice, , . [Worldcat OCLC 432896845; Gangale.]

Twentieth and Twenty-First Century Plays about Thomas More

Editions and MSS
  1. Fox, Archibald Douglas. Sir Thomas More: An Historical Play in Five Acts. London: Constable, . 96p. Online at http://www.archive.org/details/sirthomasmorehis00foxa [Worldcat OCLC 12876174; Sullivan 365–66.]
  2. Mora, Mona. The Wisdom of foolishness: being an adaptation of the Diary of Margaret Roper: a drama in four acts. London: Burns & Oates, . 45p. [Worldcat OCLC 42925656; Sullivan 2:335. See Anne Manning below.]
  3. Binyon, Laurence. Episode IV: Sir Thomas More at Chelsea. Scene I. Henry VIII visits More. Scene II. More leaves Chelsea. The Chelsea Historical Pageant . . . [to] . Old Ranelagh gardens, Royal hospital, Chelsea. Book of words, with illus. and selections from the music. Music by Ernest Bucalossi. Chelsea: Printed for the Pageant Committee, . 39–49. [154p.] Online at https://archive.org/details/cu31924022148815 [Worldcat OCLC 8300525, etc.; Sullivan 1:194, 81, and 137. Includes musical setting of More's Lewys.]
  4. Programme of The Chelsea Historical Pageant . . . [to] . Chelsea: Printed for the Pageant Committee, . [21p numbered pp.9–29.] [Worldcat OCLC 24413155.]
  5. Holst-Van der Schalk, Henriette Roland. Thomas More: een treurspel in verzen. Rotterdam: W. J. & L. Brusse, , , , , , , . edition available online at https://archive.org/details/thomasmoreeentre00rola [Worldcat OCLC 503849795, etc.; Sullivan 2:124–25. Play in Dutch. See Unterweg, Dutch Drama, Moreana 97 (): 31–32, and Brouwer in Studies.]
  6. Binyon, Cicely Margaret. [Mrs. Laurence Binyon.] Sir Thomas More. in Historical Dialogues for School Use. London: Hodder and Stoughton: . [Worldcat OCLC 665863851; Unterweg and Google Books.]
  7. Berchmans, Sister Mary. Scenes from the life of Sir Thomas More. Dublin: Talbot Press, []. 32p. Online at http://www.archive.org/details/scenesfromlifeof00berciala [Worldcat OCLC 562903573; Unterweg, Stages 27.]
  8. Des Granges, René. Sir Thomas More. Trois Actes en prose. La Révue générale (): 288–306. [French. Sullivan and Unterweg.]
  9. Davies, Ralfe. The Play of Thomas More. An Imagined Story. [Ambass., Southend, ] Manuscript: British Library Manuscript Room, [] [Unterweg 31,n28.]
  10. Robin, Red [Clement Barrand S.J.?] Love mightier than death: I. The foundering of the St. Peter. II. Blessed Thomas More: a drama. London: Manresa Press, . [Sullivan 1:49–50; Worldcat OCLC 36650611. Play and Poems.]
  11. Wight, Carol van Buren. Sir Thomas More and other verse. Baltimore: St. John's Hopkins Press, . 116p. [Worldcat OCLC 2216850.]
  12. Bray, Ruth Gheury de. Sir Thomas More's house at Chelsea. [A play in three acts.] Kensington, UK: The Cayme Press, . 61p. [Worldcat OCLC 4256678; Sullivan 1:121–22.]
  13. Johnson, Fanny. The death of Sir Thomas More. in The Little Duke and other Historical Plays: The election of an abbot, Wolsey and his servants, The death of Sir Thomas More, Dr. Johnson and George III, A Manchester Strike. London: Wells Gardner, Darton & Co., . Rpt. in Short historical plays: by modern authors. Ed. E. R. Wood. The Scholar's Library. London: MacMillan, . [Worldcat OCLC 37191985, 6689272; Unterweg 1991:21–22. Historical play for children. According to Unterweg this play consists of a single scene of 16 pages, in which Margaret and Alice go to visit More in his Tower-cell.]
  14. Castro, Francisco García y García de. Tomás Moro: drama en tres actos refundido y puesto en verso. Madrid: Editorial del Corazón de María, . 52p. Rpt. Teatro Recreativo, 12. Madrid: Coculsa, [] [Worldcat OCLC 503799112 and 41555356, 431854859; Unterweg.]
  15. Wright, Joseph F. Tudor twilight: a play in three acts. Manuscript: 77 Leaves. [Worldcat OCLC 12490616. Manuscript in Loyola Marymount U Longstaff Collection. Based on the trial and execution of Sir Thomas More.]
  16. Bowen, Francis Joseph. The blessed Thomas More: a drama in four acts. Edinburgh, London: Sands, . 79p. [Worldcat OCLC 6484060; Sullivan 1:115–16.]
  17. Blackwell, Francis, of St. Anselm's Priory. Blessed Thomas More: A play [in four acts and verse]. London: Burns Oates & Washbourne, . 56p. [Worldcat OCLC 4295748; Sullivan 1:83–84. By a Benedictine Monk. Focuses on More's dispute with Henry and his subsequent execution.]
  18. Malone, J. and J. Sir Thomas More Knighte. [Liverpool: .] Manuscript: British Library Manuscript Room. [Unterweg 1991: 32,n48.]
  19. Matheson, Elizabeth Fox. Sir Thomas More: A play in three acts. Shipston-on-stour, Warwickshire, UK: King's Stone Press, . 24p. [Performed: Long Compton, Warwickshire, ] [Worldcat OCLC 563115948; Unterweg. Historical play for children.]
  20. Morton Nance, R. An balores, gan Morden, owth-aswonvos gweres Syr Thomas More. St. Ives [Cornwall]: James Lanham [?]. 11p. [Worldcat OCLC 58978888: Cornish play.]
  21. Munk, Kaj. Cant. Et Skuespil om Henry VIII og Anne Boleyn. Copenhagen: Nyt Nordisk Forlag, , , , , . German translation by Erwin Magnus as Cant: Schauspiel. Berlin-Charlottenberg: . English translation by R.P. Keigwin in Kaj Munk: Five Plays. New York: American Scandinavian Foundation, , . Norwegian translation by Helge Hagerup [Oslo]: Nationaltheatret, []. [Danish play. Worldcat OCLC 562969196, 54225669, 474254398, 834489756, etc.; Unterweg Stages, p.26. The author was a leader in the Danish resistance who was murdered by the Gestapo in .]
  22. Lynch, John W. And think of Thomas. Catholic World CXLVIII (): 38–43. [Sum: Sullivan 2:252; Unterweg 1991:21. Composed in A single scene with six dramatis personae. Elsewhere this is called A Poem.]
  23. Pepler H. D. C. (Hilary Douglas Clarke). The field is won: the life and death of Sir Thomas More, Kt.: a wordless play arranged to celebrate the canonization of John Cardinal Fisher . . . and Sir Thomas More . . . martyred in the year of Our Lord one thousand five hundred and thirty five. London: Samuel French, , and Ditchling, Sussex: St. Dominic's Press, . [Worldcat OCLC 7124613.]
  24. Thomas More et John Fisher. Manuscript: [] 11 leaves. [Worldcat OCLC 42932286: Play performed at Orbec, France, . In Loyola Marymount U Longstaff Collection.]
  25. Trabucco, Carlo. Tommaso Moro: dramma in tre atti e un epilogo. Pavia: Editrice Ancora, Scuola Tipografica Artigianelli, . [ICCU; Gangale.]
  26. The wedding of Margaret Roper: a Tudor entertainment. A Chelsea Revel Performed at Crosby Hall, Chelsea, July 10–11, 1935. by Mrs. George Atkinson and Mrs. Hope-Nicholson. London: F. Mildner & sons, . 11p. [Sullivan I:32–33; Worldcat OCLC 42938986: Souvenir programme for ; performed by the descendants of St. Thomas More. In Loyola Marymount U Longstaff Collection.]
  27. Donatus, Sister Mary. The greater glory: a pageant of the English martyrs Saints John Fisher and Thomas More. Immaculata, PN: Immaculata College, . 87p. [Worldcat OCLC 52433596. See Margaret P. Esmonde, The Greater Glory in Studies below.]
  28. Eberle, Oskar. Der heilige Kanzler: Thomas More-Spiel. Spielbuch der Bekrönungsbruderschaft Luzern 5. Lucerne: Räber, . 80p. [Worldcat OCLC 611002430.]
  29. Clarke, Clorinda. Margaret's Father. Twentieth century American plays, 511 [S.l. : s.n., ] [Worldcat OCLC 67770952.]
  30. Leslie French and Alan Hay, Ltd. in association with Charles Killick and Victor Payne-Jennings present Traitor's gate. a play in three acts. London: Published by Payne-Jennings Publicity, [] 12p. [Worldcat OCLC 42898066. In Loyola Marymount U Longstaff Collection. Program for Morna Stuart's play Traitor's gate.. See next item.]
  31. Stuart, Morna. Traitor's Gate. A Historical Play in Three Acts. French's Acting Edition, 143. London: French, . 80p. and London: Collins, . 128p. Rpt. Ed. Elizabeth Haddon Heritage of literature series. Section B, no. 61. London: Longmans, . 125p. Rewritten as radio play in . Dutch translation of Radio Play by A. G. Kranendonk, broadcast as De Verraders Poort by Hilversum II in . [Worldcat OCLC 11572524, 12155751, and 503861875. With Margaretta Scott (cf. Wikipedia) and Basil Sydney then Jack Hawkins in the leading roles. Broadcast on BBC TV in , 90mins. (cf. IMDb). Radio play (lost) broadcast on Home, Saturday Night Theatre, , with Stephen Murray / D.A. Clarke-Smith / Ivan Sampson. For Dutch translation, see Unterweg, Dutch Drama, 33–34. See also article by Christoph Peters in Studies.]
  32. du Garde-Peach, Lawrence. More and Utopia. Story-tellers of Britain. London: University of London Press, . [Worldcat OCLC 16348893; Unterweg. Plays for children, first broadcast on the Children's hour Programmes of the BBC.]
  33. Haushofer, Albrecht. [Berlin? ] Thomas Morus: unvollendetes tragisches Schauspiel. herausgegeben nach dem Manuskript des Autors von Hubertus Schulte Herbrüggen. Paderhorn: F. Schöningh, . Available online at http://daten.digitale-sammlungen.de/~db/0004/bsb00044607/images/ [Worldcat OCLC 13368545; Unterweg. Fragmentary German verse drama (2200 lines) about Thomas More, written after by one of the conspirators () who attempted to assassinate Hitler.]
    Review(s):
    1. Friedrich K.-Unterweg, Moreana 23:91/92 (): 149–52.
  34. Merryn, Anthony. Death of a traitor. London: Published for the Religious Drama Society by the S.P.C.K., . 77p. [Worldcat OCLC 12772931; Sullivan 2:318–19; Unterweg. A play in two acts in verse.]
  35. Anderson, Maxwell. Anne of the Thousand Days. New York: Sloane, . [Sullivan 1:20–21.] Film adaptation as Anne of the Thousand Days. By Maxwell Anderson. Dir. Charles Jarrott. Perf. Richard Burton, Geneviève Bujold, Anthony Quayle, John Colicos, Irene Papas. Hal B. Wallis, Universal Pictures, .
  36. Doherty, Felix. The King's Servant. A Play in Three Acts. New York: S. French, . 129p. [Worldcat OCLC 3790577; Sullivan 1:284–85. See article by Christoph Peters in Studies.]
  37. Regau, Thomas. Thomas Morus. Schauspiel. Tübingen: Heliopolis-Verlag, . 96p. [Worldcat OCLC 28371273. See article by Christoph Peters in Studies.]
  38. Willeke, Caspar. Der Hochverräter. Lordkanzler Thomas More. Drama in 5 Akten. Tübingen: Schöningh, . 107p. [Worldcat OCLC 73575050. See article by Christoph Peters in Studies.]
  39. Williamson, Hugh Ross. His Eminence of England: A Play in Two Acts. London: W. Heinemann, . [A play about Cardinal Pole.]
  40. Deegan, Robert Emmett. The King's Conscience: A Play in Two Acts About Sir Thomas More. New York: Exposition Press, . 105p. [Worldcat OCLC 3491663; Sullivan 1:253–54.]
  41. Albery, Peter. Anne Boleyn: A Tragedy in Four Acts. in Plays of the year. Volume 14, . Ed. J. C. Trewin. London: Elek Books, . [Worldcat OCLC 80948484; Geritz I002; Sullivan S2:2–3. More appears in four scenes. Albery also published a novel called The uncommon marriage or The marriage of Anne Boleyn to Henry VIII. A novel. (London: Elek Books, ) (Worldcat OCLC 316108404).]
  42. Gräffshagen, Stephan. Es trifft dich überall: Späte Begegnung [u.a.]. Stephan Gräffshagen. [Performed Munich, .] Drei ernste Kurzspiele, 2. München: Don-Bosco-Verl., . [Worldcat OCLC 634645860; Unterweg 1991: 22, 23. Written for the Katholische Jungen Gemeinde (KJG = Catholic Youth Community) Patron: Thomas More.]
  43. Guillet, Henri. La veillée de Sir Thomas More. [Performed: Laval, .] Manuscript: Moreanum, Angers (in ). [Unterweg 32,n48;]
    Review(s):
    1. Germain Marc'hadour, Henri Guillet: La veillée de Sir Thomas More, Moreana 77 (): 84.
  44. Pretscher, Josef. Thomas Morus: Ein Lesespiel. [Performed Düsseldorf, .] [Unterweg 1991: 22, 23. Written for the Katholische Jungen Gemeinde (KJG = Catholic Youth Community) Patron: Thomas More. No publication details given. A reading play without acts or scenes.]
  45. Fährmann, Willi. Mitten in der Welt. [Performed .] [Unterweg 1991: 22, 23. Written for the Katholische Jungen Gemeinde (KJG = Catholic Youth Community) Patron: Thomas More. No publication details given. A reading play without acts or scenes.]
  46. Claudius, Jean. Thomas More. [London: .] Manuscript: British Library Manuscript Room. [Unterweg 1991:32,n48. Play performed in the Tower of London.]
    Review(s):
    1. Marc'hadour, Germain. Jean Claudius: The Lambeth Players' Thomas More, Moreana 19/20 (): 21–23.
  47. Vogel, Paula A. Meg: A Play in Three Acts. New York: Samuel French, , . 74p. [Worldcat OCLC 3714020, 262878802; Geritz I119.]
    Review(s):
    1. Clare M. Murphy, Moreana 21:82 (): 113–17.
  48. Paolucci, Anne. Minions of the race: a play about Thomas More, Thomas Cromwell and cardinal Thomas Wolsey. Whitestone, NY: Griffin House Publications, . 30p. Rpt. in Three one-act plays: incident at the great wall, minions of the race, in the green room. [S.l.]: Bagehot Council, . Rpt. in Three Short Plays: Minions of the race, Incident at the great Wall, The actor in search of his mark. Whitestone, NY: Griffin House Publications, . DVD Video. Middle Village, NY: Council on National Literatures, . [Worldcat OCLC 4570207, 31893233, 52184084. A one-act play. Probably written in . edition includes sample programs and reviews.]
  49. Schwandt, T. Thomas Morus. [Performed Neuss, .] [Unterweg. No Publication details available.]
  50. La trilogia di San Tommaso Moro. in Teatro 85–86. Eco degli oratori e dei circoli giovanili, Quindicinale della Federazione Oratori Milanesi aderenti all'ANSPI [Associazione Nazionale San Paolo Italia], n. 13–14, e . Milan: Fondazione Oratori Milanesi, . Contains: Simone Lorici, Assassinio di Stato, dramma storico in tre atti ed un prologo, pp. 29–68; Aldo Pedrone, La coscienza di un uomo, atto unico, pp. 69–94; and Fausto Bertolini, Il gioco e la morte, pp. 95–127. [Gangale. Three Plays on More. See also Moreana 93 (): 26.]
  51. Fischer, Karl Georg. Thomas Morus: die Tragödie eine aufrechten Mannes. Baden-Baden: Battert, []. [Worldcat OCLC 313891801.]
    Review(s):
    1. Germain Marc'hadour, Moreana 28:108 (): 89–92.
  52. Gabrielli, Renato. Moro e il suo boia. [More and his Executioner.] Progetto per una messa in scena di Mauricio Paroni de Castro, a cura di Alessandro Pontremoli. Sinopie, 3. Milan: Vita e Pensiero, . [Worldcat OCLC 33116936; Gangale.]
  53. Pivetti, Paolo. Tommaso Moro: dramma in due atti. Florence: Shakespeare and Company, . [Worldcat OCLC 34302565; Gangale.]
  54. Conkling, J. Chris. Twa Corbies (Two Ravens): an original play based on the historical Sir Thomas More/William Tyndale debates. Diss. California State U, Dominguez Hills, . 165p. [Worldcat OCLC 56581445.]
  55. The Tudors. () Co-Production of Peace Arch, Showtime, and Working Title. Created by Michael Hirst. Starring Jonathan Rhys-Davies as Henry VIII, etc., and Jeremy Northam as Sir Thomas More. [Thomas More appears in 15 of the 38 episodes.]
    Review(s):
    1. Arthur Kincaid, Moreana 45:175 (): 242–46.

Studies

  1. Esmonde, Margaret P. The Greater Glory: A Pageant on More and Fisher. Moreana 38 (): 105–106. [On Sister Mary Donatus's play above.]
  2. Marc'hadour, Germain. Henri Guillet: La veillée de Sir Thomas More. Moreana 20:77 (): 84.
  3. Brouwer, Piet. Le Thomas More de Henriette Roland Holst. Moreana 25:97 (): 9–21. [Geritz I020. On a Dutch play written in on Thomas More by a Dutch Woman socialist.]
  4. Marc'hadour, Germain. Thomas Morus: La Tragédie d'un homme droit de Karl Georg Fischer. Moreana 28:108 (): 89–92. [On Die Tragödie eines aufrechten Mannes [], see above.]
  5. Unterweg, Friedrich-K. Margaretus More, Witwe Roper und ein Greis von 77 Jahren. Zur dichterischen Freiheit in Thomas-Morus-Dramen. Thomas Morus Jahrbuch . 77–87.
  6. Peters, Christoph. The Image of Thomas More in 20th Century Plays—A Presentation of Five More Dramas. Moreana 29:109 (): 23–46 + 66. Online at http://www.thomasmorestudies.org/moreana/Moreana109pages23-46.pdf [Sum.: pp.46, 66; Geritz I085. On Jean Anouilh's film script and four other modern plays by Morna Stuart, Felix Doherty, Thomas Regau, and Caspar Willeke.]
  7. Böger, Astrid. Another (Hi)Story altogether. Paula A. Vogel's Meg. Thomas More . . . and More: Freundesgabe für / Liber Amicorum for Hubertus Schulte Herbrüggen. Edited by Christoph M. Peters and Friedrich-K. Unterweg. Frankfort am Main; New York: Peter Lang, . 151–181. [Sum.: (Ger.) pp.420–21.]

Jean Anouihl

Editions

  1. Anouilh, Jean. Thomas More ou l'homme libre. Paris: La Table Ronde, . Rpt. Paris: Gallimard, . [Anouilh's last published play (written in ), but only published two months before Anouilh's death. There is an unpublished English translation by Lucienne Hill.]

Studies

  1. Rousseau, Marie-Claude. Les Feux de la rampe. [] See Robert Bolt: Film and Stage Reviews.
  2. Urbain, Olivier. L'intertextualité dans le Théâtre de Jean Anouilh: Les Dix Dernières Années. Diss. U of Southern California, . [Geritz V055.]
  3. Rousseau, Marie-Claude. Entre Théâtre et Cinéma: Le Script de Anouilh. Moreana 28:108 (): 33–40.
  4. Tessier, Florence. Commitment is of no Season—Bolt's Play and Anouilh's Script. Thomas Morus Jahrbuch . 88–92.
  5. Peters, Christoph. The Image of Thomas More in 20th Century Plays—A Presentation of Five More Dramas. [] See Twentieth Century Plays about Thomas More: Studies.
  6. Baird-Smith, David. Séquence More-Anouilh: L'Evénement, Le Texte, La Représentation. Bulletin Thomas More (Pour accompagner Moreana 31:120, Index , ): 7–11.

Robert Bolt: A Man For All Seasons:, Play and Film

Editions, Translations and Films

  1. Bolt, Robert. A Man For All Seasons: A Play of Sir Thomas More. London: Samuel French; NY: Scholastic Book Services, . Ed. E. R. Wood. London: Heinemann Educational Books, . New York: Random House, []. Rpt. NY: Vintage International, . [Geritz I018; Sullivan 1:109–111. Robert Bolt's famous play made into a film of the same name in , starring Paul Scofield as More. Originally broadcast as a Radio-Play in 1954 and a one hour TV program in 1957.]
  2. Bertagnoni, Marialisa, and Loredana da Schio, trans. Un Uomo per tutte le stagioni. Florence: Sansoni, .
  3. Corrigan, Robert, ed. The New Theatre of Europe: An Anthology. New York: Dell, . Vol.1: 33–133. [Includes Bolt's Preface dated .]
  4. Quentin, Pol, trans. Thomas More ou l'homme seul. Collection du Théâtre national de Chaillot. [Paris]: Théâtre national populaire, . Also Oeuvres libres Nouv. sér. no. 208 (). [Worldcat OCLC 14184793.]
    Review(s):
    1. Marie-Claire Rousseau, Moreana 23 (): 77.
  5. Escobar, Luis, y Santiago Martínez Caro, trans. La cabeza de un traidor; comedia dramática en dos actos. Colección Teatro, no. 365 [Madrid]: Ediciones Alfil . [Worldcat OCLC 770884.]
  6. Un hombre cabal: pieza en dos actos. Los Libros del mirasol [Buenos Aires]: Compañía General Fabril Editora, . [Spanish translation. Worldcat OCLC 11455349.]
  7. Maschler, Thomas, ed. New English Dramatists 6: Robert Bolt A Man for All Seasons, John Whiting The Devils, Henry Livings Nil Carborundum. Intro. by Harold Hobson. Harmondsworth, UK, Penguin Books, . 21–117. [Includes alternate ending from Globe Theatre London production on p.117.]
  8. Andreus, Hans, trans. Een man als geen ander. Text: Biblioteek Ned. Theater Inst., Herengracht 166–68, Amsterdam. Typescript 119 ll. [Dutch. See Unterweg, Dutch Drama, Moreana 97 (): 34–35.]
  9. Spelta, Pina, trans. Un uomo per tutte le stagioni. Classici inglesi e americani. Brescia: La Scuola, , , , , , , , .
  10. Man for All Seasons. By Robert Bolt. Dir. Fred Zinnemann. Perf. Paul Scofield, Robert Shaw, Wendy Hiller, Orson Welles, Vanessa Redgrave, Leo McKern. Highland Films, . [Columbia, .]
  11. A Man for All Seasons. By Robert Bolt. Dir. Charlton Heston Perf. Charleton Heston, Vanessa Redgrave, Sir John Gielgud, Roy Kinnear. Turner Home Entertainment and Agamemnon Films, . [A film of the actual stage play with Heston in the leading role, complete with Roy Kinnear as the Common Man.]
    Review(s):
    1. Christopher Smith, Moreana 25:98/99 (): 54–57.
  12. Murányi, Zsuzsa, and István Vas, trans. Kinek se nap, se szél: Thomas More, dráma. Budapest: Holnap, . [Hungarian. Worldcat OCLC 255259758.]

Film and Stage Performances

This is only a partial list.

  1. A Man for All Seasons. BBC Radio . [Kincaid, Study Guide 13.]
  2. A Man for All Seasons. One hour BBC TV Broadcast. Starring Bernard Hepton as More, . [Kincaid, Study Guide 13; and IMDB.]
  3. A Man for All Seasons. Radio Broadcast. Manchester Public Library, . [Kincaid, Study Guide 13.]
  4. A Man for All Seasons. Directed by Noel Willman, with Paul Scofield as More. Globe Theatre (now Gielgud Theatre), London, starting . [320 performances. For other reviews, see Kenneth Tynan, Tom Milne, and Samantha Ellis below in Film and Stage Reviews.]
    Review(s):
    1. Philip Hope-Wallace. Guardian .
    2. A. Alvarez. New Statesman 60:1530 (): 46. [Sullivan I:14–15.]
  5. A Man for All Seasons. Directed by David Forder, with Ian McKellen in the role of William Roper. Belgrade Theatre, Coventry . [See http://www.mckellen.com/stage/00021.htm.]
  6. A Man for All Seasons. Directed by Noel Willman, with Paul Scofield as More. Broadway, ANTA Playhouse, New York, . [637 performances.]
    Review(s):
    1. Tom F. Driver. A Play of Conscience. Christian Century Vol. 79, : 87–89.
    2. John Simon. Theatre Arts 46 (): 10–11.
  7. Thomas More ou l'homme seul. Translated by Pol Quentin. With Jean Vilar as More. Festival of Avignon, and then Théâtre National Populaire, Paris. .
  8. A Man for All Seasons. Film directed by Fred Zinnemann, with Paul Scofield as More. See Editions, Translations, and Films.
  9. A Man for All Seasons. Ahmanson Theatre, Los Angeles, directed by Jack O'Brian. .
  10. A Man for All Seasons. Wellington, New Zealand, .
  11. A Man for All Seasons. In conjunction with Sir Thomas More. Richmond Shakespeare Players; Mary Wallace Theatre, Twickenham, . See The Book of Sir Thomas More: Performances.
  12. A Man for All Seasons. Ushaw College, Durham, .
  13. A Man for All Seasons. Starring William Hutt and directed by Walter Learning. Vancouver Playhouse and Stratford, Ontario, .
  14. Thomas More ou l'homme seul. Translated by Pol Quentin. With Daniel Ceccaldi as More. Maison de la culture de Loire Atlantique, Nantes. au .
  15. A Man for All Seasons. Starring Charleton Heston. Chichester and London, . [Charleton Heston also played More in a number of other productions of the play in the 70's and 80's.]
  16. A Man for All Seasons. Film directed by and starring Charleton Heston as More. See Editions, Translations, and Films.
  17. A Man for All Seasons. Stratford, Ontario, .
  18. A Man for All Seasons. Starring Martin Shaw, and produced by Bill Kenwright, Theatre Royal, Haymarket, closed . [Jowett 2011:112.]
    Review(s):
    1. Michael Billington. A Man for All Seasons: Theatre Royal Haymarket, London. The Guardian . http://www.theguardian.com/stage/2006/jan/05/theatre
  19. A Man for All Seasons. With Charles Dance as More. BBC Radio 4 Broadcast on .
  20. A Man for All Seasons. Starring Frank Langella as More, and directed by Doug Hughes, American Airlines Theatre, Broadway, New York, through . [First Broadway revival since .]
    Review(s):
    1. Ben Brantley. Martyr Me a Little (the Perils of Thomas). New York Times . http://www.nytimes.com/2008/10/08/theater/reviews/08brantley.html
    2. Barbara Mehlman and Geri Manus. New York Theatre Guide http://www.newyorktheatreguide.com/reviews/amanforallseasons08.htm

Film and Stage Reviews

  1. Tynan, Kenneth (and Robert Bolt). Heroes and Hero-Worship. [] See A Man for All Seasons: Studies.
  2. Milne, Tom. A Man for All Seasons: Review. Encore . Rpt. in The Encore Reader: A Chronicle of the New Drama. Ed. Charles Marowitz, Tom Milne, Owen Hale; with a foreword by Richard Findlater. London: Methuen; New York: Barnes & Noble, . 194–195.
  3. Donaghue, Denis. London Letters: Moral West End. Review of Robert Bolt's Man for All Seasons. Hudson Review 14 (): 93–103. [Sullivan 1:290–91.]
  4. Marc'hadour, Germain. An Eloquent Man for All Seasons Evokes the Glory of Thomas More. Moreana 13 (): 112–14. [Excerpts from some American reviews.]
  5. Marc'hadour, Germain. Best Picture of the Year. Moreana 14 (): 120–21. [A list of reviews of the film.]
  6. Bertagnoni, Marialisa. Un Uomo per tutte le stagioni. Moreana 17 (): 73–79 + 81–84. [Sum.: (E) pp. 78–79.]
  7. Marc'hadour, Germain. Un homme . . . toujours: Saint Thomas More—Réactions au film de Zinneman. Moreana 17 (): 85–89. [Some French reactions to the Zinneman's film.]
  8. Marc'hadour, Germain, ed. Thomas More Seen by Teenagers: Spring and Summer . Moreana 18 (): 53–58.
  9. Un Uomo per tutte le stagioni di F. Zinneman. Moreana 17 (): 81–83. [A list of Italian reviews of Zinneman's film.]
  10. Rousseau, Marie-Claude. Thomas More ou L'homme Seul. Moreana 23 (): 77–78. [On a performance of the French adaptation of Bolt's play. See also Germain Marc'hadour, Moreana 1 (): 84–85.]
  11. Marc'hadour, Germain. A Man For All Seasons. Moreana 38 (): 101–102. [On Performances of the play and film.]
  12. Nicholls, James R. More in America: The Popular Success of A Man for All Seasons. Moreana 13:51 (): 139–44.
  13. O'Neill, Mary. Thomas More in the Pacific. Moreana 18:71/72 (): 103–104. [On a performance of A Man for All Seasons in Wellington, New Zealand.]
  14. Marc'hadour, Germain. Fred Zinnemann and A Man for All Seasons. Moreana 20:79/80 (): 53–58. Online at http://www.thomasmorestudies.org/moreana/Moreana79-80pages53-58.pdf [Includes behind the scenes photographs of the film production.]
  15. Thomas, Kevin. Rev. of A Man for All Seasons. Ushaw Magazine [Ushaw College, Durham, UK] 265 (): 158–61. [Sum.: : Bolt's More at Ushaw College. Moreana 23:90 (): 78.]
  16. Rousseau, Marie-Claude. Les Feux de la rampe. Moreana 24:95/96 (): 117–18. [On performances of Bolt's play in Nantes and London in , and on the publication of Jean Anouilh's play on More.]
  17. Smith, Christopher. A Drama for All Times? A Man for All Seasons Revived and Restored. Moreana 25:98/99 (): 51–58. [Sum.: pp.59, 266; Geritz V048. On the revivals of Bolt's play at Chichester and at London (where Charlton Heston played More).]
  18. Ellis, Samantha. A Man For All Seasons, London, . The Guardian . http://www.theguardian.com/stage/2003/jul/23/theatre.artsfeatures1 [Sum.: The premiere of Robert Bolt's play at the Globe Theatre on perplexed the critics — and sparked a debate about the cosmos.]
  19. Tunzelmann, Alex von. A Man for All Seasons: less piety would have been More. Guardian . http://www.theguardian.com/film/2009/nov/19/man-for-all-seasons [Sum. This 1966 [Film] drama ticks most of the right boxes when it comes to entertaining as well as educating. Pity they didn't let Thomas More be more scatalogical than saintly.]

Studies and Interviews

  1. Tynan, Kenneth (and Robert Bolt). Heroes and Hero-Worship. The Observer . With a reply by Robert Bolt, More and Galileo: A Playwright Replies, and a response by Kenneth Tynan, The Boltian Hypounpublished. Both in The Observer . Rpt. (including Bolt's Reply with permission) in Tynan, Kenneth. A Man for All Seasons, by Robert Bolt, at the Globe. Tynan Right and Left. London: Longmans, Green, and Co., . 26–32. Also Rpt. in Tynan, Kenneth. A View of the English Stage, . London: Davis-Poynter, . 282–289. [The famous exchange between Kenneth Tynan and Robert Bolt in the pages of The Observer (sister publication of The Guardian).]
  2. Bolt, Robert. Preface. A Man For All Seasons: A Play of Sir Thomas More. London: Heinemann, . v–xix. Rpt. as Preface to A Man For All Seasons. Essential Articles for the Study of Thomas More. Ed. Richard S. Sylvester and Germain Marc'hadour. Hamden, CT: Archon, . 473–80. Pp. v–xiv Rpt. in More's Utopia and its Critics. Ed. Ligeia Gallagher. Chicago: Scott, Foresman and Company, . 92–97. [Geritz F022; Wentworth 26; Sullivan 1:109–10 and S2:19. An important preface. Bolt explains his reasons for writing his play. On More as a hero of selfhood.]
  3. Pujals, Esteban. The Globe Theatre, Londres. Filología Moderna 1 (): 59–63.
  4. Marc'hadour, Germain. A Man For All Seasons. Drama Critique 4 (): 18–26. [Geritz V025; Sullivan 2:282–83.]
  5. Brahms, Caryl. A Man for All Seasons at the Globe. Plays and Players . Rpt. as The Best of Plays and Players: . Ed. Peter Roberts. London: Methuen, . 115.
  6. Frank, Cox. Bolt in Interview. Plays and Players . Rpt. as A Man for All Seasons at the Globe. The Best of Plays and Players: . Ed. Peter Roberts. London: Methuen, . 164–168.
  7. Fosberry, M. W. A Man for All Seasons. English Studies in Africa: A Journal of the Humanities [Johannesburg] 6 (): 164–172.
  8. Hollis, Christopher. Lettre de Londres: M. Robert Bolt et St-Thomas More. Tr. Philippe Leonardon. La Table Ronde [Paris] 186–187 (): 151–157.
  9. Marc'hadour, Germain. St. Thomas More: Patron des libres-penseurs? Réflexions sur la pièce de Bolt. Moreana 8 (): 29–42. [Geritz V026. Bolt misunderstands More.]
  10. Hobson, Harold. Introduction. New English Dramatists 6: Robert Bolt A Man for All Seasons, John Whiting The Devils, Henry Livings Nil Carborundum. Ed. Thomas Maschler. Harmondsworth, UK, Penguin Books, . 7–20.
  11. Veidemanis, Gladys. A Play for All Seasons. English Journal [Tempe, AZ] 55 (): 1006–1014.
  12. Atkins, Anselm. Robert Bolt: Self, Shadow, and the Theater of Recognition. Modern Drama 10 (/68): 182–88. [On the relationship between More and the Common Man.]
  13. Milne, Tom, and Clive Goodwin. Robert Bolt: an Interview. (First published in Encore . Followed by replies to further questions by Simon Trussler in ). Ed. Charles Marowitz and Simon Trussler; with an introduction by Irving Wardle. Theatre at Work: Playwrights and Productions in the Modern British Theatre. A collection of interviews and essays. London: Methuen, ; New York: Hill and Wang, . 16, 58–77; esp. 66–68.
  14. Queffélec, H. Thomas More à l'écran. Moreana 15/16 (): 315–25.
  15. Barnett, Gene A. The Theatre of Robert Bolt. Dalhousie Review 48 (): 13–23. [On four published plays of Robert Bolt, including A Man for All Seasons.]
  16. Hayman, Ronald. A Man for All Seasons. Contemporary Playwrights: Robert Bolt. London: Heinemann, . 42–53, 80–83, illustration opposite p.55. 88p.
  17. Reynolds, E. E. The Significance of A Man For All Seasons. Moreana 23 (): 34–39. Online at http://www.thomasmorestudies.org/moreana/Moreana23pages34-39.pdf [Geritz V043.]
  18. McElrath, Joseph R. Jr. Bolt's A Man for All Seasons. Explicator 28:1 (), Item #10.
  19. Tees, Arthur Thomas. The Place of the Common Man: Robert Bolt A Man for All Seasons. The University Review [U of Missouri, Kansas City] 36 (): 67–71.
  20. Storari, Gilberto. From Elizabeth I to Elizabeth II: Two Popular Views of Thomas More. Moreana 30 (): 25–28. [The Book of Sir Thomas More is essentially based on Hall's Chronicle and Roper's Life, while A Man For All Seasons is based on Chambers' biography.]
  21. McElrath, J. R. The Metaphoric Structure of A Man of All Seasons. Modern Drama 14 (/72): 84–92. [On a cluster of images water—mud—river—anchor—boat in Robert Bolt's play.]
  22. Tucker, Melvin J. The More-Norfolk Connection. Moreana 33 (): 5–13. Online at http://www.thomasmorestudies.org/moreana/Moreana33pages5-13.pdf [Geritz F332; Wentworth 91. Criticises Bolt's portrayal of Norfolk as historically inaccurate.]
  23. Fehse, Klaus-Dieter. Robert Bolts A Man for All Seasons: Eine Interpretation. Neusprachliche Mitteilungen aus Wissenschaft und Praxis [Dusseldorf] 26 () 131–40.
  24. Anderegg, Michael A. A Myth for All Seasons: Thomas More. Colorado Quarterly 23 (): 293–306. [Sum. Geritz I005; Sullivan S2:5.]
  25. Fehse, Klaus-Dieter. Robert Bolt: A Man for All Seasons (1960). Das zeitgenossische englische Drama: Einfuhrung, Interpretation, Dokumentation. [Contemporary English Drama. Introduction, Interpretation, Documentation.] Ed. Klaus-Dieter Fehse, and Norbert Platz. Frankfurt: Athenaum, . 124–46.
  26. Salter, Charles. Robert Bolt: A Man for All Seasons. Insight IV: Analyses of Modern British and American Drama. Ed. Hermann J. Weiand. Besteel-Nr. 1274. Frankfurt am Main: Hirschgraben-Verlag, , . 57–62.
  27. Sinha, Prashant Kumar. The Dramatic Styles of Luther, A Man for All Seasons, The Devils, and Serjeant Musgrave's Dance and Their Appropriateness to the Approaches to the Issues of Authority and Revolt in These Plays. Diss. University of Iowa, . [DA 36 () 8082A.]
  28. Hauerwas, Stanley, and Thomas L. Shaffer. Hope Faces Power: Thomas More and the King of England. [] See Thomas More and the Law.
  29. Brown, John Russell. A Short Guide to Modern British Drama. London: Heinemann, ; Totowa, NJ: Barnes & Noble, . 53–54.
  30. Garstenauer, Maria. A Selective Study of English History Plays in the Period between and . Salzburg Studies in English Literature: Poetic Drama & Poetic Theory: 15 Salzburg; Inst. für Anglistik & Amerikanistik, Univ. Salzburg; .
  31. Seltser, Barry Jay. Realists, Idealists, and Political Heroism. Soundings 68:1 (): 21–41.
  32. Smith, Leonard. A Man For All Seasons. By Robert Bolt. MacMillan Master Guides. London: MacMillan, . [Scene-by-scene summary, commentary and backgrounds to Robert Bolt's play.]
  33. Harben, Niloufer. Three Plays of the : Robert Bolt, A Man for All Seasons; Peter Shaffer, The Royal Hunt of the Sun; John Osborne, Luther. Twentieth-Century English History Plays: From Shaw to Bond. Totowa, NJ: Barnes and Noble, . 156–212, esp. 159–74.
  34. Ituarte González de Arrese, Miren Maitena de (Maite?). >A Man for All Seasons: A Bold and Beautiful Verbal Architecture. Letras de deusto 19:45 (): 165–172.
  35. Miller, Clarence H. Thomas More, A Man For All Seasons: Robert Bolt's Play and the Elizabethan Play of Sir Thomas More. Moreana 104 (): 101–10. Rpt. Miller, Clarence H. Humanism and Style: Essays on Erasmus and More. Intro. by Jerry Harp. Bethlehem: Lehigh UP, . 105–110, 139. Online at http://www.thomasmorestudies.org/moreana/Moreana104pages101-110.pdf [Sum.: pp. 109–110; Geritz I079; (2011)pp. 17–18. Robert Bolt's play and the Book of Sir Thomas More both reduce More to being a man of one season. Miller draws on the More's De tristitia to illustrate More's attitude towards martyrdom. He concludes that the best way to understand More is to read his works.]
  36. Marc'hadour, Germain. Le Thomas More de Bolt, professeur de morale. Moreana 108 (): 125–26.
  37. Tessier, Florence. Commitment is of no Season — Bolt's Play and Anouilh's Script. [] See Jean Anouilh.
  38. Ituarte González de Arrese, Miren Maitena de (Maite?). A conversation with Robert Bolt. Revista canaria de estudios ingleses 24(): 133–142.
  39. Ituarte González de Arrese, Miren Maitena de (Maite?). La dramática de Robert Bolt. Alicante: Universidad de Alicante, . [Publication of Alicante unpublished .]
  40. Un uomo per tutte le stagioni. Paideia: Rivista Letteraria di Informazione Bibliografica 49 (): 191–96.
  41. Marc'hadour, Germain. Robert Bolt () et A man for all seasons. Moreana 127/28 (): 69–81. [Sum.: pp.69–70.]
  42. Otten, Terry Historical Drama and the Dimensions of Tragedy: A Man for All Seasons and The Crucible. American Drama 6:1 () 42–60.
  43. Palmer, Richard H. The Contemporary British History Play. Westport, CT: Greenwood P, . 4, 25–29, 41, 54, 138, 200, 208, 212, 215.
  44. Prüfer, Sabine. The Individual at the Crossroads: The Works of Robert Bolt, Novelist, Dramatist, Screenwriter. European University Studies 349. Frankfurt am Main: Peter Lang, . 51–63***.
    Review(s):
    1. Arthur Kincaid, Moreana 141 (): 99–102.
  45. Super, Joel N. Fred Zinnemann, A Man for All Seasons (1966) and Documentary Fiction. The Films of Fred Zinnemann: Critical Perspectives. Ed. by Arthir Nolletti, Jr. SUNY Series, Cultural Studies in Cinema/Video Albany, NY: State U of New York P, . 157–78.
  46. O'Connell, Marvin. A Man for all Seasons: an Historian's Demur. Catholic Dossier 8/2 (): 16–19. Online at http://www.catholiceducation.org/articles/politics/pg0078.html
  47. O'Connor, Garry. Paul Scofield: the Biography. London: Sidgwick & Jackson, .
  48. Whiteley, Patrick J. Natural Law and the Problem of Certainty: Robert Bolt's A Man for All Seasons. Contemporary Literature 43:4 (): 760–83.
  49. Kincaid, Arthur. A Study Guide, with Theatrical Emphasis, for Robert Bolt's Play A Man for All Seasons. [] http://www.thomasmorestudies.org/docs/Kincaid_Monograph.pdf [Includes bibliography (109–114).]
  50. Miller, Clarence H. On A man for all seasons. [] See Biographers: Desiderius Erasmus.
  51. Dallmayr, Fred. A Man for All Seasons: Gandhi and Nonviolent Action. Journal of Contemporary Thought 26 (): 19–37.
  52. Burrows, Colin. Robert Oxton Bolt (). Oxford Dictionary of National Biography Online. [] (DOI)
  53. Casey, Joe. Ethics in A Man for all Seasons. Teaching Ethics [Western Michigan University?] 9:1 (): 43–54. Online at http://www.uvu.edu/ethics/seac/Casey-Ethics%20in%20A%20Man%20for%20All%20Seasons.pdf
  54. Marshall. Peter. Saints and Cinemas: A Man for All Seasons. Tudors and Stuarts on Film: Historical Perspectives. Ed. Susan Doran and Thomas S. Freeman. Basingstoke, UK: Palgrave MacMillan, . 46–59.
  55. Walters, Scott. The Hero as Rebel: Robert Bolt's A Man for All Seasons. The Hero's Journey. Ed. Harold Bloom, and Blake Hobby. New York, NY: Bloom's Literary Criticism, . 123–130.
  56. Currás Móstoles, Rosa, and Miguel Angel Candel-Mora. La traducción de la especificidad del texto teatral: La simbología en A Man for All Seasons. EntreCulturas: Revista de Traducción y Comunicación Intercultural \ 3 (): 37–58. http://www.entreculturas.uma.es/
  57. Bennett, Michael Y. For All Seasons: The Particulars and the Universals of Man in Bolt's A Man for All Seasons. Narrating the Past through Theatre: Four Crucial Texts. New York, NY: Macmillan, . 74–80.
  58. Gundersen, Gunnar B. Beyond the Fictional Thomas More. The Catholic Thing . http://www.thecatholicthing.org/2014/08/24/beyond-the-fictional-thomas-more/
  59. Karlin, Louis. What Bolt Got Right and What Mantel Got Wrong. Thomas More: Why Patron of Statesmen? Edited by Travis Curtright. Lanham, MD: Lexington Books, 2015. 181–95. [Sum.: pp.3–4.]
  60. Schall, James V. S.J. The Place of Sir Thomas More in Political Philosophy: A Reflection on A Man for All Seasons. Thomas More: Why Patron of Statesmen? Edited by Travis Curtright. Lanham, MD: Lexington Books, 2015. 155–80. [Sum.: p.4.]

The Book of Sir Thomas More

Editions

Manuscript

  1. British Library, MS Harley 7368.

Editions of Complete Play

  1. Dyce, Alexander, ed. Sir Thomas More: A Play. Now First Printed. London: Printed for the Shakespeare Society, . 132p. Online at http://books.google.com/books?id=8LChjX4pSTAC Rpt. in A Supplement to Dodsley's Old Plays. Ed. Thomas Amyot, J. Payne Collier, W. Durrant Cooper, Rev. A. Dyce, Barron Filed, J. O. Halliwell, and Thomas Wright. 4 vols. Volume 3: Ralph Roister Doister, Gorbuduc, Timon, Sir Thomas More, Patient Grisil. London: Printed for the Shakespeare Society, W. Skeffington, . [Separate pagination.] Online at http://books.google.com/books?id=53bzXMXwcsQC [Sullivan 1:304. First edition of play from manuscript. Superceded by Greg's edition.]
  2. Hopkinson, Arthur Frederick, ed. Sir Thomas More. n.p.: Privately Printed: . Rpt. With Introduction, Notes, and Appendix. London: M.E, Sims & Co, . Rpt. For Private Circulation. London: Dobell, . Rpt. Kessinger Publishing, . Online at https://archive.org/details/sirthomasmore00hopkuoft. [Sullivan 2:127. Modern Spelling.]
  3. Brooke, C. F. Tucker, ed. Sir Thomas More: An Anonymous Play of the Sixteenth Century Ascribed in Part to Shakespeare. The Shakespeare apocrypha: Being a collection of fourteen plays which have been ascribed to Shakespeare. Edited with introd., notes and bibliography by C.F. Tucker Brooke. Oxford: Clarendon, , . 383–420, 436–37. Rpt. Oxford: At the University Press, . Online at http://www.archive.org/details/shakespeareapoc00broouoft
    Review(s):
    1. C. F. Tucker Brooke, Modern Language Notes 27 (: 156–57. Online at https://archive.org/details/jstor-2916268
    [Metz 50.]
  4. Farmer, John S., ed. The Book of Sir Thomas More. Tudor Facsimile Texts, 65. Edinburgh and London: by the Editor, . Rpt. Amersham, England: . Rpt. New York: AMS, . [Metz 162; Sullivan 1:341. Photographic facsimile of entire MS. Harleian 7368.]
  5. Greg, W. W., ed. The Book of Sir Thomas More. Malone Society Oxford: Oxford UP for the Malone Society, . Rpt. With Supplement to the Introduction by Harold Jenkins, . Further reprinted in , with an added prefatory note by J. Pitcher. edition Online at http://www.archive.org/details/bookofsirthomasm00brituoft/ and (OCP markup) http://ota.ahds.ac.uk/desc/0011 [Metz 163 (and 124); Sullivan 2:51. A Diplomatic Edition. Includes some facsimiles of MS folios. Jenkins' supplement also published separately, see Manuscript Studies.]
  6. Shirley, John, ed. Sir Thomas More: An Anonymous Play of the Sixteenth Century Ascribed in Part to Shakespeare. Canterbury: H. J. Goulden, n.d. []. [Metz 166. Modernized version made with the help of W. W. Greg. For performance by the pupils of King's School, Canterbury, see Performances below.]
    Review(s):
    1. TLS : 62.
  7. Farjeon, Herbert, ed. The Complete Works of Shakespeare. Nonsuch Text. 4 vols. London: Nonesuch Press, . 3: 1385–1471. [Metz 52; Sullivan 1:341. Based on Greg's and Dyce's editions.]
  8. Black, Ben Wathen, ed. The Booke of Sir Thomas More: A Critical Edition. Diss. U of Michigan, . [Geritz I014; Metz 170; Sullivan 1:82–83; DA 13:6 (): 1182.]
  9. Jenkins, Harold, ed. Appendix: Sir Thomas More. William Shakespeare: The Complete Works. Ed. Charles Jasper Sisson. New York: Harper and Brothers, ; London: Odhams Press, . 1231–66. [Metz 171. Modern Spelling Edition.]
  10. Flatter, Richard. König Heinrich VIII und Sir Thomas More. (Performed Karlsruhe, .) ???Text from Flatter's German translation of Shakespeare: Königsdramen. Intro. Heinz Kindermann. Neue Sammlung Desch-Paperback. Wien: Desch, . [Unterweg, etc. Combines Shakespearean portions of Henry VIII with The Book of Sir Thomas More.]
  11. Happé, Peter. Sir Thomas More by Anthony Munday (extract). Tudor Interludes. Harmondsworth: Penguin Books, . 365–79, 416–18. [Text of Wit and Wisdom, the play-within-the-play, only.]
  12. Gabrieli, Vittorio, and Giorgio Melchiori, eds. Sir Thomas More. Edizione in grafia modernizzata con introduzione, collazione, commento e appendici a cura di Vittorio Gabrieli e Giorgio Melchiori. Bari: Adriatica Editrice, . [English text with Italian notes and commentary.]
  13. Gabrieli, Vittorio, and Giorgio Melchiori, eds. Sir Thomas More. A Play by Anthony Munday and Others. Revised by Henry Chettle, Thomas Dekker, Thomas Heywood and William Shakespeare. The Revels Plays. Manchester: Manchester UP, , , , .
    Review(s):
    1. J. H. Jones, TLS : 1161.
    2. M. A. Smith, Notes and Queries ns 38 (): 378–79.
    3. Jean-Pierre Villquin, Moreana 115/116 (): 151–59.
  14. Gabrieli, Vittorio, and Giorgio Melchiori, trans. Sir Tommaso Moro. Teatro Completo di William Shakespeare. [IX] I drammi storici, tomo terzo, collana i Meridiani, traduzione di Vittorio Gabrieli e Giorgio Melchiori. Milan: Arnoldo Mondadori Editore, . [Gangale, etc. Italian Translation.]
  15. Sir Thomas More. Project Gutenberg #1547 (). http://www.gutenberg.org/ebooks/1547 [Modernized text. Transcribed by the Project Gutenberg Shakespeare Team (from Tucker Brooke?).]
  16. Wegemer, Gerard B., and Stephen W. Smith, eds. Munday & Shakespeare's Sir Thomas More, c.1592. A Thomas More Source Book. Washington, DC: Catholic U of America P, . 66–156.
  17. Jowett, John, ed. Sir Thomas More By Anthony Munday and Henry Chettle, With Revisions and Additions by Thomas Dekker, William Shakespeare and Thomas Heywood. The Oxford Shakespeare: The Complete Works. Ed. John Jowett, William Montgomery, Gary Taylor and Stanley Wells. Oxford: Oxford UP, 2nd ed. . 813–842. [The complete play. 1st ed. (), only includes the Shakespearean addition, see below.]
  18. Slater, Ann Pasternak, Intro. Sir Thomas More. By Anthony Monday, William Shakespeare and others. London: Nick Hern Books, . [Modern spelling edition.]
  19. Jowett, John, ed. Sir Thomas More. The Arden Shakespeare, 3rd Series. London: Arden, .
  20. Bate, Jonathan, and Eric Rasmussen, eds. William Shakespeare and Others: Collaborative Plays. The RSC Shakespeare. London: Palgrave Macmillan, .

Print on Demand, Ebook and Etext editions of Sir Thomas More of unknown or uncertain provenance have been omitted from this bibliography. Some etext editions are available at https://shine.unibas.ch/linkstoworks_apocryphawf.htm#Sir%20Thomas%20More.

The Shakespearean Addition

  1. Thompson, Edward Maunde. Shakespeare's Handwriting. [] See Shakespeare and Hand D.
  2. Greg, W. W., ed. Special Transcript of the Three Pages: Ill-May Day, Scenes from the play of Sir Thomas More. Shakespeare's Hand in The Play of Sir Thomas More. Cambridge: Cambridge UP, , rpt. , . 228ff. Rpt. Folcroft, PA: Folcroft P, , . Rpt. Irving CA: Reprint Services Corp. . Available Online at http://www.archive.org/details/shakespeareshand00polluoft/ [Metz 95; Sullivan 2:51. Pages of transcript not numbered.]
  3. Bald, R. C. The Shakespearean Additions in The Booke of Sir Thomas More, Addition II,c. Shakespeare Survey 2 (): 62–65. Rpt. in Evidence for Authorship: Essays on Problems of Attribution. Ed. David V. Erdman, and Ephim G. Fogel. Ithaca: Cornell UP, . 172–75. [Metz 168 (and 111). Facsimiles and a Transcript of the Three Pages.]
  4. Alexander, Peter, ed. Appendix: Special Transcript by Sir Walter Greg of Shakespeare's Contributions to Sir Thomas More. William Shakespeare: The Complete Works. London: Collins, . 1345–51. [Metz 169.]
  5. Munro, John, ed. The London Shakespeare. 6 vols. London: Eyre and Spottiswoode; New York: Simon and Schuster, . 4: 1255–78. [Metz 173.]
  6. Clayton, Thomas. The Shakespearean Addition in The Booke of Sir Thomas Moore: Some Aids to Scholarly and Critical Shakespearean Studies. Shakespeare Studies: Monograph Series, No. 1. (For the Center for Shakespeare Studies, Vanderbilt University). Dubuque, IO: Wm. C. Brown, . [Metz 176. First computer-assisted study of the Addition, includes: old-spelling transcription (13–21), index verborum (24–38), index Litterarum (40–78), modern-spelling text(77–83), concordance (83–114), and Word Frequency(115–17).]
    Review(s):
    1. Jay L. Halio, Renaissance Quarterly 25:3 (): 369–71.
    2. T. H. Howard-Hill, Computers and the Humanities 8 (): 338–39. [Metz 182.]
  7. Evans, G. Blakemore, ed. Sir Thomas More: The Additions Ascribed to Shakespeare. The Riverside Shakespeare. Boston: Houghton Mifflin, . 1683–1700; 2nd ed. . 1775–1794. [Metz. Modern spelling.]
  8. Villquin, Jean-Pierre. À propos d'une adaptation de Sir Thomas More. Moreana 83/84 (): 121–26. [On a proposed French adaptation of Sir Thomas More. Includes partial English text and French translation of the Shakespearean addition.]
  9. Taylor, Gary, ed. Sir Thomas More. William Shakespeare: A Textual Companion. Ed. Gary Taylor and Stanley Wells, With John Jowett and William Montgomery. Oxford: Oxford UP, Rpt. with corrections. New York: W. W. Norton, . 461–67. [Includes Transcript of Addition II.D (463–67).]
  10. Taylor, Gary, ed. Sir Thomas More (Passages Attributed to Shakespeare). The Oxford Shakespeare: The Complete Works. Ed. John Jowett, William Montgomery, Gary Taylor and Stanley Wells. [Both regular edition and Original-Spelling Edition.] Oxford: Oxford UP, 1st ed. . 889–92. Pbk . 785–788. [The 2nd ed. () includes the complete play, edited by John Jowett, see editions of the Complete Play above.]
  11. Bate, Jonathan, and Eric Rasmussen, eds. A Scene from Sir Thomas More. Introduction, transcription and modernized text by Eric Rasmussen. RSC Shakespeare: The Complete Works. Basingstoke: Palgrave Macmillan, . 2464–70.
  12. Cohen, Walter, ed. Sir Thomas More: Passages Attributed to Shakespeare. The Norton Shakespeare. Based on the Oxford Edition. Ed. Stephen Greenblatt, Walter Cohen, Jean E. Howard, and Katherine Eiseman Maus. New York: W. W. Norton, . 2011–19; 2nd ed. . 2029–37. [Full text of play (based on Oxford 2nd ed.) available on Norton's website.]
  13. Dickson, Andrew. The Book of Sir Thomas More: Shakespeare's only surviving literary manuscript. https://www.bl.uk/collection-items/shakespeares-handwriting-in-the-book-of-sir-thomas-more [Facsimiles of the four Hand D pages.]

Reference Works

  1. Metz, G. Harold. Four Plays Ascribed to Shakespeare: The Reign of King Edward III, Sir Thomas More, The History of Cardenio, The Two Noble Kinsmen, An Annotated Bibliography. The Garland Shakespeare Bibliographies, 2. New York: Garland, . [Mainly covers bibliography between and , but includes a few earlier studies. Cited as Metz.]
  2. Metz, G. Harold. Voice and credyt: The Scholars and Sir Thomas More. Shakespeare and Sir Thomas More: Essays on the Play and its Shakespearean Interest. New Cambridge Studies and Supplementary Texts. Ed. T. H. Howard-Hill. Cambridge: Cambridge UP, . 11–44. [Sum.: Jean-Pierre Villquin, Moreana 108 (): 69–70. A survey of scholarship on the play to ; complements his earlier bibliography. Cited as Metz 1989.]

Performance History ()

  1. Sir Thomas More. Three-night student production, Birkbeck College, University of London, . [Rousseau 1981:164; Jowett 2011:108; Metz 1989:205. First performance of the Play ever? According to Metz there was also a presentation at Crosby Hall.]
  2. Sir Thomas More. A Rehearsed reading at the Ambassador's Theatre, London, in , with Lewis Casson as More and John Laurie. [Rousseau 1981: 164.]
  3. Sir Thomas More. A 40-student production at The King's School, Chapter House, Canterbury Cathedral, , With P. D. V. Strallen as More. Directed by John Shirley who with the help of W.W. Greg also published a modernized edition of the play. [Rousseau 1981:164; Jowett 2011:108.]
  4. Sir Thomas More. BBC Radio, Third Programme. . Scenes from the Book of Sir Thomas More (Ill May Day Scenes), adapted by John Bryson, with Lewis Casson as More. [Jowett 2011:108.]
  5. Sir Thomas More. London Theatre Centre for the Advanced Players Association. Produced by Ronald Seale and directed by Brian Way with Michael Beint in the title role: in Elizabethan Costumes, ; in Modern Costumes, . [Rousseau 1981:164; Metz 1989:205; Jowett 2011:108; Gabrieli and Melchiori 1990:33–34: The first presentation by professional actors, though for a private audience.]
    Review(s):
    1. The Times, (:11.
  6. Sir Thomas More. BBC Radio, Third Programme. . Part of the Shakespeare Aprocrypha series; adapted by Ormerod Greenwood; produced by Michael Bakewell; with Michael Hordern as More. Transcript in Birmingham Shakespeare Library. [Jowett 2011:109.]
  7. Flatter, Richard, trans. König Heinrich VIII und Sir Thomas More. Directed by Richard Skraup. (Performed Karlsruhe, .) [Metz 1989:205; Unterweg; Brinkman and Clemen below, etc. Combines Shakespearean portions of Henry VIII with The Book of Sir Thomas More.]
  8. Flatter, Richard, trans. Sir Thomas More. ORF (Austrian public radio broadcasting), Sc.6. Translated by Richard Flatter into German; directed by Brunar Herbert; with Albin Skoda as More. . [Jowett 2011:109.]
  9. Sir Thomas More. Directed by Frank Dunlop assisted by Richard Digby Day. With Ian McKellen in the role of More. Nottingham Playhouse, Nottingham. . [Rousseau 1981:165; Jowett 2011:209. The first "public" professional production of the play. See http://www.mckellen.com/stage/00027.htm.]
    Review(s):
    1. The Times, (:17.
  10. Sir Thomas More. Directed by Jane Oakshott, text edited by Alistair Fox. With Ern Joyce in the role of More. Mayfair Theatre.Dunedin, New Zealand. . Script sent to Moreana by Fox. [Rousseau 1981:165; Jowett 2011:109.]
  11. Sir Thomas More. The Poor Players (Bristol Old Vic Theatre School). Directed by Gregory Doran; with Peter Rumney as More. , Vandyck Theatre, Bristol. , Old Vic, London. [Rousseau 1981:165; Jowett 2011:109.]
  12. Sir Thomas More. Richmond Shakespeare Players; Mary Wallace Theatre, Twickenham, . [See Howard below and Metz 1989:206. Amateur production performed in conjunction with Bolt's A Man for All Seasons.]
  13. Tommaso Moro. Vatican Radio, . [Rousseau 1984: 132: Radio Vatican a transmis en italien quelques scènes . . . discutendone favorevolmente la attribuzione a Shakespeare.]
  14. Sir Thomas More. BBC Radio 3; adapted by Penny Gold; directed by Martin Jenkins; With Ian McKellen in the role of More. . Recording in British Library Sound Archive T11651Y–T11652Y. [Rousseau 1984: 133–35; Jowett 2011:109 and n.5. See http://mckellen.com/audio/index.htm.]
  15. Sir Thomas More. Shakespeare Society of America, The Globe, West Hollywood; produced by Thad Taylor and Jay Uhley; directed by Phoebe Wray, with Thom Koutsoukas as More. . [Metz 1989:206; Jowett 2011:109. 12 performances]
    Review(s):
    1. Los Angeles Times, (.
  16. Sir Thomas More. Stage One, Shaw Theatre, London; directed by Michael Walling; with Ken Bones as More. . [Jowett 2011:109.]
    Review(s):
    1. J. H. Jones, TLS : 975.
    2. Hazel Allport, et al. Production of Sir Thomas More, Shaw Theatre, London: . Moreana 28:108 (): 81–84.
  17. Tommaso Moro. Translated into Italian by Giorgio Melchiori; directed by Enzo Maria Caserta; with Raf Vallone as More. Teatro Scientifico, cloisters of San Zeno Maggiore, Verona, ; touring to Parma, Rome and Bari in . [Jowett 2011:109.]
  18. All is True. Globe Shakespeare actors at Globe Education, London; coordinated by Gregory Doran, with Anthony Sher as More, conflated with Henry VIII, under the title All is True. . [Jowett 2011:108n1,121.]
  19. Sir Thomas More. Staged readings by students of the Bristol Old Vic Theatre School at the Ustinov Studio, Theatre Royal, Bath, in association with the Bath Literature Festival, directed by Chris Garner, with Derek Hagen as More, . [Jowett 2011:108n1.]
  20. Sir Thomas More. Globe Shakespeare actors at Globe Education, London; coordinated by James Wallace. . [Jowett 2011:108n1,121.]
  21. Thomas More. Royal Shakespeare Company, Swan Theatre, Stratford-upon-Avon; Peoples Theatre, Newcastle-upon-Tyne; Trafalgar Studios, London.; directed by Robert Delemere, with Nigel Cooke as More. . [Jowett 2011:110,116. Script published by Nick Hern Books. For other reviews, see under Performance Reviews and Theatricality.]
    Review(s):
    1. Stratford-upon-Avon Herald .
    2. Michael Billington, Guardian .
    3. Robert Hardy, Independent .
    4. Susannah Clapp, What a Merry Old Soul was He: A Little Performed 16th-century Play, which Casts Thomas More in a New Light, has Strong Modern Resonances, Observer : 10.
    5. William T. Liston, Shakespeare Bulletin 23:4 (): 107.
    6. Kieron Quirke, The More the Merrier for Sainted Thomas, Evening Standard : 36.
    7. Michael Billington, The More, the Merrier, as Thomas Laughs all the Way to the Block, Guardian : 37.
    8. Georgina Brown, Good, but not Moreish, Mail on Sunday : 69.
    9. Benedict Nightingale, The Times : 21.
    10. Paul Taylor, The Independent : 42.
  22. Ian McKellen performs More's Shakespearean Monologue from Sc.6 of Sir Thomas More. https://www.youtube.com/watch?v=RFJaqVG_nMY (2010) and https://www.youtube.com/watch?v=AjEAeOshUGQ (London, ).

Performance Reviews and Theatricality

  1. Lawrence, W. J., and W. W. Greg. Was Sir Thomas More ever acted? TLS : 420 + : 441 + : 456 + : 488. [Sullivan 2:213–14;.]
  2. Chambers, R. W. Review of Sir Thomas More at Birkbeck College. Lodestone [Journal of BirkBeck Students Union, Birkbeck College, University of London] 18 (): 53–55.
  3. Baldwin, Whitford Baldwin The Organization and Personnel of the Shakespearean Company. Princeton: Princeton UP, . Rpt. New York: Russel, . 131–34. Online at https://archive.org/details/organizationandp007604mbp [Metz 1989:202n135. Baldwin is convinced that the play was produced.]
  4. Lawrence, W. J. Pre-Restoration Stage Studies. Cambridge MA: Harvard UP, . Rpt. New York: Blom, . 387–92. Online at https://archive.org/details/prerestorationst00lawr [Metz 1989:203n139. Contra his earlier view in , Lawrence argues that the play was certainly acted.]
  5. Wolfit, Donald. The Theatre Centre . . . presents an Arena Production of Sir Thomas More: generously sponsored by Donald Wolfit . . . on behalf of Advance Players Association, Ltd. who have also lent their Elizabethan wardrobe. London: [The Theatre Centre], . [Worldcat OCLC 42881249: Programme with cast list, program notes, etc.]
  6. Hyde, Mary C. Current Theatre Notes. Shakespeare Quarterly 6 (): 67–88. [Metz 116. Includes a production of the play at The Theatre Centre, London, .]
  7. Shakespeare Productions in the United Kingdom: . Shakespeare Survey 9 (): 120. [Metz 120. Lists the same production as above.]
  8. Brinkman, Karl. Bühnenbericht, . Shakespeare Jahrbuch 97 ():215.
  9. Brinkman, Karl, and Wolfgang Clemen. International Notes: Germany. Shakespeare Survey 15 (): 134. [Metz 127; Shakespeare Jahrbuch 97 (): 215. On Richard Flatter's attempts to combine Sir Thomas More and parts of Henry VIII into a single play. See Complete Editions of the Play.]
  10. Gury, Jacques, and Germain Marc'hadour. Sir Thomas More. Moreana 4 (): 87–89. [On a performance of the play at the Nottingham Playhouse starring Ian McKellan.]
  11. Styan, J. L. Dwarfed by Shakespeare? In Search of an Elizabethan Heritage. Plays and Players (): 8–12. [Metz 128. Discusses a number of plays including the Nottingham Playhouse production of Sir Thomas More.]
  12. Bentley, Gerald Eades. The Profession of Dramatist in Shakespeare's Time, . Princeton: Princeton UP, . 174. [Metz 132.]
  13. Bradbrook, M. C. The Triple Bond: Audience, Actors, Author in the Elizabethan Playhouse. The Triple Bond: Plays, mainly Shakespearean, in Performance. Ed. Joseph Price. University Park, PN: Pennsylvania State UP, . 52–53. [Metz 138.]
  14. Hunter, G. K. Were There Act-Pauses on Shakespeare's Stage? English Renaissance Drama: Essays in Honor of Madeleine Doran and Mark Eccles. Eds. Standish Henning, Robert Kimbrough, Richard Knowles. Carbondale, IL: Southern Illinois UP, , 23–24. [Metz 140.]
  15. Leek, Robert. A Year of Shakespeare in Kiwiland. Shakespeare Quarterly 30 (): 272–77. [Metz 145. Includes a production of Sir Thomas More at the Mayfair Theatre Dunedin, directed by Jane Oakshott, in .]
  16. Bradbrook, M. C. The Rise of the Common Player: A Study of Actor and Society in Shakespeare's England. London: Chatto and Windus, . Rpt. Cambridge: Cambridge UP, 51, 127, 234, 291, 294, 300. [Metz 126.]
  17. O'Neill, Mary. St, Thomas More—Quincentenary Celebrations in Dunedin, New Zealand, and Sir Thomas More Replayed. Moreana () 64: 112–115 + 67/68: 94 + 97/98 (): 106–107. [Includes a description of of a performance of Sir Thomas More (as edited by Alistair Fox) in New Zealand (114–15) in . See also Marc'hadour's comments on 116–17. The second article deals with a reunion of the actors.]
  18. Rousseau, Marie-Claude. Appendice: Les répresentations de Sir Thomas More. Moreana 71/72 (): 164–65. [Lists productions of the play between and .]
  19. Howard, Tony. Census of Renaissance drama productions (). Research Opportunities in Renaissance Drama 25 (): 115–30 and 26 (): 79. [See pp.115–16 for review of Bristol production.]
  20. Rousseau, Marie-Claude. Sir Thomas More: du texte à la scene. [] See General Studies.
  21. [Poster of American Premiere of Sir Thomas More.] Moreana 21:83/84 (): 141. [Produced by Thad Taylor.]
  22. Marc'hadour, Germain. The Booke of Sir Thomas More, the Poor Players, and Stylometry. Moreana 22:85 (): 56. [On the Poor Player's production.]
  23. Allport, Hazel, et al. Production of Sir Thomas More, Shaw Theatre, London: . Moreana 28:108 (): 81–84.
  24. Mullini, Roberta. The Book of Sir Thomas More and Its Performance. Divers toyes mengled: Essays on Medieval and Renaissance Culture in Honor of André Lascombes. Edited by Michel Bitot. Tours: Publication de l'Université François Rabelais, . 211–28.
  25. Hopkins, Chris. Review of Sir Thomas More, by Anthony Munday, William Shakespeare and others, Early Modern Literary Studies 11.2 (): 13.1–6. http://purl.oclc.org/emls/11-2/revmore.htm
  26. Forsyth, Neil. Theatre in Season: Stratford and the Globe in . Early Modern Literary Studies 11.3 (): 15.1–20. http://purl.oclc.org/emls/11-3/revfors.htm
  27. Kristen McDermott, Kristen. Sejanus: His Fall and Sir Thomas More: Review of Sejanus and Sir Thomas More, Royal Shakespeare Company, Swan Theatre, . Theatre Journal 58:1 (): 127–131.
  28. McLean, Andrew M. Sir Ian McKellan and Sir Thomas More: Men of Conscience. Moreana 163 (): 71–78. [Sum.: p.71. On Sir Ian McKellan's associations with the play Sir Thomas More from onwards.]
  29. Phélippeau, Marie-Claire. Thomas More à Stratford-upon-Avon, . Moreana 163 (): 119–21.
  30. Villquin, Jean-Pierre. Sir Thomas More et Shakespeare. [] See Hand D and Shakespeare.
  31. Kincaid, Arthur. Thomas More at Stratford-upon-Avon and London, . Moreana 163 (): 123–30.
  32. Rutter, Tom. The Actors in Sir Thomas More. in The Shakespeare Apocrypha. Ed. Douglas A. Brooks. Shakespeare Yearbook 16 (): 223–40.
  33. Bradley, Kathleen. A Performance History of Sir Thomas More. M. Phil. unpublished, University of Birmingham, .
  34. Panjwani, Varsha. Hands Off Proud Stranger: Shakespeare versus Multiple Authorship in Performance. Theatre Notebook: A Journal of the History and Technique of the British Theatre 65:1 (: 41–54. [Includes extensive discussion of the RSC production and of the various reviewers' responses.]

General Studies

  1. Schelling, Felix Emmanuel. The English Chronicle Play: A Study in the Popular Historical Literature environing Shakespeare. New York:MacMillan, . Rpt. New York: Burt Franklin, . 210–15. Rpt. New York: Haskell House, . Rpt. Kessinger, .
  2. Baskervill, C. R. Parallels to Bartholomew Fair. Modern Philology 6 (): 109–27.
  3. Moorman, F. W. Plays of Uncertain Authorship Attributed to Shakespeare. The Cambridge History of English Literature. Volume V. The Drama to , Part One. Ed. Adolphus William Ward and Alfred Rayney Waller. Cambridge: Cambridge UP, . 246–48. Published in the U.S. as The Cambridge History of English and American Literature in 18 Volumes. New York: G. P. Putnam's Sons, –21. Online at http://www.archive.org/details/cambridgehistory05warduoft Also available online as Plays of Uncertain Authorship Attributed to Shakespeare. § 7. Sir Thomas More: its scholarly character and political tone. http://www.bartleby.com/215/1007.html [Sullivan 2:334–35.]
  4. Shakespeare's Hand in The Play of Sir Thomas More: Papers by Alfred W. Pollard, W. W. Greg, E. Maunde Thompson, J. Dover Wilson, & R. W. Chambers. Cambridge: Cambridge UP, . Rpt. , . Rpt. Folcroft, PA: Folcroft P, , . Rpt. Irving CA: Reprint Services Corp. . Available Online at http://www.archive.org/details/shakespeareshand00polluoft/ [Metz 95. Papers also listed separately.]
    Review(s):
    1. R. B. McKerrow, The Library 4th ser. 4:3 (): 238–42.
  5. Pollard, Alfred W. Introduction. Shakespeare's Hand in The Play of Sir Thomas More. Cambridge: Cambridge UP, , , . 1–40. Rpt. Folcroft, PA: Folcroft P, , . Rpt. Irving CA: Reprint Services Corp. . Available Online at http://www.archive.org/details/shakespeareshand00polluoft/ [Metz 95. With an appendix of the accounts of the anti-alien disturbances of , and (pp.33–40).]
  6. Boas, Frederick. An Introduction to Tudor Drama. Oxford: Clarendon P, . 122–25. [Sullivan S2:18.]
  7. Tillyard, E. M. W. Shakespeare's History Plays. London: Chatto and Windus, . Rpt. London: Peregrine Books (Penguin), . 109–11, 120–21, 162–63, 221. [Metz 13.]
  8. Ribner, Irving. The Biographical Play. The English Historical Play in the age of Shakespeare. Princeton: princeton UP, . Rev. ed. London: Metheun; New York: Barnes and Noble, . Rpt. London: Routledge, . 209–215. [Cf. Metz 78.]
  9. Chambers, R. W. Thomas More. London: Cape; New York: Harcourt, Brace, . 43–47, 150–51, 278. Rpt. Ann Arbor: U of Michigan P, . [Metz 103. The play Sir Thomas More shows More's continuing popularity with the citizens of Elizabethan London.]
  10. Bevington, David. Tudor Drama and Politics: A Critical Approach to Topical Meaning. Cambridge, MA: Harvard UP. . 253–56, 346. [Sullivan S2:15; Cf. Metz 81.]
  11. Storari, Gilberto. From Elizabeth I to Elizabeth II: Two Popular Views of Thomas More. [] See A Man For All Seasons.
  12. Spikes, Judith Doolin. The Book of Sir Thomas More: Structure and Meaning. Moreana 43/44 (): 25–39. [Geritz V051; Metz 137.]
  13. Forker, Charles R., and Joseph Candido. Wit, Wisdom, and Theatricality in The Book of Sir Thomas More. Shakespeare Studies 13 (): 85–104. [Geritz V011; Metz 147.]
    Review(s):
    1. Clare M. Murphy, Moreana 71/72 (): 121–124.
  14. Doyle, Charles Clay. The Hair and Beard of Thomas More: With Special Reference to the Play Sir Thomas More and an Epigram by John Owen. Moreana 71/72 (): 5–14. [Geritz I030.]
  15. Fox, Alistair. The Paradoxical Design of The Book of Sir Thomas More. Renaissance and Reformation ns 5 (): 162–73.
  16. Murphy, Claire. Triptyth on Sir Thomas More: A Review of Recent Scholarship. Moreana 71/72 (): 115–26.
  17. Rousseau, Marie-Claude. Sir Thomas More: une énigme resolue? Moreana 71/72 (): 155–65.
  18. Rousseau, Marie-Claude. Sir Thomas More: un dossier en instance. Moreana 75/76 (): 147–50. [Review Article.]
  19. Jones-Davies, Marie-Thérèse. Mimésis et imaginaire dans le jeu théâtral élisabéthain. Vérité et illusion dans le théâtre au temps de la Renaissance. Ed. Marie-Thérèse Jones-Davies. Univ. de Paris-Sorbonne, Inst. de Recherches sur les Civilisations de l'Occident Mod., Centre de Recherches sur la Renaissance: 8 Paris: Touzot, . 115–132.
  20. Rousseau, Marie-Claude. Sir Thomas More: du texte à la scene. Moreana 21:83/84 (): 127–42. [On the relationship between the play and Roper's text. Also discusses various productions, including the BBC Radio Play starring Ian McKellan.]
  21. McMillin, Scott The Elizabethan Theatre and The Book of Sir Thomas More. Ithaca, NY: Cornell UP, . [Geritz V030.]
    Review(s):
    1. Franklin B. Williams, Moreana 95/96 (): 81–82.
  22. Zapatka, Francis E. and T. R. Murphy. Two Thomases: An Historical and Literary Comparison of Thomas Lord Cromwell and Sir Thomas More. Proceedings of the PMR Conference 12/13 (–88): 263–279.
    Review(s):
    1. Germain Marc'hadour, Les deux Thomas: More et Cromwell dans le théâtre élisabéthain, Moreana 108 (): 117–18.
  23. Rousseau, Marie-Claude. L'écho du silence: More à la scène et à l'écran. Impacts no.4 : 73–78. [Villquin 2005:69; cf. Worldcat OCLC 474496050?]
  24. Howard-Hill, T. H., ed. Shakespeare and Sir Thomas More: Essays on the Play and its Shakespearean Interest. New Cambridge Studies and Supplementary Texts. Cambridge: Cambridge UP, . [A sequel to Shakespeare's Hand, and a review of scholarship on the play and on Hand D in the sixty years since the publication of Shakespeare's Hand. Articles also listed separately.]
    Review(s):
    1. R. A. Foakes, Review of English Studies ns 42 (): 577–78.
    2. D. W. Foster, Renaissance Quarterly 44 (): 369–72.
    3. E. A. J. Honigmann, Yearbook of English Studies 21 (): 359–60.
    4. Eric Sams, Notes and Queries ns 37 (): 464–65.
    5. Jean-Pierre Villquin, Moreana 108 (): 67–79. Online at http://www.thomasmorestudies.org/moreana/Moreana108pages67-79.pdf
  25. Melchiori, Giorgio. The Book of Sir Thomas More: Dramatic Unity. Shakespeare and Sir Thomas More: Essays on the Play and its Shakespearean Interest. New Cambridge Studies and Supplementary Texts. Ed. T. H. Howard-Hill. Cambridge: Cambridge UP, . 77–100. [Sum.: Jean-Pierre Villquin, Moreana 108 (): 72–74. See also below, Introduction to edition of Sir Thomas More, edited by V. Gabrieli and Giorgio Melchiori.]
  26. Metz, G. Harold. Voice and credyt: The Scholars and Sir Thomas More. [] See Reference Works.
  27. Gabrieli, Vittorio, and Giorgio Melchiori. Introduction. Sir Thomas More. A Play by Anthony Munday and Others. Revised by Henry Chettle, Thomas Dekker, Thomas Heywood and William Shakespeare. Ed. Vittorio Gabrieli and Giorgio Melchiori. The Revels Plays. Manchester: Manchester UP, . 1–53.
  28. Honigmann, E. A. J. The Play of Sir Thomas More and Some Contemporary Events. Shakespeare Survey 42 (): 77–84. [Geritz I052.]
  29. Miller, Clarence H. Thomas More, A Man For All Seasons: Robert Bolt's Play and the Elizabethan Play of Sir Thomas More. [] See A Man For All Seasons.
  30. Zapatka, Francis E. My Strong House: The Tower and its use in Sir Thomas More. Moreana 108 (): 41–50. Online at http://www.thomasmorestudies.org/moreana/Moreana108pages41-50.pdf [Sum.: p.50; Geritz V060. On the Tower of London as a kind of character in the play. See also Moreana 71/72 (): 98.]
  31. Villquin, Jean-Pierre. Thomas More, dramatis persona: Contribution du théâtre au mythe. Centre d'études supérieures de la Renaissance Université François Rabelais, Tours, . The Problematics of Text and Character: Le texte et le personnage en question(s), Actes des Tables rondes I–II–III. Collection Theta 1. Bern: Peter Lang, . [Villquin 2005:70.]
  32. Murphy, Clare. Sir Thomas More as Biography: Convention and Innovation in Matter and Manner. Tudor Theatre: Let there be covenants . . . Convention et Théâtre Acte de la Table ronde VI. Centre d'études supérieures de la Renaissance Université François Rabelais, Tours (éd.) Collection Theta 4. Bern: Peter Lang, . 243–53. [Villquin 2005:68.]
  33. Hill, Tracey. Marked Down for Omission: Censorship and The Book of Sir Thomas More. Parergon ns 17:1 (): 63–88.
  34. Masten, Jeffrey. More or Less: Editing the Collaborative. Shakespeare Studies 29 (): 109–31. [Sum.: Argues for including the whole play, rather than just the Shakespearean portions, in editions of Shakespeare, thus avoiding the practice that underemphasizes the unity of the work (Norton, 2nd ed., 2032).]
  35. Bertheau, Gilles. Lecture de Sir Thomas More de Anthony Munday et alii (1593): L'Obéissance paradoxale d'un homme libre. Etudes Epistémè 2 (): 226–249. http://revue.etudes-episteme.org/?lecture-de-sir-thomas-more-de Or http://revue.etudes-episteme.org/IMG/pdf/ee_2_art_bertheau.pdf
  36. Brietz Monta, Susannah. The Book of Sir Thomas More and Laughter of the Heart. Sixteenth Century Journal 34:1 (): 107–121. [Sum.: p.107.]
  37. Fitzpatrick, Joan. Food and Foreignness in Sir Thomas More. Early Theatre 7.2 (): 33–47. Available online at: http://digitalcommons.mcmaster.ca/earlytheatre/vol7/iss2/2
  38. Melchiori, Giorgio. Shakespeare in the Bottega: Art Works, Apocrypha, and the Stage. Shakespeare, Italy, and Intertextuality. Ed. Michele Marrapodi; with an afterword by Keir Elam. Manchester, England: Manchester UP, . 239–52.
  39. Hill, Tracey. The Cittie is in an uproare: Staging London in The Booke of Sir Thomas More. Early Modern Literary Studies 11.1 (): 2.1–19. http://purl.oclc.org/emls/11-1/more.htm [Sum.: http://purl.oclc.org/emls/11-1/abstracts.html]
  40. Jowett, John. Sir Thomas More and the Play of Body. Shakespeare et le jeu. Ed. Pierre Kapitaniuk and Yves Peyré. Actes des Congrès de la Société Française Shakespeare 23 (): 75–89. Online at http://shakespeare.revues.org/661
  41. Monta, Susannah Brietz. The polemics of conscience in the history play. [] See More and Shakespeare: General Studies.
  42. Kelly, Erin E. John Foxe, Poets, and Sir Thomas More. Moreana 163 (): 7–41. [Sum.: p.7.]
  43. Levine, Nina S. Citizens' Games: Differentiating Collaboration and Sir Thomas More. Shakespeare Quarterly 58 (): 31–64. [Sum.: Investigates the Analogy between collaborative authorship and the subject of that collaboration, rebellious citizen solidarity (Norton 2nd ed., p.2032).]
  44. Cseicsner, Otília. Shakespeare the Dramaturge. Shakespeare and His Collaborators over the Centuries. Pavel Drábek, Klára Kolinská, and Matthew Nicholls. Newcastle upon Tyne, England: Cambridge Scholars, . 55–65.
  45. Osolsobě, Petr. Sir Thomas More: Less Collaborative, More Shakespearean. Shakespeare and His Collaborators over the Centuries. Pavel Drábek, Klára Kolinská, and Matthew Nicholls. Newcastle upon Tyne, England: Cambridge Scholars, . 67–75.
  46. Johnston, James W. Writing (in) the Spaces of Persecution: Cross-Confessional Interpretation, Authorship, and Anxiety in Anthony Munday and Thomas Nashe. Diss. U of Western Ontario, . [DAI, section A. 69:5 (: 1795.]
  47. Fitzpatrick, Joan. The sweet-gorged Maw: Feeding and Physic in the Elizabethan Dramatic Life of Sir Thomas More. Renaissance and Reformation 31:3 (): 51–67. [Sum.: (Fr.) http://jps.library.utoronto.ca/index.php/renref/article/view/9168.]
  48. Kinney, Arthur F. Memorializing History in The Booke of Sir Thomas Moore. Moreana 45:174 (): 55–96. Online at http://thomasmorestudies.org/moreana/Moreana174pages55-97.pdf. [Sum.: pp.55–56.]
  49. Quinn, Paul. A Witty and Learned Persecutor? The staged after-life of Thomas More. [2010] See Tudor and Stuart Drama.
  50. Han, Younglim. [Shakespeare and Food: Examples of Sir Thomas More, Coriolanus, and Pericles]. Journal of English Language and Literature / Yǒngǒ Yǒngmunhak [Seoul] 57:4 (): 651–674. [MLA 2012580040.]
  51. Masten, Jeffrey. Sir Thomas More: More or Less Queer. Shakesqueer: A Queer Companion to the Complete Works of Shakespeare. Ed. Madhavi Menon. Durham, NC: Duke UP, . 309–318.
  52. Woods, Gillian. Strange Discourse: The Controversial Subject of Sir Thomas More. Renaissance Drama 39:1 (): 3–35.
  53. Griffiths, Jane. Lusty Juventus. Ed. Thomas Betteridge, and Greg Walker. The Oxford Handbook of Tudor Drama. Oxford: Oxford UP, . 262–275.
  54. Jowett, John, ed. Introduction. Sir Thomas More. The Arden Shakespeare, 3rd Series. London: Arden, . 1–129.
  55. Moore, Gaywyn E. Exhuming Henry VIII's Court: The Tudor Household on the Jacobean Stage. Diss. U of Kansas, . [DAI 73:4 (): DA3489897. A study of Henry VIII, Sir Thomas More, Thomas Lord Cromwell, and Samuel Rowley's When You See Me, You Know Me.]
  56. Munro, Lucy. Archaism, the Middle Age and the Morality Play in Shakespearean Drama. Shakespeare 8:4 (): 356–367.
  57. Conley, Lacey Ann. The Crew of Common Playwrights: Collaboration and Authorial Community in the Early Modern Theater. Chicago: Loyola U, . [DAI 73:9 (): DA3509516.]
  58. Higgins, Siobhán. Let us Not Grieve the Soul of the Stranger: Images and Imaginings of the Dutch and Flemish in Late Elizabethan London. Dutch Crossing: Journal of Low Countries Studies 37:1 (): 20–40. (DOI)
  59. Schülting, Sabine. What Country, Friends, Is This? The Performance of Conflict in Shakespeare's Drama of Migration. Ed. Carla Dente, Carla, Sara Sancini, and Ton Hoenselaars. Shakespeare and Conflict: A European Perspective. New York: Palgrave Macmillan, . 24–39. [On Twelfth Night and Hand D.]
  60. Griffin, Eric. Shakespeare, Marlowe, and the Stranger Crisis of the Early 1590s. Ed. and introduced by Ruben Espinosa, and David Ruiter. Shakespeare and Immigration. Farnham, UK: Ashgate, . 13–36, esp. 19–22; see also pp.1–4 in Introduction.
  61. Oldenburg, Scott. Shakespeare the Foreigner, Staging inclusion (2): Sir Thomas More. Alien Albion: Literature and Immigration in Early Modern England. Toronto: U of Toronto P, 2014, 155–172, 236–39.

Source Studies

  1. Schütt, Marie. Die Quellen des Book of Sir Thomas More. Englishe Studien 68 (): 209–26. [Metz 160.]
  2. Anderegg, Michael A. The Book of Sir Thomas More and its Sources. Moreana 53 (): 57–62. [Geritz V001; Sullivan S2:5.]
  3. Metz, G. Harold. The Play of Sir Thomas More: The Problem of the Primary Source. Moreana 82 (): 41–48. Online http://www.thomasmorestudies.org/moreana/Moreana82pages41-48.pdf [Geritz V036.]
  4. Gabrieli, Vittorio. Sir Thomas More: Sources, Characters, Ideas. Moreana 23:90 (): 17–43. Online http://www.thomasmorestudies.org/moreana/Moreana90pages17-43.pdf [Sum.: (Fr) pp.43–44; Geritz I043.]
  5. Gabrieli, Vittorio, and Giorgio Melchiori. Appendix: A Table of Sources and Close Analogues for the Text of The Book of Sir Thomas More. Shakespeare and Sir Thomas More: Essays on the Play and its Shakespearean Interest. Ed. T. H. Howard-Hill. New Cambridge Studies and Supplementary Texts. Cambridge: Cambridge UP, . 197–202.
  6. Melchiori, Giorgio. The Contextualization of Source Materials: The Play within the Play in Sir Thomas More. Le Forme del teatro: contributi del gruppo di ricerca sulla comunicazione teatrale in Inghilterra Vol 3. Letture di pensiero e d'arte. Rome: Edizioni di storia e letteratura, . 59–94. Partial Preview at Google Books
  7. Metz, G. Harold, ed. Sir Thomas More: Introduction. Sources of Four Plays Ascribed to Shakespeare: The Reign of King Edward III, Sir Thomas More, The History of Cardenio, The Two Noble Kinsmen. Columbia, MO: U of Missouri P, . 135–206. [Excerpts from texts on pp. 207–254. Some items also listed separately.]
    Review(s):
    1. D. W. Foster, Shakespeare Quarterly 42 (): 237–40.
    2. Vittorio Gabrieli, Moreana 108 (): 63–66. Online at http://www.thomasmorestudies.org/moreana/Moreana108pages63-66.pdf
  8. Kelly, Erin E. John Foxe, Poets, and Sir Thomas More. [] See General Studies of the Play.
  9. Jowett, John, ed. Remembering Thomas More, and Appendix 7: Longer Passages of Source Material. Sir Thomas More. The Arden Shakespeare, 3rd Series. London: Arden, . 47–70, 473–86.
  10. Merriam, Thomas. Unremarked Evidence against Anderegg's Conjecture. Notes and Queries 60:3 (): 407–410. (DOI) Rpt. in Moreana 51:197/198 (): 250–56.

Manuscript History, Date, and Other Problems

  1. Hearne, Thomas. [Diary Entry, .] in Thomas Hearne, Remarks and Recollections. Ed. H. E. Salter for the Oxford Historical Society. Oxford: Clarendon P, 1914. 9: 292–93. Cited in Metz 1989, 135. [First recorded evidence for the existence of the play manuscript. Thomas Hearne records how he was lent a manuscript of a play about Thomas More, by the book collector John Murray.]
  2. Byrne, Muriel St. Clare, with a Reply by W. J. Lawrence. The Date of Sir Thomas More: Some Further Points. TLS : 520–21 + : 568.
  3. Aronstein, P Shakespeare's Hand in the Play of Sir Thomas More. Englische Studien LIX (59) (): 444–50. [Sullivan I:29–30.]
  4. Greg, W. W. The Evidence of Theatrical Plots for the History of the Elizabethan Stage. Review of English Studies 1 (1925): 257–83. [Sullivan 2:51.]
  5. Harrison, G. B. The Date of Sir Thomas More. Review of English Studies 1 (): 337–39. [Sullivan 2:87–88.]
  6. Pollard, Alfred W. Verse Tests and the Date of Sir Thomas More. Review of English Studies 1 (): 441–43.
  7. Greg, W. W. T. Goodal in Sir Thomas More. Publications of the Modern Language Association of America 44 (): 633–34 + 46 (): 268–71. [Sullivan 2:52. On the bookkeeper's mention of the name Thomas Goodal in the play manuscript, see Gabrieli and Melchiori, eds., Sir Thomas More, pp.32 and 52,n.115.]
  8. Tannenbaum, Samuel A. Dr. Greg and the Goodal Notation in Sir Thomas Moore. Publications of the Modern Language Association of America 44 (): 934–38.
  9. Greg, W. W. Dramatic Documents from the Elizabethan Playhouses: Stage Plots, Actor's Parts, Prompt Books. Vol. 1: Reproductions and Transcripts. Vol.2: Commentary. Oxford: At the Clarendon Press, . Rpt. Oxford: OUP, . 1: Nos. 2A and 2B + 2: 224–25. [Metz 100.]
  10. Greg, W. W. The Manuscript of Sir Thomas More. Malone Society Collections, Vol. II, pt. III. Malone Society Publications, 71. Oxford: OUP for the Malone Society, 1931. 233–34. Rpt. New York: AMS Press, 1985. [Sullivan 2: 51–52.]
  11. Collins, D. C. On the Date of Sir Thomas More. Review of English Studies 10 (): 401–11. [Metz 152; Sullivan 1:210.]
  12. Eagles, R. L., H. W. Crundell, and C. T. Onions. The Date and Authorship of the MS. Play Sir Thomas More. Notes and Queries 177 (): 78, 120–21, 158. [Metz 153, 154, 155; Sullivan 1:231–32, 306‐7.]
  13. Bald, R. C. The Foul Papers of a Revision. The Library 4th ser. 26:1 (): 37–50. [Suggests what might have happened to The Book of Sir Thomas More, if it had gone to the printers, by examining two quartos of plays that reveal extensive revisions.]
  14. Jenkins, Harold. Readings in the Manuscript of Sir Thomas More. Modern Language Review 43 (): 512–14. [Geritz V016; Metz 167; Sullivan 2:164. Two emendations to Greg's edition.]
  15. Shapiro, I. A. The Significance of a Date. Shakespeare Survey 8 (): 100–105. [Metz 156.]
  16. Jenkins, Harold. A Supplement to Sir Walter Greg's Edition of Sir Thomas More. Malone Society Collections 6 (): 177–92. [Metz 124.]
  17. Wentersdorf, Karl P. The Date of the Additions in The Booke of Sir Thomas More. Shakespeare Jahrbuch [West] : 305–25. [Metz 157.]
  18. McMillin, Scott. The Book of Sir Thomas More: A Theatrical View. Modern Philology 68 (): 10–24. [Geritz V029; Metz 177.]
  19. Blayney, Peter W. M. The Booke of Sir Thomas Moore Re-examined. Studies in Philology 69 (): 167–91. [Geritz V003; Metz 133; Sullivan S2:18.]
  20. Hays, M. L. Watermarks in the Manuscript of Sir Thomas More and a Possible Collation. Shakespeare Quarterly 26 (): 66–69. [Metz 183.]
  21. Lake, D. J. The Date of the Sir Thomas More Additions by Dekker and Shakespeare. Notes and Queries ns 24 (): 114–16. [Metz 158.]
  22. Metz, G. Harold. The Master of the Revels and The Booke of Sir Thomas Moore. Shakespeare Quarterly 33 (): 493–95.
  23. Melchiori, Giorgio. The Booke of Sir Thomas Moore: A Chronology of Revision. Shakespeare Quarterly 37 (): 291–308.
  24. Solheim, Helene. On the Provenance of The Book of Sir Thomas More. Notes and Queries ns 45 (): 358. [On John Murray of Sacombe, Herfordshire.]
  25. Melchiori, Giorgio. The Master of the Revels and the Date of the Additions of The Book of Sir Thomas More. Shakespeare, Text, Language, Criticism: Essays in Honour of Marvin Spevack. Ed. Bernhard Fabian and Kurt Tetzeli von Rosador. Hildesheim: Olms-Weidman, . 164–79.
  26. Long, William B. The Occasion of The Book of Sir Thomas More. Shakespeare and Sir Thomas More: Essays on the Play and its Shakespearean Interest. New Cambridge Studies and Supplementary Texts. Ed. T. H. Howard-Hill. Cambridge: Cambridge UP, . 45–56. [Sum.: Jean-Pierre Villquin, Moreana 108 (): 70.]
  27. McMillin, Scott. The Book of Sir Thomas More: Dates and Acting Companies. Shakespeare and Sir Thomas More: Essays on the Play and its Shakespearean Interest. New Cambridge Studies and Supplementary Texts. Ed. T. H. Howard-Hill. Cambridge: Cambridge UP, . 57–76. [Sum.: Jean-Pierre Villquin, Moreana 108 (): 70–72.]
  28. Bars Closel, Régis Augustus. The Marginal Latin Tag in the Manuscript of Sir Thomas More. Notes and Queries ns 61 (): 257–60. (DOI)

Studies of Authorship, the Other Additions, and Stylometry

  1. Greg, W. W. Autograph Plays by Anthony Munday. Modern Language Review 8 (): 89–90. [Sullivan 2:50–51. Contra his earlier position in his edition, Greg accepts Farmer's view that original MS. of Sir Thomas More is Munday's autograph.]
  2. Thompson, Edward Maunde. The Autograph Manuscripts of Anthony Munday. The Library 3 ser., 14:1 (): 325–54.
  3. Oliphant, E. H. C. Sir Thomas More. Journal of English and Germanic Philolophy 18:2 (): 226–235. Online at https://archive.org/details/jstor-27713788
  4. Byrne, Muriel St. Clare. Anthony Munday and his Books. The Library 4th ser., 1:1 (): 225–56.
  5. Byrne, Muriel St. Clare. Anthony Munday;s Spelling as a Literary Clue. The Library 4th ser., 4:1 (): 9–23.
  6. Greg, W. W. The Handwritings of the Manuscript. Shakespeare's Hand in The Play of Sir Thomas More. Cambridge: Cambridge UP, , , . 41–56. Rpt. Folcroft, PA: Folcroft P, , . Rpt. Irving CA: Reprint Services Corp. . Available Online at http://www.archive.org/details/shakespeareshand00polluoft/ [Metz 95; Sullivan 2:51.]
  7. Acheson, Arthur. Shakespeare, Chapman et Thomas More. Revue-Anglo-Americaine No.6 (August 1926): 514–31. [Sullivan 1:3.]
  8. Tannenbaum, Samuel A. The Booke of Sir Thomas More (A Bibliotic Study). New York: The Tenny Press, . Online at https://archive.org/details/cu31924013127257
    Review(s):
    1. W. W. Greg, TLS : 871 [Sullivan 2:52].
    2. C. Sisson, Modern Language Review 23 (): 231–34.
  9. Golding, S. R. Robert Wilson and Sir Thomas More. Notes and Queries 154 (): 237–39 + 259–62 + 155 (): 237–40; with Reply by S.O. Addy, 154 (): 335–36. [Sullivan II: 38–39 + I:9; Metz 97.]
  10. Tannenbaum, Samuel A. More About The Bookie [Booke] of Sir Thomas Moore. Publications of the Modern Language Association of America 43 (): 767–78.
  11. Acheson, Arthur. Shakespeare, Chapman and Sir Thomas More: Providing a more definite basis for biography and criticism. London: Quaritch, . 99–134. [Sullivan S2:1. Enlargement of Acheson's 1926 article above.]
    Review(s):
    1. TLS : 525, 564.
  12. Law, Robert Adger. Is Heywood's Hand in Sir Thomas More? University of Texas Studies in English 11 (): 24–31. [Metz 101. Questions Tannenbaum's identification of Hand B as Heywood's.]
  13. Jenkins, Harold. The Life and Work of Henry Chettle. London: Sidgwick and Jackson, . 59–71. [Metz 102. Disccusses Chettle's (Hand A) contribution to Sir Thomas More.]
  14. Maxwell, Baldwin. Studies in the Shakespeare Apocrypha. New York: King's Crown Press, . 103–108. [Metz 118. On the hairy ruffian episode in Sir Thomas More.]
  15. Nosworthy, J. M. Hand B in Sir Thomas More. The Library 5th ser. 11:1 (): 47–50. [Metz 119.]
  16. Shapiro, I. A. Shakespeare and Mundy. Shakespeare Studies 14 (): 25–33, esp. 26–28. [Metz 125.]
  17. Jackson, MacDonald P. Anthony Mundy and Sir Thomas More. Notes and Queries ns 10 (): 96. [Metz 174.]
  18. Beebe, Richard. Fashis in The Booke of Sir Thomas More. Notes and Queries ns 18 (): 452–53. [Metz 178.]
  19. Bergeron, David M. Shakespeare and Munday Again. American Notes and Queries (Oct. ): 28–32. [Metz 135. See Shapiro above.]
  20. Long, William B. False Expectations: The Consequences of Ignoring Manuscripts. Shakespeare Newsletter 27 (): 15. [Metz 142.]
  21. Petti, Anthony G. English Literary Hands from Chaucer to Dryden. Cambridge, MA: Harvard UP, . 87, 91, 95, and 111. [Metz 144. Discusses the identifications of Hands D, C, B, and A. Includes facsimiles of fols. 9, 13 from the MS of Sir Thomas More.]
  22. Hoy, Cyrus. Sir Thomas More: Dekker's Addition. The Dramatic Works of Thomas Dekker. Ed. Fredson Bowers. 4 vols. Cambridge: Cambridge UP, . I: 1–6.
    Review(s):
    1. Clare M. Murphy, Moreana 71/72 (): 124–125.
  23. Marc'hadour, Germain, Marialisa Bertagnoni and Vittorio Gabrieli. Sir Thomas More: De Shakespeare? Moreana 67/68 (): 199–201. [Responses to Thomas Merriam, including two letters in English.]
  24. Marder, Louis. Stylometry proves Entire Sir Thomas More is All Shakespeare's. Shakespeare Newsletter 30:4 (): 29–30. [Metz 148. Summarizes Merriam's work on Stylometry.]
  25. Merriam, Thomas. Did Shakespeare write Sir Thomas More? Shakespeare Newsletter 31:1 (): 2. [Metz 150.]
  26. Metz, Harold G. Stylometric Analysis and Sir Thomas More. Shakespeare Newsletter 31:1 (): 6. [Metz 151.]
  27. Marder, Louis? New Study Denies STM Stylometrics; John Webster Authorship Claimed. Shakespeare Newsletter 31:2 (): 9.
  28. Pafford, J. H. P. The Play of Sir Thomas More. Notes and Queries ns 28 (): 145. [Note on the use of dung in Scene 4.]
  29. Merriam, Thomas. The Strange Case of Sir Thomas More. Moreana 18:71/72 (): 113–14.
  30. Merriam, Thomas. The Authorship of Sir Thomas More. Association for Literary and Linguistic Computing Bulletin 10 (): 1–8.
  31. Wright, George T. Can Sir Thomas More be by Shakespeare? Moreana 19:75/76 (): 89–90.
  32. Jackson, MacDonald P. Anthony Munday and the Play of Thomas More. Moreana 85 (): 83–84.
  33. Metz, G. Harold. Thomas More, Thomas Cromwell, and Jack Faulkner. Notes and Queries ns 32 (): 28–30.
  34. Merriam, Thomas. The Authorship Controversy of Sir Thomas More: Smith on Morton. Journal of the Association for Literary and Linguistic Computing 1:2 (): 104–108.
  35. Merriam. Thomas. Was Munday the Author of Sir Thomas More? Moreana 24:94 (): 25–30. Online http://www.thomasmorestudies.org/moreana/Moreana94pages25-30.pdf
  36. Merriam, Thomas. Was Hand B in Sir Thomas More Heywood's Autograph? Notes and Queries ns 35 (): 455–58.
  37. Jowett, John. Henry Chettle and the Original Text of Sir Thomas More. Shakespeare and Sir Thomas More: Essays on the Play and its Shakespearean Interest. New Cambridge Studies and Supplementary Texts. Ed. T. H. Howard-Hill. Cambridge: Cambridge UP, . 131–49. [Sum.: Jean-Pierre Villquin, Moreana 108 (): 76–77.]
  38. Taylor, Gary. The Date and Auspices of the Additions to Sir Thomas More. Shakespeare and Sir Thomas More: Essays on the Play and its Shakespearean Interest. New Cambridge Studies and Supplementary Texts. Ed. T. H. Howard-Hill. Cambridge: Cambridge UP, . 101–29. [Sum.: Jean-Pierre Villquin, Moreana 108 (): 75–76.]
  39. Merriam, Thomas. Did Munday Compose Sir Thomas More? Notes and Queries ns 37 (): 175–78. [Geritz V033.]
  40. Rackin, Phyllis. Stages of History: Shakespeare's English Chronicles. Ithaca, NY: Cornell UP, . 207. [On censorship in STM.]
  41. Rasmussen, Eric. Setting Down What the Clown Spoke: Improvisation, Hand B, and The Book of Sir Thomas More. The Library ser., 6, 13:2 (): 126–36.
  42. Smith, M. W. A. Shakespeare, Stylometry and Sir Thomas More. Studies in Philology 89 (): 434–44. [Geritz V049.]
  43. Merriam, Thomas. Chettle, Munday, Shakespeare, and Sir Thomas More? Notes and Queries ns 39 (): 336–41. [Geritz V032.]
  44. Merriam, Thomas. Pericles I–II Revisited and Considerations Concerning Literary Medium as a systematic factor in Stylometry. Notes and Queries ns 39 (): 341–45.
  45. Smith, M. W. A. Sir Thomas More, Pericles, and Stylometry. Notes and Queries ns 41 (): 55–58. [Geritz V050.]
  46. Merriam, Thomas. Letter Frequency as a Discriminator of Authors. Notes and Queries ns 41 (): 467–469.
  47. Merriam, Thomas. Evidence from Forker's Three Listings. Notes and Queries ns 41 (): 482–486.
  48. Merriam, Thomas. Sir Thomas More without Stylometry. Notes and Queries ns 44 (): 67–72. [Geritz V035.]
  49. Masten, Jeffrey. Playwriting: Authorship and Collaboration. A New History of Early English Drama. Ed. John D. Cox, and David Scott Kasten. Columbia: Columbia UP, . 361*** (357–82). [Cit. Ioppolo : 209,n.13.]
  50. Kinney, Arthur F. Text, Context, and Authorship of The Booke of Sir Thomas Moore. Pilgrimage for Love: Essays in Early Modern Literature in Honor of Josephine A. Roberts. Medieval and Renaissance Texts & Studies, 213. Tempe, AR: Arizona Center for Medieval and Renaissance Studies, . 133–160.
  51. Long, William B. Precious Few: English Manuscript Playbooks. A Companion to Shakespeare. Ed. David Scott Kasten. Oxford: Blackwell, . 414–33, esp. 419–21. [On preparations for production of the play in the MS.]
  52. Merriam, Thomas. The Misunderstanding of Munday as Author of Sir Thomas More. Review of English Studies ns 51 (): 540–81. (DOI)
  53. Merriam, Thomas. An Unwarranted Assumption. Notes and Queries ns 48 (): 438–41. (DOI)
  54. Merriam, Thomas. Feminine Endings and More. Notes and Queries ns 48 (): 278–80. (DOI)
  55. Merriam, Thomas. More and Woodstock. Notes and Queries ns 50 (): 27–31. (DOI)
  56. Merriam, Thomas. Correspondences in More and Hoffman. Notes and Queries ns 50 (): 410–14. (DOI)
  57. Kinney, Arthur. Shakespeare by Stages: An Historical Introduction. Oxford: Blackwell, . 145–47. [On censorship in Sir Thomas More. Includes reproduction of Tilney's instructions to revise the insurrection scene.]
  58. Merriam, Thomas. Munday and the Oxford Shakespeare More. Notes and Queries ns 53 (): 470–74. (DOI)
  59. Merriam, Thomas. Orthographic Changes in John a Kent and Hand M of More. Notes and Queries ns 53 (): 475–78. (DOI)
  60. Merriam, Thomas. Six-Word Collocations in Shakespeare and Sir Thomas More.. Notes and Queries ns 56 (): 48–51. (DOI)
  61. Merriam, Thomas. An Injustice More Than Secular. Notes and Queries ns 57 (): 364–66. (DOI)
  62. Merriam, Thomas. Moore the Merier. Notes and Queries ns 58 (): 241–42. (DOI)
  63. Jackson, MacDonald P. Deciphering a Date and Determining a Date: Anthony Munday's John a Kent and John a Cumber and the Original Version of Sir Thomas More. Early Modern Literary Studies 15.3 (): Item 2. http://purl.org/emls/15-3/jackdate.htm
  64. Tarlinskaja, Marina. Shakespeare among Others in Sir Thomas More: Verse Form and Attribution. Ed. Mihhail Lotman and Maria-Kristiina Lotman. Linguistic Insights: Studies in Language and Communication 113. Frontiers in Comparative Prosody. Bern, Switzerland: Peter Lang, . 121–142. See also Shakespeare and the Versification of English Drama, 1561–1642. Franham, UK: Ashgate, . 92, 176, 181, 185–192, 266
  65. Clare, Janet. Shakespeare: Revising and Re-visioning. Revista Alicantina de Estudios Ingleses 25 (): 19–32.
  66. Merriam, Thomas. Conjuncture of Collocations in More and 2H6. Notes and Queries ns 59 (): 60. (DOI)
  67. Jowett, John. A Collaboration: Shakespeare and Hand C in Sir Thomas More. Shakespeare Survey 65 (): 255–268.
  68. Merriam, Thomas. Determining a Date Notes and Queries ns 61 (): 260–65. (DOI)
  69. Merriam, Thomas. Was Munday the Author of Sir Thomas More? Revisited. Moreana 51:197–198 (): 245–49.
  70. Merriam, Thomas. God's Foolishness is Greater than Man's Wisdom. Moreana 53:203–204 (): 295–98.

Shakespeare and Hand D

1871 to 1930

  1. Simpson, Richard. Are there any extant MSS in Shakespeare's Handwriting? Notes and Queries 4 ser., 8 (): 1–3. [Cit.: Metz p.xvi–xvii.]
  2. Spedding, James. Shakespeare's Handwriting. Notes and Queries 4 ser., 10 (): 227–28. Rpt. as On a Question Concerning a supposed Specimen of Shakespeare's Handwriting. Reviews and discussions: literary, political, and historical not relating to Bacon. London: C. Kegan Paul and Co., . 376–84. Online at http://www.archive.org/details/reviewsdiscussio00speduoft [Speeding's Note (380–84) quotes not only what later came to be identified as Hand D, but also Lady More's Dream (IV.ii.1–49). Spedding claims to read kept for Dyce's topt (II.iii.7) in the MS.]
  3. Hall, A. Shakespere's handwriting further illustrated: Facsimiles of his own supposed autograph, with a short note on his early career as a dramatist. London: Printed for Messrs. Asher & Co., . Rpt. Kessinger, . 24p. [Google books.]
  4. Schücking, Levin L. Das Datum des Pseudo-Shakespeareschen Sir Thomas Moore. Englische Studien 46 (): 228–51. [See also and articles below.]
  5. Simpson, Percy. The Play of Sir Thomas More and Shakespeare's Hand in it. The Library 3 ser., VIII:1 (): 79–96.
  6. Thompson, Edward Maunde. Shakespeare's Handwriting. Oxford: Clarendon P, . Rpt. Folcroft, PA: Folcroft Library Edition, . Online at http://www.archive.org/details/shakespeareshand00thomuoft [Includes transcripts of the three pages (32–37), and facsimile reproductions between pp.32 and 33 ()(cf. Clayton 10) and at the end in the Folcroft Library Edition.]
  7. Green, Alexander. The Apocryphal Sir Thomas More and the Shakespeare Holograph. American Journal of Philology 39 (): 229–67. Online at https://archive.org/details/jstor-288948
  8. Leftwich, Ralph Winnington. Shakespeare's Handwriting and other papers. Worthing: Worthing Gazette Co, . 19–20. Online at http://www.archive.org/details/shakespeareshand00leftuoft
  9. Greenwood, Sir Granville George. Shakespere's handwriting. London: John Lane, . Online at http://www.archive.org/details/shakespereshandw00greeuoft [A critique of Maunde Thompson.]
  10. Chambers, Raymond Wilson. The Expression of Ideas—Particularly Political Ideas—in the Three pages and in Shakespeare. Shakespeare's Hand in The Play of Sir Thomas More. Cambridge: Cambridge UP, , rpt. , . 142–87. Rpt. Folcroft, PA: Folcroft P, , . Rpt. Irving CA: Reprint Services Corp. . Available Online at http://www.archive.org/details/shakespeareshand00polluoft/ [Metz 95; Sullivan 1:183.]
  11. Chambrun, Clara Longworth de. The Play of Sir Thomas More. TLS 22 (1923): 896. [Sullivan 1:189–190.]
  12. Greg, W. W., ed. Ill May Day. Scenes from the Play of Sir Thomas More. Shakespeare's Hand in The Play of Sir Thomas More. Cambridge: Cambridge UP, , rpt. , . 189–243. Rpt. Folcroft, PA: Folcroft P, , . Rpt. Irving CA: Reprint Services Corp. . Available Online at http://www.archive.org/details/shakespeareshand00polluoft/ [Metz 95; Sullivan 2:51.]
  13. Thompson, Edward Maunde. The Handwriting of the Three Pages Attributed to Shakespeare Compared with His Signatures. Shakespeare's Hand in The Play of Sir Thomas More. Cambridge: Cambridge UP, , rpt. , . 57–112. Rpt. Folcroft, PA: Folcroft P, , . Rpt. Irving CA: Reprint Services Corp. . Available Online at http://www.archive.org/details/shakespeareshand00polluoft/ [Metz 95. See also Thompson's Shakespeare's Handwriting.]
  14. Wilson, J. Dover. Bibliographical Links Between the Three Pages and the Good Quartos. Shakespeare's Hand in The Play of Sir Thomas More. Cambridge: Cambridge UP, , rpt. , . 113–42. Rpt. Folcroft, PA: Folcroft P, , . Rpt. Irving CA: Reprint Services Corp. . Available Online at http://www.archive.org/details/shakespeareshand00polluoft/ [Metz 95.]
  15. Greenwood, Sir Granville George. The Shakespere signatures and Sir Thomas More. London: Cecil Palmer, . Rpt. Kessinger Publishing, . [Sullivan 2:49–50. A criticism of Maunde Thompson's Shakespeare's Hand ().]
  16. Des Moineaux, Edwin J.. Manuscript said to be handwriting of William Shakespeare identified as penmanship of another person: mystery of Sir Thomas More document unravelled: an entirely new phase of the Bacon-Shakespeare controversy. Los Angeles: [The Author], .
  17. Schücking, Levin L. Shakespeare and Sir Thomas More. Review of English Studies 1 (): 40–59. [See also his and articles.]
  18. Tannenbaum, Samuel A. Shakespeare's Unquestioned Autographs and the Additions to More. Studies in Philology 22 (): 133–60.
  19. Greg, W. W. Shakespeare's Hand Once More. TLS : 871 + : 908. Rpt. in W. W. Greg: Collected Papers. Ed. J. C. Maxwell. Oxford: Clarendon P, . 192–200. [Metz 96; Sullivan 2:52. Reviews Edward Maude Thompson's Book and article below. Acccording to Maxwell: intended as a considered summing-up of the purely paleographical evidence in favour of the Shakespearean authorship of the famous three pages (p.192,n.1)]
  20. Tannenbaum, Samuel A. Problems in Shakespeare's Penmanship, Including a Study of the Poet's Will. New York: The Century Company (for the Modern Language Association of America), . Rpt. New York: Kraus Preprint Corp., . Rpt. Kessinger, .
    Review(s):
    1. W. W. Greg, TLS : 871 and 908 [Sullivan 2:52.].
    2. C. Sisson, Modern Language Review 23 (): 231–34.
  21. Tannenbaum, Samuel A. Shakespeare and Sir Thomas Moore. New York: Tenny Press, .
  22. Spurgeon, Caroline F. E. Imagery in the Sir Thomas More Fragment. Review of English Studies 6 (): 257–70. [Metz 98; cf. Sullivan 1:184.]

1931 to 1980

  1. Bald, R. C. Addition III of Sir Thomas More. Review of English Studies 7 (): 67–69. [Metz 99.]
  2. Chambers, Raymond Wilson. Some Sequences of Thought in Shakespeare in the 147 lines of Sir Thomas More. Modern Language Review 26 (): 251–80. Rev. vers. rpt. as Shakespeare and the Play of More: Some Sequences of Thought in Shakespeare and in the Three Pages of Sir Thomas More. Man's Unconquerable Mind. London: Jonathan Cape, . Rpt. . 204–49, 407–08. Rpt. New York: Haskell, . [Metz 105; Sullivan 1:187– and 184.]
  3. Crundell, H. W. Shakespeare and Sir Thomas More. London Mercury : 288–89. [Sullivan 1:232.]
  4. Willoughby, Edwin Elliott. The Printing of the First Folio of Shakespeare. Oxford: Oxford UP, . 68. [Metz 164.]
  5. Pollard, A. W. Shakespeare's Text. A Companion to Shakespeare Studies. Eds. Harley Granville-Barker, and G. B. Harrison. Cambridge: Cambridge UP, . 263–92, esp. 274–78. [Metz 165.]
  6. Chambrun, Clara Longworth de. The Book of Sir Thomas More. Shakespeare Rediscovered. New York: Scribner's, . 280–90. [Metz 104.]
  7. Crundell, H. W. Shakespeare and the Play of More. TLS : 297–98. [Metz 106.]
  8. Chambers, Raymond Wilson. Shakespeare and More. TLS : 327. [Geritz I022; Metz 107. A response to Crundell.]
  9. Chambers, Raymond Wilson. Thomas More. London: Jonathan Cape; New York: Harcourt, Brace, . 43–47, 150–51, 278. [Metz 103; Sullivan 1:188. Sir Thomas More depicts More's continuing popularity with the London populace despite anti-More propaganda. For reprints and reviews, see Modern More Biographies ().]
  10. Doran, Madeleine. An Evaluation of Evidence in Shakespearean Textual Criticism. English Institute Annual . New York: Columbia UP, . 105–107. [Metz 108.]
  11. Deutschberger, Paul. Shakespere and Sir Thomas More. Shakespeare Association Bulletin 18 (): 75–91, 99–108, 156–67. [Metz 109.]
  12. Flatter, Richard. Eine Szene in Shakespeares Handschrift. Neue Auslese 2:6 (): 61–66. [Metz 111.]
  13. Bald, R. C. The Booke of Sir Thomas More and its Problems. Shakespeare Survey 2 (): 44–65. Rpt. in Evidence for Authorship: Essays on Problems of Attribution. Ed. David V. Erdman, and Ephim G. Fogel. Ithaca: Cornell UP, . 126–75. [Metz 111 (and 168).]
  14. Stirling, Brents. The Populace in Shakespeare. New York: Columbia UP, . 157–59. [Metz 112.]
  15. Wilson, F. P. Shakespeare's Reading. Shakespeare Survey 3 (): 14–21. [Metz 161.]
  16. Schücking, Levin L. Über einige Probleme der Neueren und Neuesten Shakespeare—Forschung (Testgestaltung und Echtheitsfragen). Germanisch-romanische Monatsschrift 33 (–52): 208–28. [Metz 113. Repeats arguments of paper above. Identifies Heywood as author of Hand D.]
  17. Feldman, A. B. The Flemings in Shakespeare's Theatre. Notes and Queries 197 (): 265–69. [Sullivan 1:347.]
  18. Feuillerat, Albert. The Composition of Shakespeare's Plays: Authorship, Chronology. New Haven: Yale UP, . 48–49 n. [Metz 114.]
  19. Maas, Paul. Henry Finch and Shakespeare. Review of English Studies ns 4 (): 142. [Metz 115.]
  20. Greg, W. W. The Shakespeare First Folio: Its Bibliographical and Textual History. Oxford: Clarendon, . Rpt. Oxford: Oxford UP, . 93–94, 99, 100, 102, 108, 109, 121–22, 126, 130–31, 134, 147–50, 167. [Metz 20.]
  21. Nosworthy, J. M. Shakespeare and Sir Thomas More. Review of English Studies ns 6 (): 12–25. [Metz 117.]
  22. Wilson, J. Dover. The New Way with Shakespeare's Texts: An Introduction for Lay Readers. III. In Sight of Shakespeare's Manuscripts. Shakespeare Survey 9 (): 69–80. [Metz 172.]
  23. Lane, Ralph H. Shakespearean Spelling. Shakespeare Newsletter 8:4 (): 28. [Metz 121.]
  24. Macnalty, Arthur S. Shakespeare and Sir Thomas More. [] See More and Shakespeare.
  25. Muir, Kenneth. Shakespeare as Collaborator. London: Methuen, . ix, 5–9. [Metz 20. A study of Edward III, Pericles, The Two Noble Kinsmen, and Cardenio (i.e. Double Falsehood).]
  26. Huber, R. A. On Looking over Shakespeare's Secretarie. The Stratford Papers on Shakespeare . Ed. B. A. W. Jackson. Toronto: Gage, . 53–70, With a Postscript by C. J. Sisson, 70–77. [Metz 123.]
  27. Brooks, Harold F. Shakespeare and The Gouernour, Bk. II, ch. xiii. Parallels with Richard II and the More Addition. Shakespeare Quarterly 14 (): 195–99. [On the roan Barbary episode in Richard II and parallels in Sir Thomas Elyot and The Booke of Sir Thomas More.]
  28. Honigmann, E. A. The Stability of Shakespeare's Text. London: Arnold, . 16, 28–29, 40–41, 77, 143. [Metz 175.]
  29. Livermore, Ann. Shakespeare and St. Augustine. Quarterly Review [London, John Murray] 303:644 (): 181–93. [Metz 129.]
  30. Nosworthy, J. M. Shakespeare's Occasional Plays: Their Origin and Transmission. London: Edward Arnold, . [Metz 130.]
  31. Walton, J. C. The Year's Contribution to Shakespearean Studies: Textual Studies. Shakespeare Survey 20 (): 170–79, esp. 173–74. [Metz 131.]
  32. Evans, G. Blakemore. Shakespreare's Text: Approaches and Problems. A New Companion to Shakespeare Studies. Ed. Kenneth Muir, and S. Schoenbaum. Cambridge: Cambridge UP, . 223, 226, 227. [Metz 55. Includes fascimile and transcription of fifteen lines from Hand D on p.223.]
  33. Gaskell, Philip. A New Introduction to Bibliography. Oxford: Oxford UP, . 359. [Metz 134.]
  34. Jackson, MacDonald P. A Non-Shakespearean Parallel to the Comic Mispronunciation of Ergo in Hand D in Sir Thomas More. Notes and Queries ns 18 (): 139. [Metz 179.]
  35. Wentersdorf, Karl P. A Crux in the Putative Shakespearian Addition to Sir Thomas More. English Language Notes 10 (/73): 8–10. [Metz 180.]
  36. Wentersdorf, Karl P. Linkages of Thought and Imagery in Shakespeare and More. Modern Language Quarterly 34 (): 384–405. [Metz 136,]
  37. Hays, M. L. Shakespeare's Hand in Sir Thomas More: Some Aspects of the Paleographic Argument. Shakespeare Studies 8 (): 241–53. [Metz 139.]
  38. Schoenbaum, S. William Shakespeare: A Documentary Life. Oxford: Oxford UP in Association with the Scolar P, . 157–60. Revised Edition with a New Postscript. William Shakespeare: A Compact Documentary Life. Oxford: Oxford UP, , . 214–219. [Sum. Metz 42. Includes facsimile of Folio 9 recto.]
  39. Brockbank, Philip, ed. Coriolanus. New Arden Shakespeare. London: Methuen, . 3–9, 36–39. [Metz 184.]
  40. Ramsey, Paul. Shakespeare and Sir Thomas More Revisited: or, A Mounty on the Trail. Papers of the Bibliographical Society of America 70 (): 333–46. [Metz 141.]
  41. Dawson, Giles, E. Theobald, table/babbled, and Sir Thomas More. TLS : 484. [Metz 185.]
  42. Matchett, William M. Shylock, Iago, and Sir Thomas More: With Some Further Discussion of Shakespeare's Imagination. Publications of the Modern Language Association of America 92 (): 217–30. [Metz 143. On image clusters in Hand D of Sir Thomas More and several Shakespeare Plays.]
  43. Jackson, MacDonald P. Linguistic Evidence for the Date of Shakespeare's Addition to Sir Thomas More. Notes and Queries ns 25 (): 154–56. [Metz 159.]
  44. Chillington, Carol A. Playwrights at Work: Henslowe's, Not Shakespeare's, Book of Sir Thomas More. English Literary Renaissance 10 (): 439–79. [Geritz V006; Metz 146.]
    Review(s):
    1. Clare M. Murphy, Moreana 71/72 (): 115–121.
  45. Urkowitz, Steven. Shakespeare's Revision of King Lear. Princeton: Princeton UP, . 129–49. [Metz 149.]

1981 to Present

  1. Jackson, MacDonald P. Hand D of Sir Thomas More. Notes and Queries ns 28 (): 146.
  2. Melchiori, Giorgio. Hand D in Sir Thomas More: An Essay in Misinterpretation. Shakespeare Survey 38 (): 101–14.
  3. Forker, Charles R. Webster or Shakespeare? Style, Idiom, Vocabulary, and Spelling in the Additions to Sir Thomas More. Shakespeare and Sir Thomas More: Essays on the Play and its Shakespearean Interest. Ed. T. H. Howard-Hill. New Cambridge Studies and Supplementary Texts. Cambridge: Cambridge UP, . 151–70. [Sum.: Jean-Pierre Villquin, Moreana 108 (): 77–78.]
  4. Velz, John W. Sir Thomas More and the Shakespeare Canon: Two Approaches. Shakespeare and Sir Thomas More: Essays on the Play and its Shakespearean Interest. New Cambridge Studies and Supplementary Texts. Ed. T. H. Howard-Hill. Cambridge: Cambridge UP, . 171–95. [Sum.: Jean-Pierre Villquin, Moreana 108 (): 78–79.]
  5. Dawson, Giles E. Shakespeare's Handwriting. Shakespeare Studies 42 (): 119–28 + 3 plates.
  6. Ramsey, Paul. The Literary Evidence for Shakespeare as Hand D in the Manuscript Play Sir Thomas More: A Re-re-consideration. The Upstart Crow 11 (): 131–55.
  7. Merriam, Thomas. Lord Say, Sir Thomas More, and Good Friday. Moreana 109 (): 47–52. Online at http://www.thomasmorestudies.org/moreana/Moreana109pages47-52.pdf [Sum.: p. 52; Geritz V034. On the Jack Cade scenes in 2Hen6 and STM.]
  8. Jones, John. The One Manuscript: Sir Thomas More. Shakespeare at Work. Oxford: Clarendon P, . 7–37. [Includes Modern-spelling text (31–35).]
    Review(s):
    1. Eric Rasmussen, Modern Philology 96 (): 519–27, esp. 25–27.
  9. Melchiori, Giorgio, ed. King Edward III. Cambridge: Cambridge UP, . ix, 9, 14, 16–17, 37–38, 173–75.
  10. Sams, Eric. Spellings in Sir Thomas More (Hand M) and Edward III. ( or later) http://www.ericsams.org/spellings.htm
  11. Werstine, Paul. Hypertext and Editorial Myth. Early Modern Literary Studies 3.3 / Special Issue 2 (): 2.1–19. http://purl.oclc.org/emls/03-3/wersshak.html [Sum.: http://extra.shu.ac.uk/emls/03-3/03-3abs.html]
  12. Egan, Gabriel. A Response to Paul Werstine, Hypertext and Editorial Myth, Early Modern Literary Studies 4.3 (Jan. ): 16:1–4. http://purl.oclc.org/emls/04-3/gabread.html
  13. Werstine, Paul. Shakespeare More or Less: A. W. Pollard and Twentieth-Century Shakspeare Editing. Florilegium 16 (): 125–45. [Cit.: Jowett, Addressing Adaptation, p.75n2. Opposes Shakespeare as Author of Addition. See also Vickers.]
  14. Egan, Gabriel. Revision of Scene 4 of Sir Thomas More as a Test of New Bibliographical Principles. Early Modern Literary Studies 6.2 (): 6.1–5. http://purl.oclc.org/emls/06-2/eganmore.htm. [A further response to Werstine's EMLS article.]
  15. Werstine, Paul. The Two Material Versions of Scene 4 of Sir Thomas More. Early Modern Literary Studies 6.3 (): 22.1–3. http://purl.oclc.org/emls/06-3/wersnote.htm [Werstine's reply to Gabriel Egan's responses to his EMLS article.]
  16. Gabriel Egan. Idealist and Materialist Interpretations of BL Harley 7368, the Sir Thomas More Manuscript. Early Modern Literary Studies 7.2 (): 6.1–4. http://purl.oclc.org/emls/07-2/egannote.htm [Egan's further response to Werstine's response.]
  17. Werstine, Paul. The Second Material Version of Scene 4 of Sir Thomas More. Early Modern Literary Studies 7.3 (): 16.1. http://purl.oclc.org/emls/07-3/wersresp.htm. [Werstine's final reply to Gabriel Egan's further response.]
  18. Prince, Diana. New Evidence of an Authorship Problem. (). http://www.shakespeare-authorship.com/resources/more.asp [An Oxfordian critique of the Shakespearean identification of Hand D. See David Kathman's response.]
  19. Kathman, David. Shakespeare's Hand in Sir Thomas More. (). http://shakespeareauthorship.com/more.html [A response to Diana Price.]
  20. Knapp, Geoffrey. Shakespeare's Tribe: Church, Nation, and Theater in Renaissance England. Chicago: U of Chicago P, . 16, 145, 149–160, 163–64, 172.
  21. Vickers, Brian. Shakespeare, Co-Author: A Historical Study of Five Collaborative Plays. Oxford: Oxford UP, . 35–43. [Cit.: Jowett, Addressing Adaptation, p.75n2 (who gives the pages as 67–72): Favours Shakespeare as Author of Addition.]
  22. Honigmann. Ernest. Shakespeare, Sir Thomas More and Asylum Seekers. Shakespeare Survey 57 (): 225–35.
  23. Honigmann. Ernest. The New Bibliography and its Critics. Textual Performances: The Modern Reproduction of Shakespeare's Drama. Edited by Lukas Erne and Margaret Jane Kidnie. Cambridge: Cambridge UP, . 77–93, esp. 79, 90–91. [Includes a brief discussion of Hand D.]
  24. Jowett, John. Addressing Adaptation: Measure for Measure and Sir Thomas More. Textual Performances: The Modern Reproduction of Shakespeare's Drama. Edited by Lukas Erne and Margaret Jane Kidnie. Cambridge: Cambridge UP, . 63–76. [On the Middleton addition to Measure for Measure and the Shakespearean Addition to Sir Thomas More.]
  25. Honigmann. Ernest. Shakespeare's Deletions and False Starts. Review of English Studies ns 56 (): 37–48.
  26. McCluskey, Pete. Sir Edmund Tilney, Sir Thomas More, and the Dutch. in Shakespeare and the Low Countries. Ed. Douglas A. Brooks and A.J. Hoenselaars, Shakespeare Yearbook 15 (): 49–64.
  27. Ioppolo, Grace. Why you must need be straingers: Shakespeare's fair copy. Dramatists and their manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, authority and the playhouse. London: Routledge, . 102–109, 209–210. [Argues that Hand D is an authorial fair copy from authorial foul papers.]
  28. Jackson, MacDonald P. The Date and Authorship of Hand D's Contribution in Sir Thomas More: Evidence from Literature Online. Shakespeare Survey 59 (): 69–78.
  29. Merriam, Thomas. Some Further Evidence for Shakespeare's Authorship of Hand D in Sir Thomas More. Notes and Queries ns 53 (): 65–66. (DOI)
  30. Shoaf, R. Allen. Like as if that God / Owed not nor made not you: The Theater of Likeness in The Book of Sir Thomas More. Washington, DC: New Academia, . 219–21.
  31. Tobin, J. J. M. Shakespeare, Nashe, and Sir Thomas More. Notes and Queries ns 53 (): 59–62. (DOI)
  32. Wentersdorf, Karl P. On Momtanish Inhumanyty in Sir Thomas More. Studies in Philology 103 (): 178–l85. [Sum.: Argues that More criticizes the citizens' hostility to foreigners as Muslim inhumanity (Norton, 2nd ed., p.2032).]
  33. Jackson, MacDonald P. Is Hand D of Sir Thomas More Shakespeare's? Thomas Bayes and the Elliott-Valenza Authorship Tests. Early Modern Literary Studies 12.3 (): 1.1–36. http://purl.oclc.org/emls/12-3/jackbaye.htm [Sum.: http://purl.oclc.org/emls/12-3/abstracts.htm. Based on an earlier version of the Elliott-Valenza paper below.]
  34. Jackson, MacDonald P. A New Chronological Indicator for Shakespeare's Plays and Hand D from Sir Thomas More. Notes and Queries ns 54 (): 304–307. (DOI)
  35. Jowett, John. Shakespeare and Text. Oxford Shakespeare Topics. Oxford: Oxford UP, . 4, 12–17, 19, 30–34, 45, 91, 99, 101, 117–18, 131–32, 137–40, 147, 149, 164–65, 191, 194, 196.
  36. Villquin, Jean-Pierre. Sir Thomas More et Shakespeare. Moreana 163 (): 43–70. [Includes discussion of performance history (55–62).]
  37. Werstine, Paul. The Science of Editing. A Concise Companion to Shakespeare and the Text. Ed. Andrew Murphy. Oxford: Blackwell, . 109–27, esp.120–23.
  38. Downs, Gerald. A Question (not) to be Askt: Is Hand D a Copy? The Shakespeare Apocrypha. Ed. Douglas A. Brooks. Shakespeare Yearbook 16 (): 241–66.
  39. Robson, Mark. The Ethics of Anonymity. Modern Language Review 103:2 (): 350–363.
  40. Watt, Timothy Irish. The authorship of the Hand-D Addition to The Book of Sir Thomas More. Shakespeare, Computers, and the Mystery of Authorship. Ed. Hugh Craig and Arthur D. Kinney. Cambridge: Cambridge UP, . 134–61. [Another response to Elliott-Valenza.]
  41. Egan, Gabriel. The struggle for Shakespeare's text: twentieth-century editorial theory and practice. Cambridge: Cambridge UP, . 17, 18, 23, 24, 31, 39, 47, 50, 52, 53, 88, 121, 122, 166, 181, 199, 205, 213, 226, 247, 252, 263, 265.
  42. Elliott, Ward E. Y., and Robert J. Valenza. Two tough nuts to crack: did Shakespeare write the Shakespeare portions of Sir Thomas More and Edward III? Literary and Linguistic Computing 25 (): 67–83 + 165–77. (DOI) Available online at http://www.claremontmckenna.edu/facultysites/govt/FacMember/welliott/UTConference/2ToughNuts.pdf
  43. Miola, Robert. Shakespeare and The Book of Sir Thomas More. Moreana 183/84 (): 9–35. [Sum.: pp.9–10.]
  44. Es, Bart van. Shakespeare and co-authorship. Shakespeare in Company. Oxford: Oxford UP, . 278–301.
  45. Tudeau-Clayton, Margeret. This Is the Strangers' Case: The Utopic Dissonance of Shakespeare's Contribution to Sir Thomas More. Shakespeare Survey 65 (): 239–254.
  46. Ingebretson, N. M. A Hound in Shakespeare's Addition to Sir Thomas More. Notes and Queries ns 61 (): 256–57. (DOI)
  47. Purkis, James. Shakespeare's Singularity and Sir Thomas More. Shakespeare Survey 67 (): 150–64. (DOI)

More: Iconography

Iconography: Reference Works

  1. Gibson, R. W. Section XI: The Portraits of Thomas More That Appear in the Works Given in this Bibliography. St. Thomas More: A Preliminary Bibliography of His Works and of Moreana to the Year , Compiled by R. W. Gibson, With a Bibliography of Utopiana by R. W. Gibson and J. Max Patrick. New Haven: Yale UP, . 421–425.
  2. Michael, Erika. Paintings: Portraits of Thomas More and His Family. Hans Holbein the Younger: A Guide to Research. Garland Reference Library of the Humanities 1480. New York: Garland, . 373–380.

Iconography: General Studies

  1. Morison, Stanley. The Portraiture of Thomas More, by Hans Holbein and After: An Iconographical Consultation, Illustrated by the Paintings, Miniatures, Drawings, and Engravings by Artists of Four Centuries. Read to the Thomas More Society in the Library of the Inner Temple on . Cambridge: Cambridge UP, . [Geritz F214. Next item revises and expands this work.]
  2. Morison, Stanley. The Likeness of Thomas More: An Iconographical Survey of Three Centuries. Edited and Supplemented by Nicolas Barker. London: Burns & Oates; New York: Fordham UP, . [Add. & Cor.: A. I. Doyle, Moreana 4 (): 111; Germain Marc'hadour, The Likeness of Thomas More: Two Additions to Morison, Moreana 35 (): 85–89; Geritz F213 (and F160); Wentworth 135.]
    Review(s):
    1. Germain Marc'hadour, Moreana 2 (): 85–89.
  3. Pope-Hennessy, John. The Portrait in the Renaissance. Bollingen Series 35. New York: Bollingen Foundation, distributed by Pantheon Books, . [Geritz F248.]
  4. Schulte Herbrüggen, Hubertus, and J. B. Trapp. The King's Good Servant: Sir Thomas More, /1478–. [] See Bibliographies and Reference Works.
  5. Trapp, J. B. Supplementa Iconographica Moreana: Portraits of Thomas More in Italy and in Spain. Moreana 62 (): 73–82. Rpt. in Essays on the Renaissance and the Classical Tradition. London: Variorum Reprints, . X: 73–82.
  6. Wells, Kathleen. The Iconography of Saint Thomas More. Studies [Dublin] 70 (): 55–71. [Geritz F343; Wentworth 137.]
  7. Trapp, J. B. Thomas More and the Visual Arts. Saggi sul Rinascimento. Ed. S. Rossi. Milan: Edizioni Unicopli, . 27–54. Rpt. in Essays on the Renaissance and the Classical Tradition. London: Variorum Reprints, . VIII: 27–54 + Additions and Corrections: 2.
  8. Martinet, M.-M. Le livre dans les tableaux de la Renaissance: Perspective directe ou prespective inverse? L'Europe de la Renaissance: Cultures et Civilisations. Mélanges offerts à Marie-Thérèse Jones-Davies. Paris: Jean Touzot, . 103–08. [Mentions the Quentin Metsys diptych and Holbein-Locky portraits of More.]
  9. Martz, Louis L. Thomas More: The Search for the Inner Man. [] See More: Spirituality.
  10. Trapp, J. B. La Iconografía de Santo Tomás Moro. Ephialte: Lecturas de historia del arte [Vitoria-Gasteiz (Université du Pays Basque)] 2 (): 45–59 + 36 illustrations.
  11. Marc'hadour, Germain. Thomas More: l'Icône Verbale, erzatz de l'image naturelle. [] See Dialogue Concerning Heresies.
  12. Hulse, Clark. Dead Man's Treasure: the Cult of Thomas More. The Production of English Renaissance Culture. Edited by David Lee Miller, Sharon O'Dair, Harold Weber. Ithaca: Cornell University Press, . 190–225 (incl. 16 figures). [Geritz F124.]
  13. Haussy, Nathalie. The Execution of Thomas More: A Comparative Study of the Iconography. Thomas Morus Jahrbuch . 149–55. Rpt. Europa: Wiege des Humanismus und der Reformation. 5 Internationales Symposion der Amici Thomas Mori . bis in Mainz. Dokumentation. Ed. Hermann Boventer and Uwe Baumann. Frankfurt: Peter Lang, . 265–86. [Geritz F105.]

Holbein (Excluding Family Portrait)

  1. Portraits of Sir Thomas More. Notes and Queries 77 (): 87, 170, 272.
  2. Chamberlain, Arthur B. Hans Holbein the Younger. 2 vols. New York: Dodd, Mead, . [Wentworth 133.]
  3. The Famous Picture of Sir Thomas More. Notes and Queries 161 (): 1, 49, 87, 195–96, 227–28. [See also Portraits of Sir Thomas More above.]
  4. Holbein's Miniature of St. Thomas More. Universe July 12, 1935: 5. [Sullivan 2:114.]
  5. Ganz, Paul. Zwei Werke Hans Holbeins d. Jg. aus der Frühzeit des ersten englishen Aufenhaltes. Festschrift zur Eröffnung des Kunstmuseums Basel, Öffentliche Kunstsammlung . Ed. Otto Fischer, Daniel Burkhardt-Werthemann, and Paul Ganz. Basel: Birkhäuser, . 141–58.
  6. Parker, K. T. The Drawings of Hans Holbein in the Collection of His Majesty the King at Windsor Castle. London: Phaidon Press, .
  7. Clutton, G. An Emblem by Holbein for Erasmus and More. Journal of the Warburg Institute 1:1 (/38): 63–66. [Cit.: Germain Marc'hadour Moreana 1 (): 63,n.3.]
  8. Two Little-Known Pictures by Holbein in England. Burlington Magazine 83 (): 285–86 + 1 plate. [On a portrait of Dame Alice More by Holbein.]
  9. Hollis, Christopher. Holbein and Sir Thomas More. Tablet 196 (): 551. [Sullivan 2:119–20.]
  10. Ganz, Paul. The Paintings of Holbein the Younger: A First Critical Edition. London: Phaidon, . Also in German? Hans Holbein: die Gemälde. Basel: Birkhäuser, .
  11. Sir Thomas More by Holbein. Catholic Lawyer 2 (): 120–22. Rpt. ibid. 17 (): 289–91. [Brief description of the painting.]
  12. Piper, David. Holbein the Younger in England. Journal of the Royal Society of Arts 111 (): 736–55. [Geritz F246; Wentworth 136. Seminal article on Holbein's portraiture. Describes the complex ironies and ambiguities of Holbein's artistic vision.]
  13. Meulon, Henri. Présence de Thomas More. Moreana 4 (): 23–36. [Geritz F202. On the image of More in Holbein's Portrait and Erasmus's letters to von Hutten and Richard Whitford.]
  14. Strong, Roy. Holbein and Henry VIII. The Paul Mellon Foundation for British Art. London: Routledge & Kegan Paul, . [Geritz V052.]
  15. Thomas More. The Frick Collection: An Illustrated Catalogue. 8? vols. New York: The Frick Collection (Distributed by Princeton UP), . 1: 228–33.
  16. Gibaud, Henri. Note sur deux portraits de More. Moreana 23 (): 69–70. [On Erasmus and Holbein.]
  17. Munhall, E., ed. Thomas More. Masterpieces of the Frick Collection. Intro. H. D. M. Grier. New York: The Frick Collection (Distributed by The Viking Press), . 42–43.
  18. Barker, Nicolas. Holbein's Portrait of More: Two Unrecorded Episodes in Its History. Moreana 62 (): 67–72. [Geritz F008.]
  19. Leech, Peter. Introduction. Thomas More: The Rhetoric of Character. Ed. Alistair Fox and Peter Leech. Dunedin: U of Otago (A University Extension Publication), . 3–15, 101–03. [Some interesting comments on the Frick Portrait (3–6), plus summaries of contributions.]
  20. Foister, Susan. Drawings by Holbein from the Royal Library, Windsor Castle. New York: Johnson Reprint, Harcourt Brace Jovanovich, .
  21. Rowlands, John. The Paintings of Holbein the Younger, Complete Edition. London: Phaidon, .
  22. Gury, Jacques. William Gilpin and Holbein's More. Moreana 95/96 (): 113–15. [Sum.: p.115.]
  23. Hans Holbein the Younger. Cecily Heron. Royal Library. Windsor Castle. Moreana 113 (): 3.
  24. Langdon, Helen. Holbein. With notes by James Malpas. Phaidon Colour Library. London: Phaidon, , 2nd rev. ed. . Rpt. London, New York: Phaidon, .
  25. Michael, Erika. Paintings: Portraits of Thomas More and His Family. [] See Iconography: Bibliographies
  26. Foister, Susan. Holbein and England. New Haven and London: Paul Mellon Centre for Studies in British Art in Association with Yale University press, . 247–51, passim. Illustrations: #17, #56, #61, #81, #122, p.117 (detail of #81), #251–#254.
  27. Foister, Susan. Holbein in England. Rpt. London: Tate Gallery, . 128p.

Family Portraits

  1. Cust, Lionel. The Family of Sir Thomas More by Hans Holbein. Burlington Magazine 22 (/13): 43–44.
  2. Brockwell, Maurice Walter, and Rowland Winn. On Holbein and the More Family Portrait. Catalogue of the Pictures in the Collection of Lord St. Oswald at Nostell Priory. London: Constable, . 79–98. [Sullivan 1:131–32. Contains a description of the Rowland Locky copy of Holbein's portrait of More's family.]
  3. Askew, H. and W. H. Holden. The Famous Picture of Sir Thomas More. Notes and Queries CLXI (161 (): 195, 227–28. [Sullivan I:31 and 2:115–116. On the Nostell Priory Portrait.]
  4. Kurz, Otto. Holbein and Others in a Seventeenth Century Collection. Burlington Magazine 83 (): 279–82. [On the fate of Holbein's portrait of More's family.]
  5. Pächt, Otto. Holbein and Kratzer as Collaborators. Burlington Magazine 84 (): 132, 134–39 + 3 Plates. [Identifies Kratzer as the author of the inscriptions on the Holbein cartoon of More's family sent to Erasmus in Basel.]
  6. Kurz, Otto. Rowland Locky. Burlington Magazine 99 (): 13–16 + 1 plate. [On the painter of two copies () of More's family portrait made by Holbein (–27?).]
  7. Lewi, Angela. The Thomas More Family Group. London: Her Majesty's Stationary Office, . [Geritz F139; Wentworth 134.]
  8. Merriam, Thomas. Unveiling of the More Family Portrait at Nostell Priory. Moreana 79/80 (): 111–16. Online http://www.thomasmorestudies.org/moreana/Moreana79-80pages111-116.pdf
  9. Norrington, Ruth. The Household of Sir Thomas More. A Portrait by Hans Holbein, described by Ruth Norrington. Waddesdon, Buckinghamshire, UK: The Kylin Press, . [Geritz F220. Contains brief descriptions of each of the figures in the portrait.]
    Review(s):
    1. Renate Sander-Regier, Moreana 94 (): 47–48.
  10. Hinz, Berthold. Holbeins Schola Thomas Mori von . Wandel der Geschlecterbeziehungen zu Beginn der Neuzeit. Ed. Heide Wunder and Christina Vanje. Frankfurt: SuhrKamp, . 69–96 + 5 Illustrations. [Sum.: Erika Michael #1022. Discusses the implications of a School of Thomas More in Holbein's Portrait of the Family of Thomas More.]
  11. Byron, Brian. The More Family Portrait. Thomas More: The Saint and the Society. Ed. John McCarthy and Anthony Reynolds. Sydney: St. Thomas More Society, . 132–39. [Sum.: p.11–12. On More as a family man and on the various portraits of him and his family.]
  12. Michael, Erika. Paintings: Portraits of Thomas More and His Family. [] See Iconography: Bibliographies
  13. Lewis, Lesley. The Thomas More Family Group Portraits After Holbein. Leominster, Herefordshire: Gracewing, . Including 3 Plates. [The 6 figures reproduced between p.viii and p.1 include Holbein's Cartoon of the More Family in Basel and the five surviving copies of Holbein's painting by Rowland Locky.]
    Review(s):
    1. Seymour House, Moreana 141 (): 79–80. Online http://www.thomasmorestudies.org/moreana/Moreana141pages79-80.pdf
  14. Hall, Noeline. Holbein's Conversation Piece: Thomas More and Family. Brisbane: Kingswood P, . 84p.
    Review(s):
    1. Germain Marc'hadour, Moreana 159 (): 83–86.
    2. Germain Marc'hadour, News from Australia, Thomas More Gazette no.13 ):9.
  15. Riddy, Felicity. Fathers and Daughters in Holbein's Sketch of Thomas More's Family. Framing the Family: Narrative and Representation in the Medieval and Early Modern Periods. Ed. Rosalynn Voaden abd Diane Wolfthal. Medieval and Renaissance Texts and Studies, 280. Tempe: Arizona Center for Medieval and Renaissance Studies, . 19–38.
  16. Smith, Donald R. Portrait and counter-Portrait in Holbein's the Family of Sir Thomas More. Art Bulletin [College Art Association, New York] 87:3 (): 484–507.
  17. Mitjans, Frank. Non sum Oedipus, sed Morus: A Paper on the Portrait of Sir Thomas More and His Family. Moreana 168/169/170 (): 12–67 + Separate Booklet of Illustrations I–XII. [Sum.: pp.12–13.]
  18. Wegemer, Gerard. What Holbein & Lockey Captured in The Family of Sir Thomas More: A Family furnished for the full scope of human life. Moreana 173 (): 103–116. Rev. version as The Un-Utopian Thomas More Family Portrait: An Icon of Morean Humanitas. Young Thomas More and the Arts of Liberty. Cambridge: Cambridge UP, . 160–75. [Sum.: pp. 103–104.]

Quentin Metsys: Erasmus and Gillis Portraits

  1. Nichols, J. G. Remarks on Some Pictures of Quintin Matsys and Holbein, in the Collection of the Earl of Radnor, at Longford Castle. Archaeologia 44 (): 435–58.
  2. Philips. Margaret Mann. The Mystery of the Metsys Portrait. Erasmus in English 7 (): 18–21. [Sum. Virginia W. Callahan, Erasmus of Rotterdam Society Yearbook 1 (): 2–3. Identifies the Hampton Court copy as the original of the Metsys studio, signed and sent by Erasmus to More.]
  3. Campbell, Lorne, Margaret Mann Phillips, Hubertus Schulte Herbrüggen, and J. B. Trapp. Quentin Metsys, Desiderius Erasmus, Pieter Gillis and Thomas More. Burlington Magazine 120 (): 716–25 + 3 plates.
  4. Smith, Constance N. George Hardinge's Imitation of More's Verse on Quentin Metsys' Double Portrait of Erasmus and Peter Giles. [] See Reprints, Translations, and Adaptations of More's Epigrams in the 16th and 17th Centuries
  5. Bek, Lise. Thomas More on the Double Portrait of Erasmus and Pierre Gillis: Humanist Rhetoric or Renaissance Art Theory? Acta Conventus Neo-Latini Guelpherbytani: Proceedings of the Sixth International Congress of Neo-Latin Studies: Wolfenbuttel, to . Ed. Stella P. Revard, Fidel Rädle, Mario A. Di Cesare. Medieval & Renaissance Texts & Studies 53. Binghamton, NY: Medieval & Renaissance Texts & Studies, . 469–79. Online at http://www.archive.org/details/guelphactaconven00inteuoft [Geritz F011; Wentworth 236.]
  6. Jardine, Lisa. Erasmus: Man of Letters. [] See More and Erasmus.
  7. Castillo Martínez, Maria Paloma. Una teoría sobre el Retrato de un hombre desconocido de Quentin Massys. ¿Un posible retrato de Tomás Moro? Boletín del Museo e Instituto Camón Aznar: Obra Social de la Caja de Ahorras de Zaragoza, Aragón y Rioja 80 (): 53–76. Online at http://www.ctv.es/USERS/tmore/Index2.htm English translation as A Possible Portrait of Thomas More?: A Theory on Quentin Massys's Portrait of an Unknown Man. [Scottish National Gallery] () Online at http://www.ctv.es/USERS/tmore/ This file is no longer available on the Internet but can be recovered from the Internet Wayback Machine at https://web.archive.org/web/20101214093926/http://www.ctv.es/USERS/tmore/ [Identifies Massys's Portrait of an Unknown Man in the Scottish National Gallery as a portrait of More.]

Other More Iconography

  1. Smith, Preserved. Albert Dürer's Portrait of Sir Thomas More. Scribner's Magazine 51 (): 637–40. [Since identified as a picture of Lorenz Sterk.]
  2. Marc'hadour, Germain. Le symbolisme de la colombe et du serpent (de Johann Froben à Raymond Joly). Moreana 1 (): 47–63. [On prudent simplicity in More's life and works as symbolised by the dove and the serpent (cf. Matt. 10:16). Occasioned by Raymond Joly's Medal of More (and Froben's Printing Emblem).]
  3. Trapp, J. B. Suavius olet: A Bronze Medal of Thomas More and Its Motto. Moreana 4 (): 39–43. [Geritz V054.]
  4. St. Thomas More. The Venerabile 23 (–66): 348. [Sum.: F. Murray, Moreana 19/20 (): 100. A Note on two portraits ( and ) of More at the English College in Rome.]
  5. Trapp, J. B. The Abate Picinelli, Domenico Regi and Thomas More, A Postcript. Moreana 6 (): 43–50. [See also Trapp, Suavius olet above.]
  6. Jacques, J. Thomas More et John Fisher. Moreana 15/16 (): 102. [On a mid-17th Century double portrait of More and Fisher in Brussels. See also E.E. Reynolds, A Portrait of St. John Fisher, Moreana 4 (): 37. Both notes include B/W reproductions.]
  7. Reynolds, E.E. Memorial to More in the Tower of London. Moreana 26 (): 4. Online at http://www.thomasmorestudies.org/moreana/Moreana26page4.pdf [On a statue of Thomas More in the Tower of London, dedicated in .]
  8. Reynolds, E. E. A Note on John Donne. [] See John Donne and Thomas More.
  9. Schroeder, Karl. George Gilbert and the More Fresco of . Moreana 42 (): 49–58 + Front Cover. [Geritz I099. On a painting of the execution of More, Fisher and Margaret Pole in the English College Chapel at Rome.]
  10. Doyle, Charles Clay. Thomas More Iconography in the U.S.A. Moreana 51 (): 70–73.
  11. Telle. Emile V. Edmund Lodge on John and Thomas More (). Moreana 89 (): 93–96. [Sum.: p.110; Geritz I110.]
  12. Helmstaedter, Gerhard. Thomas Mores Bild im Gartenhaus Goethes Zu Weimar. Thomas Morus Jahrbuch. Boventer, Herman, ed. Düsseldorf: Triltsch Verlag, . 30–32.*** [Cit.: M. Sandgathe Moreana 109 (): 57.]
  13. Bradshaw, J. R., and Germain Marc'hadour. Thomas More in Two Almanacs of Oxford. Moreana 111/112 (): 5–14. [Sum.: p. 197; Geritz F025. On the representation of More in Two Oxford Almanacs of and , and on the influence of George Vertue's engravings of More.]
  14. Sandgathe, Mechtilf. Tracing the Connection Between Goethe and More. Moreana 109 (): 53–57. [See also article by G. Helmstaedter above.]
  15. Gabrieli, Vittorio. Thomas More and John Donne. See John Donne and Thomas More.
  16. Haussy, Nathalie. La Martyre de Sir Thomas More by Antoine Caron (). Thomas More Gazette 5 (): 13–18. [Geritz F106.]

See also Exhibitions.

Novels and Dialogues about Thomas More

Étienne Dolet

  1. Dolet, Étienne. Stephani Doleti Dialogus, de imitatione Ciceroniana adversus Desiderium Erasmum Roterodamum, pro Christophero Longolio. Lugduni [Lyon]: apud S[ebastian] Gryphium, . For digital copies, see USTC. [USTC 146891; Gibson 255; Sullivan 1:285 Univers 503. In this Dialogue, Morus is a straw man for the Erasmian position. For Dolet's Life, see CE 1:395–96.]
  2. Dolet, Étienne. Commentarium Linguae Latinae Tomus Primus. Lugduni [Lyon]: apud S[ebastian] Gryphium, . I: 473–75. For digital copies, see USTC. [Transcribed by Emile Telle below.] [USTC 147027; Gibson 254; Sullivan 1:285. Gibson: More was as happily gifted with literary talent, as he was unhappy in his unjust and unfortunate fate. See Emile Telle (below), pp.34–36.]
  3. Dolet, Étienne. L'Erasmianus sive Ciceronianus d'Étienne Dolet: introduction, fac-similé de l'édition originale du De imitatione Ciceroniana, commentaires et appendices. Facsimile Ed. Émile V. Telle. Travaux d'humanisme et Renaissance 138. Geneva: Librairie Droz, .
    Review(s):
    1. Margaret-Mann Phillips, Moreana 53 (): 93–100.
  4. Telle, Emile V. Étienne Dolet et Thomas More. Moreana 36 (): 33–38.

Dialogues, Colloquys and Fictional Letters

  1. Heywood, Ellis [Eliseo Heivodo]. Il Moro. () See Ellis Heywood's Il Moro.
  2. Thjulen, Lorenzo Ignazio. Dialogo ventesimo primo fra Tommaso Moro gran cancelliere d'Inghilterra e Gasparo Coligny di Sciatiglion ammiraglio di Francia. Dialoghi nel regno dè morti . . . Dell'abate Lorenzo Ignazio Thjulen. 48 v. in 6 fronts. Bologna: Tipografia Arcivescovile, . Rpt. 48 v. in 12. fronts. Roma: P. Manna, . [Worldcat OCLC 14220797 and 14220837; Gangale. Monograph.]
  3. Southey, Robert. Sir Thomas More, or Colloquies on the Progress and Prospects of Society. 2 vols. London: J. Murray, , , . Rpt. London: Cassell, . edition available online at http://www.archive.org/details/sirthomasmoreorc01soutuoft and http://www.archive.org/details/sirthomasmoreorc02soutuoft Also available through Project Gutenberg () as http://www.gutenberg.org/ebooks/4243 [In this colloquy, More mainly serves as a Yes man for Southey's views.]
  4. Reynolds, E.E. Colloquys with Sir Thomas More. I. At Lambeth Palace, + Philosophers and Kings, and An Evening with Peter Gilles. Moreana 63/2 (): 5–11 + 67/68 (): 5–13 + 73 ():49–58.
  5. Bénéton, Philippe. L'Utopie expliquée par Thomas More: Une lettre inédite de More à Machiavel. Moreana 41:159 (): 5–25. [Sum.: p.5. In a fictional letter to Machiavelli, the author explains his ironic art of writing. Bénéton later developed this into a book The kingdom suffereth violence (), see below.]
  6. Bénéton, Philippe. The Kingdom Suffereth Violence: The Machiavelli/Erasmus/More Correspondence and Other Unpublished Documents. Translated from the French Le Royaume souffre violence by Paul J Archambault. South Bend, Ind.: St. Augustine's Press, . [Worldcat OCLC 742509990. See also Bénéton L'Utopie expliquée par Thomas More () above.]
  7. Bastos da Silva, Jorge. The Catholic Sage: Remarks on Southey's Sir Thomas More: Or, Colloquys on the Progress and Prospects of Society. Moreana 50:193/194 (2013): 131–149. [Sum.: pp.131–32.]
  8. O'Donnell, Anne M. Philippe Bénéton's Hoax Uncovered. Moreana 51:195/96 (): 239–46. [In lieu of a review, Anne O'Donnell adds two more letters to Bénéton's fictional correspondence.]

Princess de Craon

Editions

  1. Craon, La Princesse de, Thomas Morus: Lord Chancelier du Royaume d'Angleterre au XVIe siècle. 2 vols. Paris: Librairie de C. Gosselin, . rpt. 2 vols. Paris: Moutardier, 3rd ed. . Rpt. Paris: Gaume, . Rpt. Paris: De Soye et Bouchat, 18**. edition Online at http://www.archive.org/details/thomasmoruslordc01crao and http://www.archive.org/details/thomasmoruslordc02crao [Worldcat OCLC 763213426 etc; Sullivan 1:226–27.]
  2. Craon, La Princesse de, Thomas Morus: Lord Chancelier du Royaume d'Angleterre au XVIe siècle. 2 vols. in 1? Brussels: Meline, Can et compagnie, , . Available online at HathiTrust. [Worldcat OCLC 793699463.]
  3. Valentine du Craon, Princesse. Thomas Morus. 2 vols. in 1. Brussels: Société Nationale pour la propagation des bons livres, , . 374p. [Worldcat OCLC 18212039.]

Translations

  1. Cusani, Francesco, trans. Tommaso Moro gran Cancelliere d'Inghilterra: romanzo storico del XVI secolo. Serie di romanzi storici e d'altro genere de' più celebri scrittori moderni per la prima volta tradotti nell'idioma italiano, 1/2. Milan: Pirotta, . Rpt. Milan: E. Savallo, . [Worldcat OCLC 878497135; Gangale. Italian translation.]
  2. Nagel, Gerhardus Heinrich, trans. Thomas Morus, Lord Kanselier van Engeland. Amsterdam: Diederichs, . [Dutch translation. Worldcat OCLC 65697699.]
  3. Leyder, M., trans. Thomas Morus, door de Prinses van Craon. Uit het fransch vertaald door M. Ledyer. Mechelen: P. J. Hanicq, . Online at http://books.google.com/books?id=Iow-AAAAYAAJ [Flemish/Dutch? translation. Worldcat OCLC 682402574.]
  4. Rütjes, Heinrich, trans. Thomas Morus oder der Heldentod für den Glauben: eine historische Erzählung aus dem Zeitalter der Reformation in England. Emmerich: J.L. Romen, . [German translation. Worldcat OCLC 247537499.]
  5. Valentine du Craon, Prinses. Thomas Morus, lord-Kanselier van het koningrijk Engeland in de zestiende eeuw. Encyclopédie: Lectuur voor nuttig en gezellig onderhoud: Tijdschrift voor alle standen, jrg. . Te Amsterdam: J.A. van Belle, . [Dutch translation. Worldcat OCLC 64733357.]
  6. Monroe. M. C., trans. Sir Thomas More: An Historical Romance. New York: Catholic Publication Society, . New York: Hickey, . New York: Christian Press Association Publishing Co., . First published in serial form Catholic World Vols.XXII–XXIV (); see Sullivan for pagenumbers. [English translation. Worldcat OCLC 20038032; Sullivan 2:226–27.]
  7. Valentine du Craon, Prinses. Thomas Morus. Leesbibliotheek voor christelijke huisgezinnene, jrg. /:5. 's-Hertogenbosch: Katholieke Illustratie, . Rpt. Gent: Sint Joseph's Huis, . [Dutch translation. Worldcat OCLC 71407736.]
  8. Valentine du Craon, Prinses. Thomas Morus, de groote Lord-Kanselier en Martelaar van Engeland. Amsterdam: Bekker, . ?97p. [Dutch translation. Worldcat OCLC 65077824.]

Anne Manning

Editions

  1. Manning, Anne. The Household of Sir Thos. More. Libellus a Margareta More, quindecim annos nata, Chelseiae inceptus. London: Hall, Virtue and Co., , , , , , . edition available online at http://www.archive.org/details/householdsirtho02manngoog edition available online at http://www.archive.org/details/householdofsirth00mannuoft [Worldcat OCLC 561905588, 77667035, etc. Sullivan 2:277–79.]
  2. Manning, Anne. The Household of Sir Thomas More. Libellus a Margareta More, quindecim annos nata, Chelseiae inceptus. Includes sketch of the life of Sir Thomas More from Edmund Lodge's Portraits of illustrious personages of Great Britain. New York: C. Scribner, , . edition available online at http://books.google.com/books?id=UMkkAAAAMAAJ [Worldcat OCLC 855295751, 427983069, etc.]
  3. Manning, Anne. The household of Sir Thos. More. New edition with an appendix. New York: M.W. Dodd, , . Rpt. New York: Dodd & Mead, . available online through Hathi Trust. [Worldcat OCLC 563012883, 608283295, 27847398.]
  4. Manning, Anne. The Household of Sir Thomas More. Libellus a Margareta More . . . inceptus . . . Sixth edition, with an appendix. London: Roper & Drowley; London: Burns & Oates; R. Washbourne, . 169p. [Worldcat OCLC 561905619, 217569175; Sullivan 2:279–80.. Same pagination in both editions.]
  5. Manning, Anne. The Household of Sir Thos. More. Intro. by W. H. Hutton. Illus. by John Jellicoe and Herbert Railton. London: John C. Nimmo; New York: C. Scribner, . 295p. . 272p. Rpt. Boston: Knight & Millet, . Rpt. London: Society for Promoting Christian Knowledge; New York, E.S. Gorham, . Rpt. London: G. Routledge; New York: E.P. Dutton, . edition available online at http://www.archive.org/details/holdofsirth00housemannrich edition available online at http://www.archive.org/details/householdsirthos00mann [Worldcat OCLC 561905631, 2862711, 18707781, 891024125, 41323103, 603698, etc.; Sullivan 2:149–50.]
  6. Manning, Anne. The Household of Sir Thomas More. New York: O'Shea, . [Worldcat OCLC 22257180.]
  7. Manning, Anne. The Household of Sir Thomas More. St. Louis, Mo., B. Herder, . [Worldcat OCLC 8058331.]
  8. Manning, Anne. The Household of Sir Thos. More. London: G. Routledge; New York: E. P. Dutton, . 272p. [Worldcat OCLC 1726127, 557399963, and 184778235.]
  9. Manning, Anne. The Household of Sir Thomas More. With intro. by Richard Garnett. King's Novels London: Alexander Moring Ltd., the De La More Press, . [Worldcat OCLC 12559039.]
  10. Manning, Anne. The Household of Sir Thomas More. Illus. by C. E. Brock. Series of English idylls. London: Dent; New York: Dutton, , 185p. Rpt. London: William Glaisher, . [Worldcat OCLC 751498208, 18139942.]
  11. Manning, Anne. The Household of Sir Thomas More. With Roper's Life of More. Everyman, Fiction series, 19. London: Dent; New York: Dutton, , , , , , , , . [Worldcat OCLC 491194141, etc.]
  12. Manning, Anne. The Household of Sir Thomas More. Intro. by W. H. Hutten. New universal library. London: G. Routledge, . 191p. [Worldcat OCLC 26739830.]
  13. Manning, Anne. The Household of Sir Thomas More by Anne Manning, with introduction by Richard Garnett. King's Classics, 33. London: Chatto & Windus, , . 158p. Online at http://www.archive.org/details/householdofsirth00mannrich [Worldcat OCLC 815619538, 1545302.]
  14. Manning, Anne. The Household of Sir Thomas More by Anne Manning, with introduction by Richard Garnett. Edinburgh: Riverside; Philadelphia : G.W. Jacobs, . [Worldcat OCLC 855984286.]

For a play based on Anne Manning's novel, see Mona Mora, The Wisdom of Foolishness .

Translations

  1. Bacmeister, Adolf, trans. Der Haushalt von Sir Thomas More: aus dem Tagebuch seiner Tochter Margareta. Nach der 4. Aufl. aus dem. Engl. übers. von Adolf Bacmeister. Stuttgart: Verlagsbuchhandlung von Carl Mäcken, . 172p. [German. Worldcat 695766009. Translated from the 4th English edition.]
  2. Bacmeister, Adolf, trans. Tagebuch der sechszehnjärigen Margaretha More: Tochter des Sir Thomas More, kanzler's des Königs Heinrich VIII von England aus den Jahren . Nach d. 4. Aufl. aus dwm Englischen übersetzt von Dr. Adf. Macmeister. Stuttgart: Mäcken, . 172p. Online at http://books.google.com/books?id=rFU6AAAAcAAJ [German. Worldcat OCLC 215544227.]
  3. Bacmeister, L. Adolf, trans. Margaret More's Tagebuch, . Deutsch von Dr. L. Adolf Bocmeister. mit Einleitung und Noten von F. J. Köhler. Paderborn: Ferdinand Schöningh, , , , , . [German. Worldcat 561905688, etc.]
  4. Vloten, Johannes van, trans. Margretha More's dagboek (): naar den vijfden Engelschen druk. mit inleiding van J. van Vloten. Haarlem: W.C. de Graaf, , . [Dutch. Worldcat OCLC 66329810. From the 5th English edition.]
  5. Scheffener, D. Het huisgezin van Thomas More. Wereld-boog reeks, 119 Amsterdam/Antwerpen: Wereld-Bibliotheek, , . [Dutch. Worldcat OCLC 64374459.]

Studies

  1. Marc'hadour, Germain. Anne Manning, : The Household of Sir Thomas More. Moreana 62/2 (): 83–90.
  2. Phillips, Margaret Mann. Anne Manning and her Tomb. Moreana 67/68 (): 153–54.

Other Works of Fiction About Thomas More and His Family

Texts

  1. C. J. M. [Mason]. Alice Sherwin. A tale of the days of Henry VIII. London: Burns & Oates, , . American title: Alice Sherwin: a tale of the days of sir Thomas More. New York : D. & J. Sadlier & Co., , , , , , , . Online at Google Books. German translation as Alice Sherwin: Historische Erzählung aus der Zeit Heinrich VIII. Von C. J. Mason. Vom Verfasser autorisierte Übersetzung. Sammlung unterhaltender Schriften der neuern englischen Literatur für gebildete katholische Leser, 1 Köln: J. B. Bachem, . online at Google Books. French translation by Aug Villiers de Lagrenée as Alice Sherwin: récit du temps de Sir Thomas Morus. Collections spéciales. Paris: H. Casterman, . [Worldcat OCLC 706901361, etc., (G) 644032919, (Fr) 460093661.]
  2. Dogliani, D. G. Tomaso Moro: Racconto storico. Biblioteca di racconti e novelle. Turin: Libreria Editrice S. Giuseppe, Collegio degli Artigianelli, , . [Worldcat OCLC 779223785.]
  3. Bernhart, Joseph. Thomas Morus: Roman. Fist published under the Pseudonym Erik Sanders in the first 23 issues of the Munich Weekly Sontag ist's (Verlag Josef Müller) in . Rpt. Weissenhorn: Anton H. Konrad, . [Worldcat OCLC 10941608. German novel by a priest-writer about Henry VIII's Great Affair.]
    Review(s):
    1. Martha Veithen, Moreana 73 (): 95–96.
  4. Wilby, Noel Macdonald. Fishers of men: a Tudor tale. [London]: [publisher not identified], . [Worldcat OCLC 43211647: Extracts from: Southwark record () . . . Story later reworked by author into a trilogy of novels: Two fortunate orphans, Alexander Tomlyn, A merry eternity. Abstract: Relates the story of orphans Alexander and Margery Tomlyn, whose lives mingle with those of Thomas More and John Fisher.]
  5. Wilby, Noel Macdonald. Two fortunate orphans. London: Burns, Oates & Washbourne Ltd., . [Worldcat OCLC 37816412: An orphaned boy and girl grow up in the company of John Fisher and Thomas More.]
  6. Wilby, Noel Macdonald. Alexander Tomlyn: a tale of old Cambridge. London: Burns, Oates & Washbourne, . [Worldcat OCLC 18620504.]
  7. Wilby, Noel Macdonald. A merry eternity: a romance of Sir Thomas More's household. New York: Benziger; London: Washbourne and Bogan, . [Worldcat OCLC 6483995.]
  8. Gretton, Mary (Sturge), Mary. Rue and Rosemary, As Seen Through a Contemporary's Eyes. Oxford: Hall the Printer, . [Worldcat OCLC 5135086; Sullivan 2:54.]
  9. White, Oliver B. The King's Good Servant. New York: MacMillan, . [Geritz I123. Worldcat OCLC 2399490.]
  10. Plaidy, Jean. [Eleanor Hibbert] The King's Pleasure. New York: Appleton, Century, Crofts, . etc. [Sullivan 2:107. A fictionalized account of the rise and fall of Ann Boleyn, that makes scattered references to More.]
  11. Bartschmid-Klapproth, Margarete. Das Gewissen des Königs: ein Thomas-More-Roman. Freiburg: Herder, , , , , . Spanish translation by B. Unrrueta as La consciencia del rey: Novela historica sobre Tomás Moro. Colección Prisma: Serie gris. Novelas Históricas. San Sebastián: Dinor, . [Worldcat OCLC 34695608 and 431408982.]
  12. Tey, Josephine. [Elizabeth Mackintosh.] The Daughter Of Time. [] See Richard III: Defences of Richard.
  13. Brady, Charles A. Stage of Fools. New York: Dutton, . [Worldcat OCLC 765242: Sullivan 1:120. This novel explores More's dispute with King Henry VIII.]
  14. Beahn, John E. A Man Born Again: Saint Thomas More. Milwaukee: Bruce Publishing Co., . [Worldcat OCLC 2883176; Sullivan 1:61. An apocryphal autobiography, purports to be the memoirs of Sir Thomas More written in the Tower, narrated in the first person.]
    Review(s):
    1. Charles J. Zinn, Catholic Lawyer 1 (): 57.
  15. Plaidy, Jean. [Eleanor Hibbert] St. Thomas's Eve. London: Robert Hale, , , . Rpt. London: Pan Macmillan, . Rpt. New York: Putnam, . New York: CT Fawcett Crest, . Mattituck, NY: Amereon, . London: Arrow Books (Random House UK), . ?Rpt as The King's Confidante: The Story of the Daughter of St. Thomas More. A Novel of the Tudors. New York: Three Rivers Press (Random House), . Rpt. in St. Thomas's Eve, Royal Road to Fotheringay, The Goldsmith's Wife, Perdita's Prince. London: Heinemann Octopus, . Rpt. London: Book Club Associates, . London: Peerage Books, . [Sum.: E.E. Reynolds, Moreana 47/48 (): 11–12; Geritz I050; Worldcat OCLC 6480916; Sullivan 2:107–108.]
  16. Magaret, Helene. The Head on London Bridge: Life of St. Thomas More. Illustrated by Louis Di Valentin. Milwaukee: Bruce Publishing, . 144p. [Worldcat OCLC 5702653. A Historical Novel. Juvenile.]
    Review(s):
    1. Renate Sander-Regier, Moreana 90 (): 87–88.
  17. Ince, Elizabeth M. Saint Thomas More of London. Illus. by Lili Réthi. Vision Books, 23. London: Burnes & Oates; New York: Farrar Straus & Cudahy, . 188p. Rpt. San Francisco: Ignatius Press, . [Worldcat 1808325; Sullivan 2:155. Juvenile fiction.]
  18. Zuchardt, Karl. Stirb, du Narr! Roman. Halle (Saale): Mitteldeutscher Verlag, . Slovak translation by Alfréd Engelmann as Umri, blázon! Edícia Meteor. Bratislava: Tatran, 1976. [Worldcat OCLC 1535693, 58867477.]
  19. Plaidy, Jean. [Eleanor Hibbert] Meg Roper, daughter of Sir Thomas More. [] See Margaret Roper: Biographies.
  20. Lafferty, Raphaël Aloysius. Past Master. New York: Ace Books, . Rpt. Berkeley Heights, N.J.: Wildside P, . Italian translation by Giampaolo Cossato [and Sandro Dandrelli] Maestro del Passato. Collana Cosmo. Milan: Editrice Nord, . French translation by Anne Zribi Le Maître du Passé. Paris: Calmann-Levy, . German translation by Joachim Pente Astrobe: Der Goldene Planet Munich: Knaur, . Japanese translation by Hiroshi Inoue as Tomasu Moa no daiboken: pasuto masuta. Tokyo: Seishinsha, . [Thomas More is taken in a time machine to head a future SF Utopia in . Nominated for the Hugo and Nebula Awards in . See Robert Bee () in Studies.]
  21. Percy, Walker. Love in the Ruins. New York: Farrar, Strauss, and Giraux, . Rpt. New York: Avon, . [The protagonist of Percy's dystopian third novel is Dr. Thomas More, a collateral descendant of the saint.]
  22. Warschawski, Anatoli. Ein Lordkanzler tritt zurück. Translated from the Russian by Marianne Schilow. Berlin Kinderbuchverlag, . [Worldcat OCLC 179175770. Juvenile fiction.]
  23. Reynolds, E. E. At Chelcheth, , and Gathering Clouds. Moreana 49 (): 5–14 + 53 (): 15–32. [Geritz I090. Chapters from an unpublished novel Tudor Printer by E. E. Reynolds.]
  24. Percy, Walker. The Thanatos Syndrome. New York: Farrar, Strauss and Giraux, . [Dr. Tom More also appears in Walker Percy's Sixth novel.]
    Review(s):
    1. Germain Marc'hadour, Moreana 108 (): 115–16 + 149 (): 104–105.
  25. Barlowe, Raleigh Bruce. Saint's Second Season. [] See Richard III: Defences of Richard.
  26. Green, Toby. Thomas More's Magician: A Novel Account of Utopia in Mexico. [] See Utopia: More, Bartolomé de Las Casas and Vasco de Quiroga.
  27. Bennett, Vanora. Portrait of an Unknown Woman: A Novel. New York: William Morrow: . New York: Harper Paperbacks, . German translation by Karin König as Bildnis einer jungen Frau historischer Roman. Frankfurt: M. Krüger, . rpt. Frankfurt: M. Fischer-Taschenbuch-Verlag, . Russian translation by E. V. Shukshinoĭ as Rokovoĭ portret. Moskva: AST, . Italian translation as Ritratto di una sconosciuta. Milan: Sperling & Kupfer, . [A Novel about Margaret Giggs Clement and Thomas More.]
  28. Mantel, Hilary. Wolf Hall. New York: Holt, . [See also Peter Ivor Kaufman () in Studies. A novel about Thomas Cromwell in which More is the villain. Winner of the Booker Prize in .]
    Review(s):
    1. Candace Gregory-Abbott, Moreana 179/80 (): 245–48.

Studies

  1. Berrigan, Joseph R. An Explosion of Utopias. Moreana 38 (): 21–26 + 93. [Geritz I009. About Walker Percy's Love in the Ruins ().]
  2. Hardesty, William H. The Programmed Utopia of R. A. Lafferty's Past Master. Clockwork Worlds: Mechanized Environments in SF. Eds. Richard D. Erlich and Thomas P. Dunn. Westport, CT: Greenwood, . 105–113.
  3. Marc'hadour, Germain. Walker Percy in the Wake of Thomas More. Moreana 123/24 (): 127–36.
  4. Bee, Robert. R.A. Lafferty, Sir Thomas More, and the Problems of Utopia. Internet Review of Science Fiction. 5.7 (). http://www.irosf.com/q/zine/article/10456
  5. Kaufman, Peter Ivor. Dis-Manteling More. Moreana 179/80 (): 165–93. [Sum.: pp.165–66. Criticizes the historical accuracy of Mantel's Wulf Hall.]
  6. Prescott, Anne Lake. Twice Beheaded: R.A. Lafferty's Thomas More. Moreana 50:191/92 (2013): 273–83.
  7. Karlin, Louis. What Bolt Got Right and What Mantel Got Wrong. [2015] See A Man For All Seasons.
  8. Bars Closel, Régis Augustine. Fictional Remembrances of Sir Thomas More: Part I — The Sixteenth Century. [2016] See More and Tudor Drama (excluding Shakespeare).

Poetry about Thomas More

Iohannes (Janus) Secundus / Jean Second / Jan Nicolai Everaerts ()

Editions

  1. [Secundus, Janus.] Incomparibilis doctrine, trium item linguarum peritissimi viri D. Erasmi rotherodami, in sanctissimorum martirum Rofensis, ac Thomae Mori, iam pridem in Anglia pro Christiana veritate constanter defensa, innocenter passorum heroicum carmen tam elegans quam lectum dignissimum . . . Ed. Heironymus Gebwyler. Haganau: V. Corbinian, . For digital copy see USTC, and Google Books. [USTC 666543 and 666542; Gibson 514. Falsely attributed to Erasmus.]
  2. Secundus, Janus. Naenia in mortem clarissimi viri Thomae Mori, auctore Joanno Secundo, Nicolai F. Hagiensis, falso antehac D. Erasmo Rot. adscripta, ac depravatissime edita. Louvain: in aedibus Servaes Sassenus [Servaes van Zassen], . 12p. [USTC 400596; Gibson 515.]
  3. Duval, Denis, ed. Ioannis Secundi Hagiensis, poetae elegantissimi opera, emendata et aucta. Paris: apud Dionysium Duvallium, sub Pegaso, in vico Bellovaco, . [Blanchard p.9; USTC 170635. First edition of Opera omnia to include the Naenia (omitted in and [USTC 421142 and 139139]).]
  4. Secundus, Janus. Opera, accurate recognita ex museo P. Scriuerii. Lugduni Batavorum: Apud Franciscum Hegerum, . Also , . [Gibson 516.]
  5. Secundus, Janus. Opera. Parisiis, sumptibus societatis, . 222–27. [Gibson 517.]
  6. Bosscha, P., ed. Ioannis Nicolaii Secundi Hagani Opera Omnia, emendatius et cum notis adhuc ineditis Petri Burmanni Secundi denuo edita cura petri Bossscha. Leiden: S. and J. Luchtmans, .
  7. Blanchard, André, ed. Jean Second et ses poèmes sur l'exécution de Thomas More. Angers: Éditions Moreana, . Also publ. in Moreana 36 (): 1–32 + Inside Back Cover + 38: 100. [Geritz I015; Sullivan 4:52–54 and S2:17. Includes Latin texts and French translations of five Latin epigrams on the death of Thomas More, the longest of which, the Naenia, is 163 lines.]
  8. Guillot, Roland, ed. [Funerum Liber XXVI–XXX.] Tome IV - Funerum liber et Siluarum liber, édition critique établie et annotée, traduction par Roland Guillot. [] in Jean Second: Oeuvres complètes. Édition critique établie et annotée par Roland Guillot. Textes de la Renaissance, 97, 99, 125, 155, 134. 5 vols. Paris: Honoré Champion puis Garnier, . Text reprinted in Paupe, Élodie. Jean Second et ses poèmes sur l'exécution de Thomas More. pp.81–85. [Worldcat OCLC 762601205, and Élodie Paupe 2013, below in Studies.]

Translations and Studies

  1. Starnes, D. T. A Heroic Poem on the Death of Sir Thomas More—By D. Erasmus of Rotterdam. University of Texas Studies in English 9 (): 69–81. [Wentworth 123. Wrong attribution: actually by Iohannes Secundus. See note to CWE 86, which explains how this false attribution actually arose, in Poems and Epigrams from the 16th to the 19th Centuries.]
  2. Newald, Richard. [Laßt uns des Morus entsetzlich Shicksal und Tod nun beweinen.] Erasmus Roterodamus. Freiburg im Bresgau: E. Burda, . 340–43. [Worldcat OCLC 8696883. A German translation of Secundus' Naenia attributed to Erasmus. See Moreana 29 (): 80.]
  3. Marc'hadour, Germain. Poems about Thomas More. [] See Poems and Epigrams from the 16th to the 19th Centuries.
  4. Blanchard, André. Note sur l'epitaphe de Thomas More par Jean Second. Moreana 39 (): 84. [Sullivan S2:17.]
  5. Guépin, J. P. Rouwklacht van Janus Secundus () voor Thomas More, . Maatstaf (Tijdschrift) 43:6 (June ): 71–77.
  6. Catellani-Dufrêne, Nathalie. Sed vatem canimus vates. Le supplice de Thomas More dans les Funera de Jean Second. Moreana 185/86 (): 47–68. [Sum. pp.47–48.]
  7. Paupe, Élodie. Jean Second et ses poèmes sur l'exécution de Thomas More: une lecture entre éloge et blâme. Masters Diss. Université de Neuchâtel, . Online at http://www.academia.edu/5261730/.

Jacobus Balde

  1. Balde, Jacobus. Thomae Mori Constantia. Jacobi Balde e Societate Jesu Lyricorum Libri IV / Epodon Liber Unus. Monachi [München], Apud heredes Cornelii Leyserii, . 5–6. Online at HathiTrust. [Pepin 1988: 63n5; Worldcat OCLC 318401675; Gibson 181* (1660). Many later editions, see Worldcat, Hathitrust, etc.]
  2. Balde, Jacobus. Thomae Mori Constantia. Jacobi Balde e Societate Jesu Lyricorum Libri IV / Epodon Liber Unus. Coloniae Ubiorum, Apud Jodocum Kalkovium, . 5–6. Online at HathiTrust. [Worldcat OCLC 801316114; Gibson 181*(1660).With a second titlepage copyrighted 1646, see next item.]
  3. Balde, Jacobus. Thomae Mori Constantia. Jacobi Balde e Societate Iesu Poematum tom. I–IV. 4 vols. Coloniae Ubiorum [Köln]: apud Joannem Busaeum, . I:8–9. [Worldcat OCLC 68850967; Gibson 181*.]
  4. Balde, Jacobus. Thomae Mori Constantia. Trans. James J. Mertz. Catholic Lawyer 6 (): 258–59. Rpt. in Thomae Mori Constantia (): In Memory of James Mertz, S. J. Moreana 90 (): 89–92. [Sullivan 1:43–44. A seventeenth-century epigram about More's death: Latin text and English translation. Moreana reprint also includes an introduction and a German translation.]
  5. Balde, Jacobus. Thomae Mori Constantia. Jesuit Latin Poets of the 17th and 18th Centuries: An Anthology of Neo-Latin Poetry. Selected and Paraphrased by James J. Mertz, S.J.; Edited and Annotated by John P. Murphy, S.J., in Collaboration with Josef IJsewijn. Wauconda, IL: Bolchazy-Carducci Publishers, . 100–103.
  6. Morvannou, F. Thomae Mori Constantia de Jacobus Balde, S. J. (). Moreana 94 (): 75–78. [French and Breton translations of Balde's epigram about More.]
  7. Pepin, R. E. Thomae Mori Constantia: A Rare Edition. Moreana 98/99 (): 61–64. [Includes Latin text with a new English translation.]

Poems and Epigrams from the 16th to the 19th Centuries

  1. H.A. Remarkable Epigram on Chancellor More. Gentleman's Magazine XLIX (): 26. [Sullivan 1:2. On Nicholas Bourbon's hostile 1540 invective against More. See Chamber's Thomas More pp.51–52.]
  2. Castelli, Alberto. Un Poemetto Inedito del Secolo XVI in Onore di San Tommaso Moro. Aevum (.–): 225–252. [Gibson 229 (by Zanobio Ceffino); Sullivan 1:175 and 179.]
  3. Bradner, Leicester, and C. Arthur Lynch. On St. Thomas More, an Epitaph of Uncertain Origin. Renaissance News 15 (): 1–2. [Geritz I064; Wentworth 116.]
  4. Sylvester, Richard S. The Man For All Seasons Again: Robert Whittington's Verses to Sir Thomas More. Huntington Library Quarterly 26 (): 147–54. [Geritz I107 (and I041); Wentworth 126.]
  5. Sylvester, Richard S. John Constable's Poems to Thomas More. Philological Quarterly 42 (): 525–31. [Geritz I106; Wentworth 125.]
  6. Wordsworth, William. Apology. Moreana 4 (): 47. [On the martyrdom of saintly Fisher, and unbending More. Ecclesiastical Sonnets 26 ().]
  7. Baker-Smith, Dominic. More, Buchanan and Florence Wilson. Moreana 7 (): 106–108. [Geritz I007; Sullivan S2:10. On three epigrams on More's resignation and death, published in 1532, 1540, 1541.]
  8. Sullivan, Frank. John Owen on Thomas More. Moreana 7 (): 104–105.
  9. Trapp, J. B. The Abate Picinelli, Domenico Regi and Thomas More, A Postcript. [] Iconography.
  10. Marc'hadour, Germain. Poems about Thomas More. Moreana 12 (): 87–89. [Geritz I068. On some epigrams by Iohannes Secundus () and a sonnet by Faustina degli Azzi ().]
  11. Blanchard, André. Poèmes du XVIe Siècle à la mémoire de Thomas More et Jean Fisher. Moreana 41 (): 93–99. [Geritz I016; Sullivan S2:17. Latin epigrams (with French translations) by Nicholas Grudius, Jean Latomus, Jean Vital, Jacques Exerichus and others.]
  12. Butkie, Joseph, Sabita Sankaran, and Donald Vecchiolla. Some Reflections on the Vision attributed to Thomas More. Moreana 42 (): 33–38. [Geritz E001.]
  13. Smith, Constance. A Seventeenth-Century Vision by Thomas More. Moreana 37 (): 5–14 + 41 (): 10. [Geritz E005.]
  14. Martyn, John R.C. John Owen () on Thomas More. Moreana 50 (): 73–77. Online http://www.thomasmorestudies.org/moreana/Moreana150pages73-77.pdf [Geritz I070; cf. Gibson 447. See also Howard Baker, Moreana 30 () 38, and Clarence Miller, Moreana 54 (): 97 + 100, n.7. See also Sullivan's and Doyle's and articles.]
  15. Prescott, Ann Lake. Further Comments on Thomas More's Vision. Moreana 54 (): 5–9. [Geritz E004.]
  16. Doyle, Charles Clay. Thomas More and the Epigrams of John Owen: A Reference and an Analog. Moreana 67/68 (): 39–41. [Geritz I033.]
  17. Gibaud, Henri, and G. Marc'hadour. Dame Gertrude More, O.S.B. Moreana 67/68 (): 122. [English text and French translation of first 10 lines of a 24 line poem in A Lover's Confessions.]
  18. Doyle, Charles Clay. The Hair and Beard of Thomas More: With Special Reference to the Play Sir Thomas More and an Epigram by John Owen. [] See The Book of Sir Thomas More
  19. Blanchard, André, and Jacques Chomarat. Spicilegium Moreanum. Moreana 74 (): 77–92. [A number of 16th century Latin epigrams about More with French Translations.]
  20. Britnell, Jennifer. Jean Bouchet's Epitaphs for Thomas More and John Fisher, . Moreana 85 (): 45–55. [Geritz I019; Wentworth 102; cf. Gibson 204.]
  21. Erasmus, Desiderius. Poems. Collected Works of Erasmus, Volumes 85–86. Translated Clarence H. Miller; Edited and annotated by Harry Vredeveld. 2 vols. Toronto: U of Toronto P, . 85: #144, pp.374–75 and 86: 733–34. [A doubtful attribution. Note also discusses Janus Secundus's Naenia, which was wrongly attributed to Erasmus.]

Twentieth Century Poems and Prayers

For other Poems about More in Moreana () (including earlier periods), see the Sections Poemata in the Index Volumes: 81: 53–54 + 120: 45.

  1. Thompson, Francis. To the English Martyrs. London: Burns & Oates, . Online at https://archive.org/details/cu31924013563741
  2. MacDonald, K. C. The Chancellor's Jest. G.K.'s Weekly (edited by G. K. Chesterton) : 23–24. Rpt. in G.K.'s Weekly: A Sampler. Ed. with an intro. L. W. Dorsett. Chicago: Loyola UP, . 469–70. [Sullivan 2:259.]
  3. Barrett, Alfred. Saint Thomas More to Margaret. Mint by Night. New York: America Press, . 8. [Sullivan 1:50, which quotes the poem.]
  4. Brady, Charles A. Ballad of St. Thomas More. America 64 (): 552. [Sullivan 1:119–20, which quotes the poem.]
  5. Sargent, Daniel. Morus. Moreana 15/16 (): 314.
  6. Levi, Peter, S.J. Sermon on St. Thomas More. Moreana 19/20 (): 148.
  7. Lowell, Robert. Sir Thomas More. Notebook, 1967–68. New York: Farrar, Straus, and Giroux, . 41. Online at http://tudorhistory.org/poetry/exmore.html [Sullivan S2:88.]
  8. Mascall, Eric L. To Chelsea's Strand I Fly: To a Dignitary who Spoke Contemptuously of a Saint. Moreana 21 (): 18.
  9. Pigato, J. B. Echos de Louvain. Moreana 31/32 (): 295–96. [A Latin epigram.]
  10. Zapatka, Francis E. Moreana in the Poetry of Robert Lowell. Moreana 51 (): 148–52. [Geritz I125. See also Franz Link below.]
  11. Duggan, D. M. Sir Thomas More: Three Poems. Sixteenth Century Journal 8:2 (): 5–7.
  12. Haushofer, Albrecht. Sir Thomas More (Moabiter Sonette, LXV). Moreana 91/92 (): 153–56. [Includes Facsimile, German text, and French, Italian, and English translations. See also Unterweg's review of Herbrüggen's edition of Haushofer's play Thomas Morus in Other Plays about More.]
  13. McGinley, Phillys. Paterfamilias. Moreana 20:79/80 (): 43–44. [Reprinted from The Love Letters of Phyllis McGinley, New York: Viking, ().]
  14. Boardman, Brigid M. Dear Jester in the Courts of God: Francis Thompson's Tribute to St. Thomas More. Moreana 101/102 (): 87–92. [Sum.: p.91; Geritz I017. On Francis Thompson's Ode to the English Martyrs (). See also The Last Prayer of Francis Thompson, Moreana 63/2 (): 100.]
  15. Little, G. C. Madrigal for Margaret Retrieving the Head of Sir Thomas More. Poetry Series 10. Quarterly Review of Literature 30 (): sec. C, p.56.
  16. Martin, Philip. An English Martyr, Tower of London, . Moreana 113 (): 88 + 89–90.
  17. Knox, Ronald A. A Hymn to Fisher and More. St. Thomas More Gazette 4 : 24.
  18. Marc'hadour. Germain. Praying to Saint Thomas More. Praying with Saint Thomas More. Angers: Éditions Moreana, . 82–87.
  19. Link, Franz. Robert Lowells Thomas-More-Gedicht. Thomas More . . . and More: Freundesgabe für / Liber Amicorum for Hubertus Schulte Herbrüggen. Edited by Christoph M. Peters and Friedrich-K. Unterweg. Frankfort am Main; New York: Peter Lang, . 137–148. [Sum.: pp.426–27; Gerhard Helmstaedter Moreana 156 (): 112–13. See also Zapatka's article.]