Limes with Orange

First of all, I totally blanked on the losing film from last week's episode of On The Lot. I didn't even remember to write about it immediately after the show. Guess it really didn't leave much of an impression on me and I understand why David was sent home. Sorry David!

But on to this week. I would have to say there are no real winners and no real losers here, there are just varying shades of pretty good. I think my least favourite was Kenny's "Malibu Myth." I didn't feel that it was remotely original and I didn't feel any building tension. And I think Kenny should have let his Director of Photography do his job because the change in colour tone when the actors stepped out of the vehicle was jarring and I'm quite certain it was not intentional. But aside from that, the style was cool. But that's the problem with Kenny's work... it's always style over substance (as in there is no substance at all).

My middling ones were Sam's "Ankle Biters," Andrew's "Midnight Snack," Shira-Lee's "Open House" and Mateen's "Profile" (links to come once they're posted). The attack in Sam's film was very well done, but the film wasn't cohesive overall. And "Midnight Snack," while enjoyable, really was more comedy than horror. I think both Shira-Lee and Mateen got excellent performances from their actors which is a big plus for me. And I think that Mateen's approach to the horror genre was unique and should be commended. The moment when the rookie cop stepped into the bathroom had all the tension that one could ask for. But, unfortunately, the beginning and the ending didn't support the middle as well as they could have.

I guess my favourite film of the night (by a very narrow margin) was Jason's "Eternal Waters." The beginning of the film was excellent and really set a nice tone. And I loved the combination of real life scariness combined with the supernatural. And I enjoyed the twist that the supernatural stuff was the positive stuff. But I agree with guest judge Eli Roth (director of "Cabin Fever") that the performance by the actress playing the mother really let down an otherwise excellent film. I don't know whether that has to do with her acting ability or with Jason's directing ability, but if that performance had been stronger I'd be giving this film two very enthusiastic thumbs up. As it is, I'll give it one solid thumb up instead.

Labels: film, tv