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www3.telus.net/neworphicpublishers-hekkanen The New Orphic Review New Orphic Publishers 706 Mill Street, Nelson, B.C. V1L
4S5 Canada Gilgamesh Revisited First published as an essay in: New Orphic Review, Vol. 8, No. 2, Fall, 2005; and later published in: Heretic! ISBN 1-894842-08-1 $18.00 plus
shipping $5.00 = $23.00 total Ernest Hekkanen I don’t pretend to
be a scholar; I’m not cut from that sort of cloth, I don’t have the sort of
patience necessary to quibble over small details that very rarely add up to
anything of any consequence; however, I am a reasonably intelligent person
who has been trained to use his discernment, and so it comes as no surprise
to me how we have unerringly ended up on the road to Waterloo, and here, I’m
speaking of America’s invasion of Iraq. Scholars are fond of telling us that
history repeats itself, but it seems to me that most scholars are in the job
of misinterpreting history in order to meet the mandate of the state-run
education system. One has only to read The Epic of
Gilgamesh, executed in cuneiform writing on clay tablets some five to six
millennia ago, to understand why George Bush Junior felt compelled to invade
the Babylon area of the Middle East, but I’m sure even Junior failed to
understand the true nature of his motivations, because he is neither very
bright nor very self-aware. However, he is a good Christian, purportedly, and
he does believe in conducting crusades. I was first introduced to The
Epic of Gilgamesh in high school, because of a course in literature and mythology I was
interested in taking in my senior year. That would have been in late 1964 or
early ’65. Although I found The Epic of Gilgamesh intriguing, I
absorbed its meaning none too well at that point in my life. I was prone to
reflection, but nonetheless I was a healthy young man, and a healthy young
man’s ability to reflect is frequently disturbed by hormones and such things.
Also, there were other pressing matters. For instance, there loomed the
threat of the Vietnam War, which President Lyndon Baines Johnson, the
Gilgamesh figure of that time, was urging us to fight in, but which I
ultimately avoided by crossing the border into Canada. I dutifully filed The
Epic of Gilgamesh away in a subconscious drawer of my mind, but due to recent events in
Iraq, took it out again and, voilà, upon reacquainting
myself with it, I discovered it had indeed had a profound effect on my
thinking. When I reread it nearly forty years later I found it even richer
than I did the first time round; indeed, I discovered it was a metaphor rife
with meaningful infrastructure which is still unfolding, quite willfully and
violently, today. Indeed, I don’t think we can fully
appreciate America’s invasion of Iraq, without first coming to grips with The
Epic of Gilgamesh. On the surface, the Gilgamesh epic is a
well-told adventure story that closely follows ‘the heroic cycles.’ It is a
coming-of-age tale. Gilgamesh, two-thirds god and one-third man, is an
impetuous Alpha Male Warrior whose adventures ultimately result in him
discovering the boon and bounty of life, after many wrong turns, dead-ends
and needless slayings. As an Alpha Male, Gilgamesh might be
best described as a right bloody royal flamer. He is a “king [who] should be
a shepherd to his people,” but instead he creates havoc in his own kingdom, by bedding down other
men’s wives and daughters and enlisting their sons in campaigns to further
the sphere of his influence – which, in many ways, is economic in nature, as
was America’s recent invasion of Iraq. Indeed, Adam Smith, the Patron Saint of
Capitalism, might very well have taken lessons from the anonymous social
philosopher who chiseled The Epic of Gilgamesh into clay tablets.
Mighty Gilgamesh, like his present-day successor, George Bush Jr., makes
forays into the wider world in order to bring back material wealth to the
walled city of Uruk, which “shines with the brilliance of copper.” The temple
built to Ishtar, the lady of love and war, the like of which “no latter-day
king [or] man can equal,” is a description worthy of America itself. In the Gilgamesh story, raw resources
are transported from the countryside back to Uruk and are turned into
commodities designed to add to the glory of the walled city. If we properly
do our literary archeology and unfold in greater and more literal detail the
meaningful infrastructure of Uruk, we are forced to conclude that there must
have been a large assortment of craftsmen working to make the city an emblem
of wealth and power. Later, Adam Smith would coin a term for this sort of
activity. That term was accumulation, which he saw as
occurring primarily in metropolitan areas. Since the heyday of his popular
social theories, his successors have replaced the word ‘accumulation’ with
the words ‘capital investment,’ in hopes of obfuscating what is really taking
place, I imagine. Gilgamesh’s warring and fornicating
takes a needless toll on his people. “He sounds the tocsin for his
amusement,” they claim. The citizens of Uruk petition the gods to bring
Gilgamesh into line, to place some restraints on him, for they themselves are
impotent to do anything, for fear that they will be unjustly dealt with, if
not killed. (Sounds as if they had a version of Homeland Security back then,
now, doesn’t it?) The gods hear the lament of the people of Uruk. To bring
the King to heel, and so make him a good shepherd to his people, the gods
persuade the goddess of creation to create a Jungian-type shadow by the name
of Enkidu. Enkidu is created as Gilgamesh’s equal; he is, in fact,
Gilgamesh’s own reflection or “second self.” The stage is now set for action. A
messenger goes to Uruk to extol the strength of Enkidu and to ask the King to
supply a harlot, “a child of pleasure,” whose “woman power [will] overpower
this man.” Here, if we are the least bit discerning, we might notice that the
anonymous author of the Gilgamesh epic has created the archetypes for Samson
and Delilah. Furthermore, if we are keen to acknowledge such things, we find,
at this point in the tale, the typecasting of woman as a thief who, given the
right opportunity, will steal a man’s power. It is a bad rap that women have
had to contend with for a very long time now. Furthermore, it is a notion
later foisted on us by other holy books which hail from that region of the
world. Gilgamesh, of course, subdues Enkidu,
who is described as a “savage man, come from far-off in the hills.” However,
it is important to note here how the gods accomplish this feat. After lying
with the harlot supplied by the gods’ representatives here on earth, Enkidu’s
knees give way when he starts to run. His swiftness leaves him; he grows
weak, “for wisdom [is now] in him.” The harlot’s control over Enkidu is made
complete when she urges him to “eat bread, it is the staff of life,” and to
drink wine, for it is “the custom of the land.” Obviously, Uruk was located
in a region where grain and grapes grew in some abundance. When Enkidu puts on Man’s clothing he
appears as “a bridegroom,” and it is in this aspect that he now attempts to
overthrow Gilgamesh, in an effort to “change the old order.” It is all in
vain, though, for Gilgamesh is destined to subdue Enkidu in a metaphorical
wrestling match. But coincidentally, prior to the wrestling match, the King
of Uruk has a strange dream that he asks his mother to interpret, and Ninsun
tells him that he is destined to “love Enkidu as a woman.” Centuries later, a
similar wrestling match would take place between Saddam Hussein and George
Bush Jr., two men who are imperfect reflections of each other, as Gilgamesh
and Enkidu are. Once Enkidu, the shadow, has been
subdued and, indeed, absorbed as part and parcel of Gilgamesh’s subconscious,
Enkidu becomes “oppressed by idleness” because he is a man of action and has
little to entertain him, and so his conscious spokesman – i.e. Gilgamesh –
suggests that they go on a journey to Lebanon to slay Humbaba, the guardian
of the forest, where cedars are destined to be felled and the wealth accruing
from them further add to the glory of Uruk. (Apparently, back then, there
weren’t any environmentalists bold enough to interfere with this pair of
freewheeling capitalists and their attendant armies.) During their adventures (perhaps, it
would be wiser to call them misadventures), Enkidu warns Gilgamesh that “the
strongest of men will fall to fate if he has no judgment.” But the warring
shepherd, Gilgamesh, replies “hold close to me now and you will feel no fear
of death…. Let your courage be roused by the battle to come; forget death and
follow me, a man resolute in action.” And so, they go forth, like crusaders,
to slay the guardian of the forest, followed by other ill-advised escapades
typical of unthinking youth. Ultimately, Enkidu, because of his
enormous lack of judgment – which has to do with him blindly following the
dictates of Gilgamesh – meets his fate. He dies of a fever, but not before he
has cursed woman for having endowed him with a modicum of wisdom. Upon
hearing his curses, Shamash lashes out from heaven, “Woman, I promise you
another destiny. The mouth which cursed you shall bless you! Kings, princes
and nobles shall adore you. . . For you he will undo his belt and open his
treasure and you shall have your desire: lapis lazuli, gold and carnelian
from the heap in the treasury.” In this fashion, harlots are turned
into goddesses and even saints, apparently. This is a dichotomy that holy
books of every description have passed down to us. They inform us that women
are temptresses, that they are unclean spoils that can be made clean by gods
and kings; and because fundamentalists of every stripe and persuasion have
read these so-called holy books, and have taken the message to heart, they
have reiterated it with great vigor down through the ages to the present
time. In The Epic of
Gilgamesh, roughly 15,000 words in length, we find a wealth of archetypal
characters later recycled in Greek and Roman myths, and in every holy book
that hails from the Middle East. We find enfolded in its pages ideas which
might have inspired Freud or Jung. Furthermore, in the characters of Enkidu
and Gilgamesh, we glimpse predecessors to Sancho Panza and Don Quixote. Also,
as I have already harped upon at some length, Gilgamesh outlines what became
the operative ethos of capitalism – a system based on plundering the
countryside in order to enrich cities. And, when it comes to literature, the
tale of Gilgamesh is a near-perfect example of the novella. Furthermore, after reading The
Epic of Gilgamesh, one comes to better understand why
Saddam Hussein felt compelled to impoverish his countrymen in order to build
monuments to himself, and why, in turn, George Bush Jr. felt compelled to
attack Iraq. Babylon is considered by many to be the Cradle of Civilization,
and for the West that might very well be true. Babylon has exported a form of
economics which has come to dominate the world, and because George Bush Jr.
and his cronies in the White House were determined to pursue the economic
mandate first articulated in The Epic of
Gilgamesh, they, out of necessity, had to invade Iraq;
nay, they were driven to do it, for reasons they themselves may only have
dimly fathomed. But as Enkidu, the Prototype Shadow,
reminds us from his grave: the strongest man falls to fate because he
lacks judgment, and I’m afraid this scenario is now playing itself out in the Good Ol’
United States, while respected scholars of every stripe and persuasion fail
to bring it to our attention, for fear that they might garner the attention
of Homeland Security. If only, like the people of Uruk, we had some gods we
could petition, gods who could bring Bush Jr. and his cronies to heel, but
such gods are the fabrication of impotent people who have been rendered
gullible by stories having to do with creation. In the end, I’m reminded of the
often-employed visual metaphor of the snake that devours itself by first
swallowing its tail. Or, as my father so often warned me, “If you know what’s
good for you, Ernest, you won’t pursue a course of action that will come back
to bite you in the ass.” It looks as though we haven’t learned a
lot from history, due to scholars who consistently misinterpret it or who are
too cowardly to buck authority. The right bloody royal flamer who was King of
Uruk, and who had absolutely no regard for his subjects, is still willing
with us today. I suspect he will be willing with us tomorrow and the day
after that as well, largely because those in power are in such firm control
of our gullibility. |