– Lorelei –
by George and Ira Gershwin 
from Pardon My English, 1932

A . . . . . . . . . . . . . . Bb . . . . . . A
Back in the days of knights in armor
A . . . . . . . . . . . . .Bb . . . . . . A
There once lived a lovely charmer
A
Swimming in the Rhine
A
Her figure was divine

A . . . . . . . . . . . .Bb . . . . . A
She had a yen for all the sailors
A . . . . . . . . . . Bb . . . . . . . .A
Fishermen and gobs and whalers
A . . . . . . . . . . . . .E
She had a most immoral eye
. . . . . A . . . . . .E
They called her Lorelei

D . . . . . . . . A
She created quite a stir
. . . E . . . . . . . . . . . . A . . A7
And I want to be like her

. . . . . . . D . . . . . . . G . . . . . . A
I want to be like that gal on the river
. . . . . . . . . . . .D . . . . . . .G . . . . . . . . A
Who sang her song to the ships passing by
F#m . . . . . . . . . . . . . . . . . . . . . . . . . . Bm
She had the goods and how she could deliver
. . . . E
The Lorelei

. . . . . . . . . . D . . . . . G . . . . . . . . . A
She used to love in a strange kind of fashion
. . . . . . . . . D . . . . . . . G . . . . . A
With lots of hey-ho-de-ho-hi-de-hi
F#m . . . . . . . . . . . . . . . . . . . Bm
And I can guarantee I'm full of passion
. . . . . . . D
Like the Lorelei

F#m . . . . . . . . . E
I'm treacherous, yeah-yeah
. . . . .A
Oh, I just can't hold myself in check
F# . . . . . . . . . E
I'm lecherous, yeah-yeah
  . . . . . . .A . G . . A . .Ab . .A9
I want to bite my initials on a sailor's neck

– Night And Day –
by Cole Porter
from "Gay Divorce," 1932

{Like the beat beat etc => Ex16, Fx4, F#x4, Ex8, then:}
. . . . . . . . Am . . . E7 . . . . . . Aj7
Night and day,     you are the one;
. . . . Am . . . . . . . . . . E7 . . . . . . . . . . . . Aj7
Only you beneath the moon and under the sun;
. . . . . . .F#m . . . . . . . F
Whether near to me or far,
. . . . .C#m7 . . . . . . . . .B . . . . . .B7
It's no matter, Darling, where you are
. .D2 . . . . . . E7 . . . . . . Aj7
I think of you   night and day.

. . . . . . . Am . . E7 . . . . . Aj7
Day and night,     why is it so
. . . . . . .Am . . . . . . . . .E7 . . . . . . . . . . . .Aj7
That this longing for you follows wherever I go
. . . . .F#m . . . . . . . . . F
In the roaring traffic's boom,
. . . . C#m7 . . . . . . .B . . . B7
In the silence of my lonely room, 
. .D2 . . . . . . E7 . . . . . . Aj7
I think of you    night and day.

. . . . . . . . C . . . . . . . . . .A
Night and day, under the hide of me,
. . . . . . . . C
There's an oh-such a hungry yearning
. . . . . . . . A
Burning inside of me,
. . . . . .F#m . . . . . . . . . . .F
And its torment won't be through
. . . . . C#m7 . . . . . . . . .B . . . . . . . B7
'Til you let me spend my life making love to you
D2 . . . . . . . .E7 . . . . . . Aj7
Day and night, night and day.

{Repeat above from "Night and day, under the hide of me," except last line, thusly:}
D2 . . . . . . . .E7 . . . . . . A . C . A . Aj7
Day and night, night and day.

    ><><><><><><><><><

. . . . . .D . . . . . . G . . . . . . .A
Each affair has a kick and a wallop
. . . . . . . . . . . .D . . . . . . . G . . . . . . A
For what they crave, I can always supply
– I've Got You Under My Skin –
by Cole Porter, 1936

. . . .D . . . . E . . . . . . . . A . . Aj7.A7
I've got you    under my skin;
. . . .D . . . . E . . . . . . . . . A . . . . . Aj7.A7
I've got you    deep in the heart of me,
. . . .D . . . . . . . . . .Dm . . . . . . . . . . Aj7 . . . . F#m
So deep in my heart   you're nearly a part of me;
. . . .D . . . . E . . . . . . . . A . . A7
I've got you    under my skin.

. . . .D . . . . E . . . . . . . . A . . Aj7.A7
I've tried so    not to give in;
. Dm6 . . . . . . . . . . . . G9 . . . . . . . . .Am.A
I said to myself, "This affair  never can go so well."
. . . G#m . . . . . . . . . . . . .B . . . . . . . . . . . . . F#m.F#
But  why should I try to resist, when Darling I know so well
. . . .D . . . . E . . . . . . . . A . . A7
I've got you    under my skin.

. . . E
I'd sacrifice anything, come what might, 
. . . . . . . A . . . . . . . . . . . . . . . A7
For the sake of having you near,
. . . . . . . . . . . .D . . . . . . . . . . . . Dm     
In spite of the warning voice that comes in the night 
. . . . . . A
That repeats and repeats in my ear,
. . . . . . . . .F#m . . . . . . . . D . . . . . . . . . . .A
"Don't you know, little fool,  you never can win?
. . . . . . . . . . . E . . . . . . . . . . . . . . A . . . A7
Use your mentality    wake up to reality."
. . . . . . . .D . . . . . . . . . . . . Dm    
But each time I do, just the thought of you
. . . . . . . . . A . . . . . . . . . . G- . F#-
Makes me stop before I begin -
. . . . . . . . . D . . . . Dm . . . . . . . .A
'Cause I've got you      under my skin

{repeat above, from "I'd sacrifice," then}
. . . .D . . . . Dm . . . . . . .A . . . A7
I've got you    under my skin.


    ><><><><><><><><><

F#m . . . . . . . . . . . . . . . . . . . .Bm
I want to be just like that other trollop
. . . .D
The Lorelei
{repeat last two lines}